Album IT 2018 on EMA Vinci label
Electronic and Classical (Contemporary)
Paola Perrucci Paola Perrucci and her Harp are constantly searching out both sonorous and virtuoso qualities, much of which as yet unexpressed, aimed at taking traditional technical possibilities towards new limits. Her specific attention to contemporary music has lead to an increasing number of composers taking a fresh interest in this new instrumental reality. Indeed, to date, a great deal of music has been written for and dedicated to her. In particular, we should mention musical productions such as “Solo di Donna” by Adriano Guarnieri and “Storia di Tawaddud” by Andrea Talmelli both of which arose from the ideas of Perrucci herself. These works, as with the forthcoming “Process a Costanza Monti”, by Guarnieri and Silvia Cecchi, revolve around women’s themes, in their transcendental and immanent forms. One other important feature of her instrumental research is that which concerns the re-examination ancient works, for example the reutilization of almost forgotten pieces like Bochsa and Labarre’s operatic paraphrases. Wholly original is her delivery of music for mechanical clocks by C. Ph. E. Bach, in which the similarity to the sounds of the harp is evident and historically tested.
![]() | Adriano Guarnieri , *1947 IT album by, composed by |
![]() | Cesare Augusto Grandi , album by, composed by |
![]() | Gilberto Cappelli , album by, composed by |
![]() | Paola Perrucci hrp, performer on track |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Senti il crepitio di acque fragorose per sette arpe e live electronics | Paola Perrucci | Adriano Guarnieri | 08:33 |
2 | Alba per arpa amplificata | Paola Perrucci | Gilberto Cappelli | 13:46 |
3 | Risonanze II per arpa ed elettronica | Paola Perrucci | Cesare Augusto Grandi | 13:39 |
4 | Un giardino per Annamaria per arpa amplificata | Paola Perrucci | Gilberto Cappelli | 14:17 |