Single AT 2016 on Moon Sounds Of Tao label
Electronic, Rock and Spoken Word (Ambient, Drone, Experimental, Noise, Space Rock)
This solar transmission was received before the moment of Solstice and transformed into warm lamp sounds by Thee Lioness Agitation Φ and then combined together with Void's software synthesizers, ritual jaw harp's vibrations and effects. This alloy creates unique sounds of magickal polyalchemy that brings the listeners into the dimension of Sun's cosmic games... Trinity is united, we fall and rise again in experiments with consiousness... The moments of darkness appear when we see dark sides of our souls, we are afraid and running from ourselves, but the light calls us again to perform our rituals as it is the only way that deliberates our souls from the dirt... When you forget your own dreams, the only people who help you are those who love you with their hearts... let Summer Solstice be our new beginning. From Wolfsberg, Thee Temple Ov Trinity ~Tube Sound: Lamp sounds are created by tube amplifiers, which we not only use but also worship for their rich and dynamic tones. Their nature is to create even order harmonics and a pleasant kind of distortion, which through psychoacoustic science appears to be more euphoric to our ears. We use two of them in serial along with a live sampling pedal, where one is dedicated to the fundamental bass and the other to the ambience and treble. Utilizing this technique we generate three dimensional stereo tones that float like liquid sunshine. One single note on the bass guitar may appear as a multitude of notes. Throughout our process, the color of sound - the Klangfarbe has always been an important element in our work. We think that it is just as relevant as the note itself. An idea, that was shaped by Stockhausen in the late 1950s and which would enter into all non-commercial styles as avant-garde, drone, ambient, etc. Stockhausen saw himself confronted with a conservative audience, who would not respect his ideas. Almost 60 years later things have changed, but still the flock is triggered with a pseudo-music to desire flat conformity and consumption. We as noise shamans oppose all psychick intoxication from the outside and seek individualism in art and magick. ~Etherealism: The key element to this album is the psychoacoustic transformation of the lamp bass sound, which is produced by the emphasis on certain frequencies at certain times. The listener finds him/herself transferred into the tonal variations of the Klangspektrum, as they circle around. Additional psychoacoustic effects such as panning and reverberation were used along with subtle additions of jaw harps and synthesized sounds. In *Narcosphere* for example there are are passages where the jaw harps takes the part of the bass, droning steadily into infinity, while the original bass part is high passed to let only ambience come through. Transformations from dark to light and back - we seek to think beyond a musical concept, so this is an idea we would like to rise to a magical, psychological level of being human-e. Evolution is change, is radical. This is truly music made under extreme conditions, as all true art is an expression of our deepest emotions, be they dark or bright. Just as sound itself needs both bass and treble to reach full cosmic spectrum, human as a multidimensional being needs to become aware of the fact that their positive energies are in constant interplay with their dark forces. As love is the law, there is nothing to fear. Broccoli is your friend. We truly hope you enjoy this solstice journey! Remember to experiment with volume, space and perception while listening! https://soundcloud.com/agitationphi https://agitationphi.bandcamp.com/ http://www.lien-void.info/ http://www.moon-sounds-of-tao.eu/
Agitation Phi eb, b, dr machine, sounds, album by | |
Lien Void voc, syn, *1990 AQ sounds, album by |
Astarte 23 cover |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Narcosphere | Agitation Phi, Lien Void | 25:57 | |
2 | Hathor Cymbal | Agitation Phi, Lien Void | 32:47 |