Album CA 1999 on The Elvis P. Nixon Institute label
Electronic and Spoken Word (Noise)
Copyright 1999: The Ainslie Wood Art Collective. A Production of The Elvis P. Nixon Institute Limited edition CD-R.
![]() | Ainslie Wood Art Collective , album by |
![]() | Arkell W. Farr IV , artwork, effects, electronics, producer, sampler, tape op, written by |
![]() | Bijon Roy ttbl, g, effects, electronics, producer, sampler, tape op, written by |
Arkell W. Farr IV |
Bijon Roy |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | The Hum: A Portrait Of Life Under High-Tension Power Lines (In Three Parts) | Ainslie Wood Art Collective | ||
2 | Part I | Ainslie Wood Art Collective | 6:01 | |
3 | Part II | Ainslie Wood Art Collective | 2:20 | |
4 | Transition I | Ainslie Wood Art Collective | 0:28 | |
5 | The Brimley Paradox (In Two Parts) | Ainslie Wood Art Collective | ||
6 | A. The Right Thing To Do | Ainslie Wood Art Collective | 6:31 | |
7 | B. An Easy Way To Do It | Ainslie Wood Art Collective | 2:31 | |
8 | Underwater Tearing (In Four Stages) | Ainslie Wood Art Collective | ||
9 | Stage I | Ainslie Wood Art Collective | 1:01 | |
10 | Stage II | Ainslie Wood Art Collective | 1:16 | |
11 | Stage III | Ainslie Wood Art Collective | 0:56 | |
12 | Stage IV | Ainslie Wood Art Collective | 0:51 | |
13 | Transition II | Ainslie Wood Art Collective | 0:19 | |
14 | Transition III | Ainslie Wood Art Collective | 1:22 | |
15 | Part III | Ainslie Wood Art Collective | 5:31 | |
16 | Transition IV | Ainslie Wood Art Collective | 3:11 | |
17 | Head Explosions | Ainslie Wood Art Collective | ||
18 | Prelude To The Full Effect | Ainslie Wood Art Collective | 1:10 | |
19 | The Full Effect | Ainslie Wood Art Collective | 2:19 | |
20 | Aftermath | Ainslie Wood Art Collective | 2:44 |