ArtistInfo
Al Haig
Meets The Master Saxes Volume Three
Compil. UK on Spotlite Records label
Jazz (Bop, Cool Jazz)
Tracks A1 & A2 recorded at Birdland, NYC, possibly Monday, September 3, 1951. Tracks A3 to A5 recorded at Carnegie Hall, NYC, Saturday, December 24, 1949. Tracks B1 to B4 recorded in NYC, Tuesday, January 17, 1950. Tracks B5 to B8 recorded in NYC, late 1948. Probably issued 1978 or 1979.
Musicians
 | Al Haig p, 1922-1982 US album by, piano |
 | The Kai Winding Sextet , performer on track |
 | Clyde Lombardi b, 1922-1978 US bass |
 | Tiny Kahn dr, US drums |
 | Zoot Sims ts, 1925-1985 US tenor saxophone |
 | Kai Winding tb, 1922-1983 US trombone |
 | Red Rodney tr, fh, 1927-1994 US trumpet |
 | Stan Getz Quintet , performer on track |
 | Tommy Potter b, 1918-1988 US bass |
 | Roy Haynes dr, *1925 US drums |
 | Stan Getz ts, 1927-1991 US tenor saxophone |
 | Herbie Steward Quintet , performer on track |
 | Curly Russell b, 1917-1986 US bass |
 | Jimmy Raney g, 1927-1995 US guitar, guitar, vocals |
 | Herb Steward ts, as, 1926-2003 US tenor saxophone |
 | Al Haig Quartet , performer on track |
 | Don Russo , bass |
 | Charlie Perry dr, 1924-1998 US drums |
 | Terry Swope voc, US vocals |
Producers
| Malcolm Walker design |
| Tony Williams producer, mastered by |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | Donna Lee | The Kai Winding Sextet | 3:58 | |
| 2 | East Of The Sun | The Kai Winding Sextet | 3:32 | |
| 3 | Always | Stan Getz Quintet | 3:49 | |
| 4 | Sweet Miss | Stan Getz Quintet | 4:14 | |
| 5 | Long Island Sound | Stan Getz Quintet | 2:41 | |
| 6 | Medicine Man | Herbie Steward Quintet | 2:37 | |
| 7 | Passport To Pimlico | Herbie Steward Quintet | 2:36 | |
| 8 | T'Aint No Use | Herbie Steward Quintet | 2:52 | |
| 9 | Sinbad The Tailor | Herbie Steward Quintet | 2:46 | |
| 10 | Haig 'N Haig | Al Haig Quartet | 2:36 | |
| 11 | Always | Al Haig Quartet | 2:25 | |
| 12 | Bopelbaby | Al Haig Quartet | 2:40 | |
| 13 | Talk A Little Bebop | Al Haig Quartet | 2:56 |
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Acknowledgements
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