*1963 GB, Sutton-in-Ashfield Composer of Electronic and Classical
Andrew Lewis (born in Sutton-in-Ashfield, Nottinghamshire on 14 May 1963) is a British composer known mainly for his acousmatic music, that is, electroacoustic music heard only over loudspeakers, though he also composes some chamber and orchestral music.Although very little music exists for conventional forces, there have been a few notable exceptions in recent years: Eclipse (orchestra, 2004) was premiered under Elgar Howarth in 2004, while in the same year Tempo Reale (string quartet, 2004) was chosen by Sir Peter Maxwell-Davies for a performance in London's Wigmore Hall.
Genres
Electronic
Classical
Popular Tracks
A German Requiem, Op. 45 (London Version): IV. How Lovely Are Thy Dwellings on Brahms: A German Requiem, Op. 45 by Johannes Brahms, Bella Voce, Madeline Slettedahl, Craig Terry & Andrew Lewis A German Requiem, Op. 45 (London Version): I. Blest Are They Who Are Sorrowful on Brahms: A German Requiem, Op. 45 by Johannes Brahms, Bella Voce, Madeline Slettedahl, Craig Terry & Andrew Lewis A German Requiem, Op. 45 (London Version): II. For Mortal Flesh Is as the Grass on Brahms: A German Requiem, Op. 45 by Johannes Brahms, Bella Voce, Madeline Slettedahl, Craig Terry & Andrew Lewis A German Requiem, Op. 45 (London Version): V. You Now Are Sorrowful on Brahms: A German Requiem, Op. 45 by Johannes Brahms, Bella Voce, Madeline Slettedahl, Craig Terry & Andrew Lewis A German Requiem, Op. 45 (London Version): VII. Blessed Are the Dead on Brahms: A German Requiem, Op. 45 by Johannes Brahms, Bella Voce, Madeline Slettedahl, Craig Terry & Andrew Lewis A German Requiem, Op. 45 (London Version): III. Lord, Teach Me to Know the Measure of My Days on Earth on Brahms: A German Requiem, Op. 45 by Johannes Brahms, Bella Voce, Madeline Slettedahl, Craig Terry & Andrew Lewis A German Requiem, Op. 45 (London Version): VI. For We Have on Earth No Abiding Place on Brahms: A German Requiem, Op. 45 by Johannes Brahms, Bella Voce, Madeline Slettedahl, Craig Terry & Andrew Lewis
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Acknowledgements
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