Album US 1987 on RCA label
Dance (Synth-pop, Disco)
Philip Bailey appears courtesy of Columbia Records Marc Russo appears courtesy of MCA Records, Inc. Produced for Glasshouse Productions Arranged for Anita Pointer Enterprises, Inc. Glasshouse Productions Recorded at The Plant Studios, Sausalito, CA Studio D, Sausalito, CA Mixed at Different Fur Studios, San Francisco, CA Mastered at Bernie Grundman Mastering, Hollywood, CA ℗ © 1987, BMG Music Made In U.s.A.
Anita Pointer voc, bvoc, *1948 US arranged by, album by | |
Preston Glass key, b, *1960 US arranged by, producer, drums, guitar, keyboards, drum programming, keyboards, written by, drums, keyboards, acoustic guitar, electric guitar, keyboards | |
Steve Diamond , US guitar, written by | |
Philip Bailey voc, perc, cng, *1951 US lead vocals, duet with | |
Marc Russo sax, US soloist, alto saxophone |
Teri Muench a&r, direction |
Ria Lewerke art direction |
Pietro Alfieri design |
Devon Galbraith engineer, assistant |
Jim Vereecke engineer, assistant |
Stuart Hirotsu engineer, assistant |
Tom Sazdeck engineer, assistant |
Leon Lecash photography by |
Maureen Droney recorded by, mixed by |
Anita Pointer backing vocals |
Jada Pointer backing vocals |
Linda Green backing vocals |
Stan Sheppard co-producer |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | Overnight Success | Anita Pointer | Mike & Brenda Sutton | 4:45 | |
2 | Love Me Like You Do | Anita Pointer | LeMel Humes, Mary Lee Kortes | 5:25 | |
3 | The Pledge | Anita Pointer | Jennifer Kimball, Tom Snow | 3:16 | |
4 | You Don't Scare Me | Anita Pointer | Don Cook, Steve Diamond | 3:40 | |
5 | More Than A Memory | Anita Pointer | Alan Glass, Preston Glass, Ronald Broomfield | 4:45 | |
6 | Have A Little Faith In Love | Anita Pointer | Alan Roy Scott, Michael Jay, Steve Diamond | 5:56 | |
7 | Love For What It Is | Anita Pointer | Lorraine Bregante | 5:05 | |
8 | Beware Of What You Want | Anita Pointer | Brenda Russell, Preston Glass | 5:42 | |
9 | Temporarily Blue | Anita Pointer | David Wills, Robert Moulds | 4:20 |
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