ArtistInfo
Anthony Braxton
Quintet (Tristano) 1997
Album US 2012 on New Braxton House label
Jazz (Free Jazz, Contemporary Jazz)
Recorded sometime around June 7-8, 1997, Wesleyan University, Middletown, CT
Musicians
 | Anthony Braxton as, *1945 US piano, liner notes, album by |
 | Jackson Moore as, US alto saxophone, tenor saxophone |
 | Chris Lightcap b, *1971 US bass |
 | Mike Szekely dr, bvoc, US drums |
 | Andre Vida voc, ts, *1974 US soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | Vol. 1 | Anthony Braxton | ||
| 2 | Dixie's Dilemma (Take-1) | Anthony Braxton | Warne Marsh | 8:46 |
| 3 | Sunflower | Anthony Braxton | Don Ferrara | 7:37 |
| 4 | Marshmallow (Take-2) | Anthony Braxton | Warne Marsh | 8:15 |
| 5 | C-Bop (Take-1) | Anthony Braxton | Billy Lester | 3:18 |
| 6 | Progression | Anthony Braxton | Lee Konitz | 7:11 |
| 7 | Subconscious Lee (Take-1) | Anthony Braxton | Lee Konitz | 4:58 |
| 8 | Background Music | Anthony Braxton | Warne Marsh | 7:32 |
| 9 | Marionette (Take-1) | Anthony Braxton | Billy Bauer | 8:04 |
| 10 | Tautology | Anthony Braxton | Lee Konitz | 7:41 |
| 11 | Ice Cream Konitz | Anthony Braxton | Lee Konitz | 7:05 |
| 12 | Vol. 2 | Anthony Braxton | ||
| 13 | Two Not One | Anthony Braxton | Lennie Tristano | 9:10 |
| 14 | How Deep Is The Ocean | Anthony Braxton | Irving Berlin | 3:53 |
| 15 | Sax Of A Kind | Anthony Braxton | Lee Konitz, Warne Marsh | 6:19 |
| 16 | Sound Lee | Anthony Braxton | Lee Konitz | 6:38 |
| 17 | 317 E. 32nd St. | Anthony Braxton | Lennie Tristano | 4:39 |
| 18 | Marshmallow (Take-1) | Anthony Braxton | Warne Marsh | 6:54 |
| 19 | C-Bop (Take-2) | Anthony Braxton | Billy Lester | 6:43 |
| 20 | Palo Alto | Anthony Braxton | Lee Konitz | 4:14 |
| 21 | Ablution | Anthony Braxton | Lee Konitz | 4:24 |
| 22 | Marionette (Take-2) | Anthony Braxton | Billy Bauer | 6:40 |
| 23 | Dixie's Dilemma (Take-2) | Anthony Braxton | Warne Marsh | 9:29 |
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Acknowledgements
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