Album 2013 on PHI label
Classical (Romantic, Choral)
Recording: 21-24 April 2012, deSingel, Antwerp Total time: 74:17 Comes in a six-panel gloss digipak with booklet, including sung txt,
Antonín Dvořák , 1841-1904 CZ album by | |
Ilse Eerens voc, *1982 BE soprano vocals, album by | |
Michaela Selinger voc, AT mezzo-soprano vocals, album by | |
Maximilian Schmitt , *1977 DE tenor vocals, album by | |
Florian Boesch b, *1971 AT bass vocals, album by | |
Collegium Vocale , chorus, album by | |
Royal Flemish Philharmonic , BE orchestra, album by | |
Philippe Herreweghe voc, *1947 BE conductor, album by | |
Jens Van Durme voc, liner notes, dutch translation | |
Charles Johnston , liner notes, english translation, other, proofreading | |
Catherine Meeus vn, acg, liner notes, french translation | |
Ivan Dramlitsch , liner notes, german translation | |
Michiel Hendryckx voc, BE photography by, philippe herreweghe |
Casier / Fieuws design |
Andreas Neubronner edited by, mastered by, producer |
Markus Heiland engineer |
Frederik Styns executive-producer |
Jan Kachalík liner notes |
Michel Dubois photography by, cover |
Antonín Dvořák |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | Stabat Mater Op. 58 | Antonín Dvořák - Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch, Collegium Vocale, Royal Flemish Philharmonic, Philippe Herreweghe | |||
2 | Stabat Mater Dolorosa – Quartet And Chorus (Andante Con Moto) | Antonín Dvořák - Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch, Collegium Vocale, Royal Flemish Philharmonic, Philippe Herreweghe | 17:00 | ||
3 | Quis Est Homo, Qui Non Fleret – Quartet (Andante Sostenuto) | Antonín Dvořák - Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch, Collegium Vocale, Royal Flemish Philharmonic, Philippe Herreweghe | 9:22 | ||
4 | Eja, Mater, Fons Amoris – Chorus (Andante Con Moto) | Antonín Dvořák - Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch, Collegium Vocale, Royal Flemish Philharmonic, Philippe Herreweghe | 6:23 | ||
5 | Fac, Ut Ardeat Cor Meum – Bass Solo And Chorus (Largo) | Antonín Dvořák - Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch, Collegium Vocale, Royal Flemish Philharmonic, Philippe Herreweghe | 7:32 | ||
6 | Tui Nati Vulnerati – Chorus (Andante Con Moto, Quasi Allegretto) | Antonín Dvořák - Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch, Collegium Vocale, Royal Flemish Philharmonic, Philippe Herreweghe | 4:39 | ||
7 | Fac Me Vere Tecum Flere – Tenor Solo And Chorus (Andante Con Moto) | Antonín Dvořák - Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch, Collegium Vocale, Royal Flemish Philharmonic, Philippe Herreweghe | 5:58 | ||
8 | Virgo Virginum Praeclara – Chorus (Largo) | Antonín Dvořák - Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch, Collegium Vocale, Royal Flemish Philharmonic, Philippe Herreweghe | 5:33 | ||
9 | Fac, Ut Portem Christi Mortem – Duet (Larghetto) | Antonín Dvořák - Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch, Collegium Vocale, Royal Flemish Philharmonic, Philippe Herreweghe | 4:16 | ||
10 | Inflammatus Et Accensus – Alto Solo (Andante Maestoso) | Antonín Dvořák - Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch, Collegium Vocale, Royal Flemish Philharmonic, Philippe Herreweghe | 5:02 | ||
11 | Quando Corpus Morietur – Quartet And Chorus (Andante Con Moto) | Antonín Dvořák - Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch, Collegium Vocale, Royal Flemish Philharmonic, Philippe Herreweghe | 7:40 |
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