Compil. 2011 on Impulse! label
Jazz (Hard-Bop)
1 to 6 recorded June 13 (3, 5) and June 14 (1, 2, 4, 6), 1961. 1 to 6 originally released as Impulse A(S) 7. 7 to 12 recorded July 16, 1963. 7 to 12 originally released as Impulse A(S) 45. Remastered at Eastside Mastering Studios, Berlin.
Art Blakey dr, 1919-1990 US drums, producer, original recording, album by, composed by | |
Sonny Stitt as, ts, 1924-1982 US alto saxophone, tenor saxophone, composed by | |
Art Davis b, 1934-2007 US bass | |
Jymie Merritt b, *1926 US bass | |
Douglas Payne , compilation producer, series | |
Matthias Künnecke , DE compilation producer, series | |
Bobby Timmons p, 1935-1974 US piano | |
McCoy Tyner p, *1938 US piano, composed by | |
Wayne Shorter ts, ss, *1933 US tenor saxophone | |
Curtis Fuller tb, *1934 US trombone, composed by | |
Lee Morgan tr, 1938-1972 US trumpet |
Mtrchoh art direction, design |
Gerd Naumann compilation producer, assistant |
Rudy Van Gelder engineer, recording |
Bob Thiele producer, original recording |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Jazz Messengers!!!!! | Art Blakey | ||
2 | Alamode | Art Blakey | Curtis Fuller | 6:45 |
3 | Invitation | Art Blakey | Bronislaw Kaper, Paul Francis Webster | 7:26 |
4 | Circus | Art Blakey | Louis Alter, Sidney Keith Russell | 5:12 |
5 | You Don't Know What Love Is | Art Blakey | Don Raye, Gene DePaul | 6:59 |
6 | I Hear A Rhapsody | Art Blakey | Dick Gasparre, George Fragos, Jack Baker | 6:32 |
7 | Gee Baby, Ain't I Good To You | Art Blakey | Andy Razaf, Don Redman | 4:57 |
8 | A Jazz Message | Art Blakey | ||
9 | Café | Art Blakey | Art Blakey, Sonny Stitt | 5:33 |
10 | Just Knock On My Door | Art Blakey | Art Blakey, Sonny Stitt | 6:56 |
11 | Summertime | Art Blakey | Dorothy Heyward, DuBose Heyward, George Gershwin, Ira Gershwin | 4:38 |
12 | Blues Back | Art Blakey | McCoy Tyner | 5:20 |
13 | Sunday | Art Blakey | Bennie Krueger, Chester Conn, Jule Styne, Ned Miller | 7:20 |
14 | The Song Is You | Art Blakey | Jerome Kern, Oscar Hammerstein II | 5:07 |