Album US 1999 on Big Fish Audio label
Dance (Latin, Freestyle, Abstract, Breakbeat, Electro, Downtempo, Experimental)
On this CD you will find nine categories, each of which represents styles or sounds reflected in my music during my existence on this planet. These categories are for guidance only, and to please my aesthetic sensibilities. You may find certain loops out of place or perhaps better located in another category. The truth is that those categories are considered 'peaks' (or points of reference) in a continuum of what music and sound mean to me. All the samples on this CD have one thing in common: they were entirely generated on a digital level, using a very minimalist set-up. Each loop is the product of many production steps: resampling, editing, reprogramming, etc., using and abusing the architecture and structure of digital equipment. Clicks, digital filter resonances, distortion, clipping, etc. - usually considered to be unwanted artifacts - are the core of this aesthetic, which aims to develop binary beauty instead of emulating analog sounds. Whenever you think this CD or your CD player is broken you can be sure that I have programmed it this way. Many of the loops you will find on Atomizer™ are actually unquantized and played by hand, not using the rigid timing grids of modern electronic music. Other loops have been generated by throwing virtually any raw material into the sampler and using its architecture to produce the rhythm. All loops have been sequenced on the Akai MPC3000, thus BPMs indicated refer to its Midi clock speed, which may differ slightly from other Midi clock speeds. Track annotations: #2 to #9 (Slo Motion™) Here you will find all kinds of atmospheric and/or downtempo beats. Emphasis is put on the binary mutation of such rhythms. Some of the loops may contain tonal elements. BPM: 40.3 to 116.0. #10 to #15 (Dig-Hop™) My interpretation and re-definition of Hip-Hop grooves... A style which urgently needs an update. Dig-Hop is based mainly on digital percussion, raw material and/or DSP-processed acoustic drums. BPM: 64.1 to 108.5. #16 to #23 (8-bit Boogie™) 8-bit Boogie refers to digital 'Electro' style grooves. The analog character which is usually connected with this style was eliminated and instead I provide an updated digital version. BPM: 89.0 to 135.0. #24 to #33 (Cut 'N' Paste™) My 'Cut 'n' Paste' section avoids the typical sounds used to produce typical kinds of beats. I used either selfmade DSP-based drum sounds or extremely treated and edited acoustic raw material to generate the rhythms in this section. BPM: 143.0 to 182.1. #34 to #43 (Supertropical™) My friend Señor Coconut invented this fusion out of Latin American grooves and digital abstractness. Supertropical contains digital Cha-Cha-Chas and Mambos as well as undefined rhythms which simply use the Latin swing. BPM: 88.0 to 196.5. #44 to #52 (Scientific Freestyle™) As the title suggests, rhythms which refuse to fit into any of the other categories on this CD. All types of speed, quantizations and signatures. Some loops may contain tonal bits. BPM: 68.0 to 209.4. #53 to #61 (Repetitive Digital Noise™) Beats created from various types of sampler/DSP abuse, such as clipping, resonances, or hard/software crashes. While many of these loops could have been placed in other categories, I include them here because the groove comes more from the digital artifacts than the underlying rhythm. BPM: 69.0 to 169.5. #62 to #71 (World Shuffle™) The world shuffle is based on the MPC3000's 'Swing' function. The 'Swing' quantize was always set to 75%. Some loops may contain combinations of various quantizations and Swings. BPM: 68.0 to 189.0. #72 to #78 (Percussion O.D.™) Intended to be layered with other loops, rather than used alone. BPM: 80.7 to 180.8. All sounds on "Atomizer™" generated, programmed, and recorded digitally at "Mira Musica", Santiago De Chile 1999. Equipment used: S6000, MPC3000, Kyma/Capybara 66 and Apple Macintosh G3 Powerbook. © Copyright 1999 Big Fish Audio Released in standard jewel case with 12-page booklet.
![]() | Atomizer™ , album by |
![]() | Matt Haines edited by, digital, performer, intro sequence by |
![]() | Atom Heart , DE programmed by, liner notes, uncredited, recorded by, digitally, sounds, generated by |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Atomizer™ | Atomizer™ | 1:20 | |
2 | Intro Sequence (Var. BPM) | Atomizer™ | ||
3 | Slo Motion™ | Atomizer™ | 8:46 | |
4 | Slow Speedmetal (40.3 BPM) | Atomizer™ | ||
5 | Bondi Beat (47.5 BPM) | Atomizer™ | ||
6 | Medium Sized (58.6 BPM) | Atomizer™ | ||
7 | No-fi Toms (64.2 BPM) | Atomizer™ | ||
8 | Needs An Upper (64.8 BPM) | Atomizer™ | ||
9 | Hintergrund (67.3 BPM) | Atomizer™ | ||
10 | Depro House (67.7 BPM) | Atomizer™ | ||
11 | Subquantized (75.5 BPM) | Atomizer™ | ||
12 | Under Water (75.7 BPM) | Atomizer™ | ||
13 | Hampel And Sold (77.1 BPM) | Atomizer™ | ||
14 | Defect Rimshot (78.0 BPM) | Atomizer™ | ||
15 | The Thing (78.3 BPM) | Atomizer™ | ||
16 | Almost Bowie (80.1 BPM) | Atomizer™ | ||
17 | Agua Fria (80.7 BPM) | Atomizer™ | ||
18 | Nice Surface (81.0 BPM) | Atomizer™ | ||
19 | Helado Caliente (82.2 BPM) | Atomizer™ | ||
20 | Tiny Drumkit (Wet) (82.5 BPM) | Atomizer™ | ||
21 | CHK_993 (85.7 BPM) | Atomizer™ | ||
22 | HAT (86.0 BPM) | Atomizer™ | ||
23 | Bit Beat (86.5 BPM) | Atomizer™ | ||
24 | Inner Space (88.0 BPM) | Atomizer™ | ||
25 | Hi-Hat Inferno (88.6 BPM) | Atomizer™ | ||
26 | Drifting (89.7 BPM) | Atomizer™ | ||
27 | Fellriss (91.5 BPM) | Atomizer™ | ||
28 | Jabon Gringo (98.2 BPM) | Atomizer™ | ||
29 | Calmante Fuerte (98.5 BPM) | Atomizer™ | ||
30 | Hotel Malabar (100.0 BPM) | Atomizer™ | ||
31 | 6/4 Times 1 (100.0 BPM) | Atomizer™ | ||
32 | 6/4 Times 2 (100.0 BPM) | Atomizer™ | ||
33 | Metalbender (100.8 BPM) | Atomizer™ | ||
34 | Disk Kaputt (103.8 BPM) | Atomizer™ | ||
35 | Shake Well (105.0 BPM) | Atomizer™ | ||
36 | Star Wars Rhumba (107.8 BPM) | Atomizer™ | ||
37 | 110 Volt (110.0 BPM) | Atomizer™ | ||
38 | Gehoert Dazu (112.0 BPM) | Atomizer™ | ||
39 | Atom's Loetkolben (112.0 BPM) | Atomizer™ | ||
40 | Tonal By Accident (113.1 BPM) | Atomizer™ | ||
41 | No Cymbals Needed (113.7 BPM) | Atomizer™ | ||
42 | Para Bartos (113.7 BPM) | Atomizer™ | ||
43 | Dave's Signal (115.7 BPM) | Atomizer™ | ||
44 | Bontempi Spirit (116.0 BPM) | Atomizer™ | ||
45 | Dig-Hop™ | Atomizer™ | 6:32 | |
46 | Tone Lock (64.1 BPM) | Atomizer™ | ||
47 | Funky Drummer (69.0 BPM) | Atomizer™ | ||
48 | Credibility Loss (72.0 BPM) | Atomizer™ | ||
49 | Subtle Snare (76.0 BPM) | Atomizer™ | ||
50 | 4000Hz (76.5 BPM) | Atomizer™ | ||
51 | Piece Of Art (77.0 BPM) | Atomizer™ | ||
52 | Bronx Schlager (77.0 BPM) | Atomizer™ | ||
53 | Recycle Sucks (77.9 BPM) | Atomizer™ | ||
54 | For Teatime (80.0 BPM) | Atomizer™ | ||
55 | Rissmnbluhs 1 (80.0 BPM) | Atomizer™ | ||
56 | Rissmnbluhs 2 (80.0 BPM) | Atomizer™ | ||
57 | Rissmnbluhs 3 (80.0 BPM) | Atomizer™ | ||
58 | Schneller Gemacht (80.3 BPM) | Atomizer™ | ||
59 | Gated (83.5 BPM) | Atomizer™ | ||
60 | Air Jordan (83.5 BPM) | Atomizer™ | ||
61 | Skippy Roo (84.0 BPM) | Atomizer™ | ||
62 | Brushes (88.5 BPM) | Atomizer™ | ||
63 | Linn Swing (88.7 BPM) | Atomizer™ | ||
64 | Fuss Schachtel 1 (90.8 BPM) | Atomizer™ | ||
65 | Fuss Schachtel 2 (90.8 BPM) | Atomizer™ | ||
66 | Squareroot (91.0 BPM) | Atomizer™ | ||
67 | Tubesound Stereo (92.5 BPM) | Atomizer™ | ||
68 | Vorsicht Beisst (95.0 BPM) | Atomizer™ | ||
69 | Joschka & Kosovo (98.0 BPM) | Atomizer™ | ||
70 | Water March (100.5 BPM) | Atomizer™ | ||
71 | Multiple Orgon (100.5 BPM) | Atomizer™ | ||
72 | Saber Como (103.0 BPM) | Atomizer™ | ||
73 | Soft Cake (104.4 BPM) | Atomizer™ | ||
74 | HAT 2 (104.8 BPM) | Atomizer™ | ||
75 | 8-bit Dig-Hop (108.5 BPM) | Atomizer™ | ||
76 | 8-bit Boogie™ | Atomizer™ | 6:49 | |
77 | Tonal Boogie (89.0 BPM) | Atomizer™ | ||
78 | Less Tonal Boogie( 89.0 BPM) | Atomizer™ | ||
79 | Hard Sync (96.0 BPM) | Atomizer™ | ||
80 | Radio Mix (99.0 BPM) | Atomizer™ | ||
81 | Mono Trademark (110.1 BPM) | Atomizer™ | ||
82 | Mono Resampled (110.1 BPM) | Atomizer™ | ||
83 | Dirty Boogie (104.3 BPM) | Atomizer™ | ||
84 | Los Dientes (111.0 BPM) | Atomizer™ | ||
85 | Frequency Shifted (116.0 BPM) | Atomizer™ | ||
86 | Sticky Beat (All) (116.0 BPM) | Atomizer™ | ||
87 | Sticky Beat (Less) (116.0 BPM) | Atomizer™ | ||
88 | Hard Disk Rock 1 (116.1 BPM) | Atomizer™ | ||
89 | Hard Disk Rock 2 (116.8 BPM) | Atomizer™ | ||
90 | Preset Speed (120.0 BPM) | Atomizer™ | ||
91 | Pitch Shifted (124.0 BPM) | Atomizer™ | ||
92 | Digital Fuzz (124.0 BPM) | Atomizer™ | ||
93 | Ningun Clave (125.0 BPM) | Atomizer™ | ||
94 | C.P.U. (125.0 BPM) | Atomizer™ | ||
95 | Corto Solo (126.0 BPM) | Atomizer™ | ||
96 | Corto Completo (126.0 BPM) | Atomizer™ | ||
97 | Bump Modulated (126.0 BPM) | Atomizer™ | ||
98 | Computer Welt (128.0 BPM) | Atomizer™ | ||
99 | Algo Ritmico (128.0 BPM) | Atomizer™ | ||
100 | 2 Much 2 Explain (128.0 BPM) | Atomizer™ | ||
101 | Schleift (128.0 BPM) | Atomizer™ | ||
102 | Gagarin 1 (130.0 BPM) | Atomizer™ | ||
103 | Gagarin 2 (130.0 BPM) | Atomizer™ | ||
104 | Rings A Bell (131.0 BPM) | Atomizer™ | ||
105 | Para Miguel (132.0 BPM) | Atomizer™ | ||
106 | Miguel Gated (132.0 BPM) | Atomizer™ | ||
107 | 2 Takter (Komplett) (132.0 BPM) | Atomizer™ | ||
108 | 2 Takter (Hi Hats) (132.0 BPM) | Atomizer™ | ||
109 | Miguel Violated (132.0 BPM) | Atomizer™ | ||
110 | Sparse Arrangement (132.0 BPM) | Atomizer™ | ||
111 | Hoelzer (133.0 BPM) | Atomizer™ | ||
112 | White Nose (134.0 BPM) | Atomizer™ | ||
113 | Brown Nose (134.0 BPM) | Atomizer™ | ||
114 | 10Hz Overload (134.0 BPM) | Atomizer™ | ||
115 | Waanabe Standard (135.0 BPM) | Atomizer™ | ||
116 | Franzbranntwein (135.0 BPM) | Atomizer™ | ||
117 | Good Old Times (135.0 BPM) | Atomizer™ | ||
118 | Text (135.0 BPM) | Atomizer™ | ||
119 | Ruido Espantoso (135.0 BPM) | Atomizer™ | ||
120 | Cut 'n' Paste™ | Atomizer™ | 6:04 | |
121 | Gold Stinkt (143.0 BPM) | Atomizer™ | ||
122 | Silber Auch (146.5 BPM) | Atomizer™ | ||
123 | Brown 1 (146.5 BPM) | Atomizer™ | ||
124 | Brown 2 (146.5 BPM) | Atomizer™ | ||
125 | Brown 3 (146.5 BPM) | Atomizer™ | ||
126 | Brown 4 (146.5 BPM) | Atomizer™ | ||
127 | Fine Percussion (148.5 BPM) | Atomizer™ | ||
128 | Male Box (150.5 BPM) | Atomizer™ | ||
129 | Dos Track (150.1 BPM) | Atomizer™ | ||
130 | Tres Track (150.5 BPM) | Atomizer™ | ||
131 | Quatro Track (150.7 BPM) | Atomizer™ | ||
132 | Kyma Treatment (151.0 BPM) | Atomizer™ | ||
133 | Digital Patchwork (151.8 BPM) | Atomizer™ | ||
134 | Cut 'n' Jazz (152.5 BPM) | Atomizer™ | ||
135 | Brushing Untight (155.1 BPM) | Atomizer™ | ||
136 | Low Pass Spass (155.5 BPM) | Atomizer™ | ||
137 | Empty Jungle (157.1 BPM) | Atomizer™ | ||
138 | Cut 'n' Paste 1 (159.0 BPM) | Atomizer™ | ||
139 | Cut 'n' Paste 2 (159.0 BPM) | Atomizer™ | ||
140 | Cut 'n' Paste 3 (159.0 BPM) | Atomizer™ | ||
141 | Cut 'n' Paste 4 (159.0 BPM) | Atomizer™ | ||
142 | Cut 'n' Paste 5 (159.0 BPM) | Atomizer™ | ||
143 | Cut 'n' Paste 6 (159.0 BPM) | Atomizer™ | ||
144 | Cut 'n' Paste 7 (159.0 BPM) | Atomizer™ | ||
145 | Cut 'n' Paste 8 (159.0 BPM) | Atomizer™ | ||
146 | Cut 'n' Paste 9 (159.0 BPM) | Atomizer™ | ||
147 | Cut 'n' Paste 10 (159.0 BPM) | Atomizer™ | ||
148 | Cut 'n' Paste 11 (159.0 BPM) | Atomizer™ | ||
149 | Cut 'n' Paste 12 (159.0 BPM) | Atomizer™ | ||
150 | Cut 'n' Paste 13 (159.0 BPM) | Atomizer™ | ||
151 | Cut 'n' Paste 14 (159.0 BPM) | Atomizer™ | ||
152 | Haaboescht (160.0 BPM) | Atomizer™ | ||
153 | 02R (160.7 BPM) | Atomizer™ | ||
154 | S6000 Crash 1 (161.0 BPM) | Atomizer™ | ||
155 | You Hear Right (162.4 BPM) | Atomizer™ | ||
156 | Farbe (165.0 BPM) | Atomizer™ | ||
157 | Beispiel (165.0 BPM) | Atomizer™ | ||
158 | Einrasten (165.0 BPM) | Atomizer™ | ||
159 | Nochmal Einrasten (165.0 BPM) | Atomizer™ | ||
160 | Und Nochmal (165.0 BPM) | Atomizer™ | ||
161 | Hegel, Masturbating (165.0 BPM) | Atomizer™ | ||
162 | 30ML vs E3A (167.2 BPM) | Atomizer™ | ||
163 | Random LFO (173.5 BPM) | Atomizer™ | ||
164 | Soft Step (175.1 BPM) | Atomizer™ | ||
165 | Rough Like A Cookie (175.5 BPM) | Atomizer™ | ||
166 | Hummeln (179.0 BPM) | Atomizer™ | ||
167 | Dala Y Lama (181.0 BPM) | Atomizer™ | ||
168 | S6000 Crash 2 (182.1 BPM) | Atomizer™ | ||
169 | Supertropical™ | Atomizer™ | 7:04 | |
170 | Festplatten Mambo (88.0 BPM) | Atomizer™ | ||
171 | HAT in Havanna (95.0 BPM) | Atomizer™ | ||
172 | Cumbiamberita (95.5 BPM) | Atomizer™ | ||
173 | Chocolatina (101.0 BPM) | Atomizer™ | ||
174 | Santi A Go Go (101.5 BPM) | Atomizer™ | ||
175 | Beguine (104.0 BPM) | Atomizer™ | ||
176 | Tito's Hard Disk (110.6 BPM) | Atomizer™ | ||
177 | Short Latin Wedding (112.3 BPM) | Atomizer™ | ||
178 | Long Latin Wedding (112.3 BPM) | Atomizer™ | ||
179 | Ouch, My Hands (112.8 BPM) | Atomizer™ | ||
180 | Fonosandwich 1 (113.0 BPM) | Atomizer™ | ||
181 | Fonosandwich 2 (113.0 BPM) | Atomizer™ | ||
182 | Fonosandwich 3 (113.0 BPM) | Atomizer™ | ||
183 | Fonosandwich 4 (114.0 BPM) | Atomizer™ | ||
184 | Sao Paulo Shuffle 1 (114.8 BPM) | Atomizer™ | ||
185 | Sao Paulo Shuffle 2 (114.8 BPM) | Atomizer™ | ||
186 | Conga Chueca (115.2 BPM) | Atomizer™ | ||
187 | 2/4 Off Quantize (116.0 BPM) | Atomizer™ | ||
188 | Cuban Radio 1 (123.0 BPM) | Atomizer™ | ||
189 | Cuban Radio 2 (123.0 BPM) | Atomizer™ | ||
190 | Rio Streetsound (124.6 BPM) | Atomizer™ | ||
191 | Talking Drums (126.0 BPM) | Atomizer™ | ||
192 | Synthetic Rhumba (126.6 BPM) | Atomizer™ | ||
193 | Clave Inferno (128.0 BPM) | Atomizer™ | ||
194 | African Traditional (128.0 BPM) | Atomizer™ | ||
195 | Musica Moderna (129.0 BPM) | Atomizer™ | ||
196 | Quira En Azul (129.0 BPM) | Atomizer™ | ||
197 | Para Antonio Machin (134.0 BPM) | Atomizer™ | ||
198 | Bongo Pensante (136.5 BPM) | Atomizer™ | ||
199 | Puerto Rican Power (146.0 BPM) | Atomizer™ | ||
200 | Miami Weiss (148.0 BPM) | Atomizer™ | ||
201 | Miles' Horses (151.0 BPM) | Atomizer™ | ||
202 | Merengue For Matt (151.5 BPM) | Atomizer™ | ||
203 | Neo Latino (153.5 BPM) | Atomizer™ | ||
204 | Preset Freakout (153.5 BPM) | Atomizer™ | ||
205 | Poco Loco (170.0 BPM) | Atomizer™ | ||
206 | Mambo No. 4 (172.2 BPM) | Atomizer™ | ||
207 | El Coco Baile 1 (175.0 BPM) | Atomizer™ | ||
208 | El Coco Baile 2 (175.0 BPM) | Atomizer™ | ||
209 | El Coco Baile 3 (175.0 BPM) | Atomizer™ | ||
210 | El Coco Baile 4 (175.0 BPM) | Atomizer™ | ||
211 | El Coco Baile 5 (175.0 BPM) | Atomizer™ | ||
212 | El Coco Baile 6 (175.0 BPM) | Atomizer™ | ||
213 | El Coco Baile 7 (175.0 BPM) | Atomizer™ | ||
214 | El Coco Baile 8 (175.0 BPM) | Atomizer™ | ||
215 | El Coco Baile 9 (175.0 BPM) | Atomizer™ | ||
216 | Cafe Con Leche (185.7 BPM) | Atomizer™ | ||
217 | Prado's Bontempi (190.0 BPM) | Atomizer™ | ||
218 | S-key-vel Through V-S-T (196.5 BPM) | Atomizer™ | ||
219 | Scientific Freestyle™ | Atomizer™ | 7:46 | |
220 | Speed Devil (68.0 BPM) | Atomizer™ | ||
221 | Dig-Hop Exile (68.2 BPM) | Atomizer™ | ||
222 | Bajo Nieve (71.8 BPM) | Atomizer™ | ||
223 | LFO Artefact 1 (76.0 BPM) | Atomizer™ | ||
224 | LFO Artefact 2 (76.0 BPM) | Atomizer™ | ||
225 | Clap Your Hands (81.5 BPM) | Atomizer™ | ||
226 | Fritten Groove (85.5 BPM) | Atomizer™ | ||
227 | Neo Fragmentism 1 (87.0 BPM) | Atomizer™ | ||
228 | Neo Fragmentism 2 (87.0 BPM) | Atomizer™ | ||
229 | Good Old Times (93.1 BPM) | Atomizer™ | ||
230 | Fono Pizza (95.0 BPM) | Atomizer™ | ||
231 | Mars Disco (95.1 BPM) | Atomizer™ | ||
232 | Hall Rhythmus (96.5 BPM) | Atomizer™ | ||
233 | Multi Quantize (97.0 BPM) | Atomizer™ | ||
234 | Treated Triplets (101.8 BPM) | Atomizer™ | ||
235 | Triplets No Mas (101.8 BPM) | Atomizer™ | ||
236 | Rock With You (102.6 BPM) | Atomizer™ | ||
237 | Sounds Familiar (105.0 BPM) | Atomizer™ | ||
238 | Tripless (111.1 BPM) | Atomizer™ | ||
239 | Service Technician (112.0 BPM) | Atomizer™ | ||
240 | Feinwaesche (114.0 BPM) | Atomizer™ | ||
241 | Zero Pole (118.4 BPM) | Atomizer™ | ||
242 | R 'n' B (118.7 BPM) | Atomizer™ | ||
243 | Todo Bajo Control (119.0 BPM) | Atomizer™ | ||
244 | Uranus Disco (119.0 BPM) | Atomizer™ | ||
245 | Happy End (120.0 BPM) | Atomizer™ | ||
246 | Capy (120.0 BPM) | Atomizer™ | ||
247 | Rimini 1 (120.1 BPM) | Atomizer™ | ||
248 | Rimini 2 (120.1 BPM) | Atomizer™ | ||
249 | Edgy Stuff (121.0 BPM) | Atomizer™ | ||
250 | The Fine Line... (121.1 BPM) | Atomizer™ | ||
251 | Spock's Favourite (121.2 BPM) | Atomizer™ | ||
252 | For Whitney Houston (124.1 BPM) | Atomizer™ | ||
253 | Goa Trance 1 (125.0 BPM) | Atomizer™ | ||
254 | Goa Trance 2 (125.1 BPM) | Atomizer™ | ||
255 | Shift Pitcher 126.0 BPM) | Atomizer™ | ||
256 | En Vogue (127.5 BPM) | Atomizer™ | ||
257 | Partikel House (129.0 BPM) | Atomizer™ | ||
258 | Useful? (131.0 BPM) | Atomizer™ | ||
259 | Heart Beat 1 (135.5 BPM) | Atomizer™ | ||
260 | Heart Beat 2 (135.5 BPM) | Atomizer™ | ||
261 | Plus Twelve (138.0 BPM) | Atomizer™ | ||
262 | Flanger (All) (146.5 BPM) | Atomizer™ | ||
263 | Flanger (HH) (146.5 BPM) | Atomizer™ | ||
264 | Flanger (Rest) (146.5 BPM) | Atomizer™ | ||
265 | Clap Your Hands 2 (179.0 BPM) | Atomizer™ | ||
266 | Depro Polka (209.4 BPM) | Atomizer™ | ||
267 | Repetitive Digital Noise™ | Atomizer™ | 8:09 | |
268 | Timing Off (69.0 BPM) | Atomizer™ | ||
269 | Cobain's Dead (76.3 BPM) | Atomizer™ | ||
270 | Tuning Problems (84.2 BPM) | Atomizer™ | ||
271 | Beg Loop (86.0 BPM) | Atomizer™ | ||
272 | Has Its Own Life (86.0 BPM) | Atomizer™ | ||
273 | Basura Digital (87.3 BPM) | Atomizer™ | ||
274 | Binary Swing (88.8 BPM) | Atomizer™ | ||
275 | Phil's Fill (90.5 BPM) | Atomizer™ | ||
276 | Hoergeraet (90.5 BPM) | Atomizer™ | ||
277 | Strauss Waltz (90.5 BPM) | Atomizer™ | ||
278 | My Cockpit (94.1 BPM) | Atomizer™ | ||
279 | 74% (96.0 BPM) | Atomizer™ | ||
280 | Never Trust A Raver (96.3 BPM) | Atomizer™ | ||
281 | HH Haengt (96.5 BPM) | Atomizer™ | ||
282 | Weichei (97.6 BPM) | Atomizer™ | ||
283 | Aerobic (99.7 BPM) | Atomizer™ | ||
284 | Hitler = Pinochet (100.3 BPM) | Atomizer™ | ||
285 | Wasserfall (100.8 BPM) | Atomizer™ | ||
286 | Small Ludwig Kit (101.7 BPM) | Atomizer™ | ||
287 | Mid Tempo Ballad (105.0 BPM) | Atomizer™ | ||
288 | Fringe Existence (106.2 BPM) | Atomizer™ | ||
289 | Clipping (107.8 BPM) | Atomizer™ | ||
290 | R 'n' B 2 (108.2 BPM) | Atomizer™ | ||
291 | Watch Your Speakers (108.4 BPM) | Atomizer™ | ||
292 | 25 Envelope (108.9 BPM) | Atomizer™ | ||
293 | Pop Music (110.1 BPM) | Atomizer™ | ||
294 | Glamrock (110.3 BPM) | Atomizer™ | ||
295 | With-A-Tone (111.5 BPM) | Atomizer™ | ||
296 | R2D2's Wedding Song (113.5 BPM) | Atomizer™ | ||
297 | Help Me Doctor (114.4 BPM) | Atomizer™ | ||
298 | Northern Beat (117.2 BPM) | Atomizer™ | ||
299 | Machine Language (117.9 BPM) | Atomizer™ | ||
300 | FB 50% (118.0 BPM) | Atomizer™ | ||
301 | Happy Hardcore (119.4 BPM) | Atomizer™ | ||
302 | Ragtime (120.4 BPM) | Atomizer™ | ||
303 | Fidelity Edge (120.4 BPM) | Atomizer™ | ||
304 | Blubber Bad (121.0 BPM) | Atomizer™ | ||
305 | Cute Kick (121.1 BPM) | Atomizer™ | ||
306 | Latin House (124.0 BPM) | Atomizer™ | ||
307 | Clip Sequence (126.0 BPM) | Atomizer™ | ||
308 | Drum & Lieb (141.7 BPM) | Atomizer™ | ||
309 | Bease Ute (141.8 BPM) | Atomizer™ | ||
310 | Be-Bop Dosmil (142.1 BPM) | Atomizer™ | ||
311 | Kann Jeder (149.1 BPM) | Atomizer™ | ||
312 | Polythene Swing (159.0 BPM) | Atomizer™ | ||
313 | RNDM (169.5 BPM) | Atomizer™ | ||
314 | World Shuffle™ | Atomizer™ | 8:51 | |
315 | No More Words (68.0 BPM) | Atomizer™ | ||
316 | DLY Unsync (76.5 BPM) | Atomizer™ | ||
317 | Beg Your Pardon? (80.5 BPM) | Atomizer™ | ||
318 | Bit Reduction (81.0 BPM) | Atomizer™ | ||
319 | Casa Suave (86.5 BPM) | Atomizer™ | ||
320 | Rock The Box (90.5 BPM) | Atomizer™ | ||
321 | Jack The Box (90.5 BPM) | Atomizer™ | ||
322 | Just A B-Side (91.4 BPM) | Atomizer™ | ||
323 | Notas Cortas (92.2 BPM) | Atomizer™ | ||
324 | I Got Soul (94.0 BPM) | Atomizer™ | ||
325 | But I'm Superbad (94.0 BPM) | Atomizer™ | ||
326 | Nervous Kick (96.0 BPM) | Atomizer™ | ||
327 | Ricky's Dream (100.0 BPM) | Atomizer™ | ||
328 | Notas Cortadas (100.7 BPM) | Atomizer™ | ||
329 | Word Off (101.5 BPM) | Atomizer™ | ||
330 | On The Air Tonight (101.5 BPM) | Atomizer™ | ||
331 | Hey! Vicky! (8-bit) (103.0 BPM) | Atomizer™ | ||
332 | Hey! Vicky! (Floppy) (103.0 BPM) | Atomizer™ | ||
333 | Hey! Vicky! (20-bit) (103.0 BPM) | Atomizer™ | ||
334 | Linn (105.5 BPM) | Atomizer™ | ||
335 | Garage For Rent (107.0 BPM) | Atomizer™ | ||
336 | Oops! Sorry! (108.0 BPM) | Atomizer™ | ||
337 | Customs Thieves (110.0 BPM) | Atomizer™ | ||
338 | Dandy's Dream (110.0 BPM) | Atomizer™ | ||
339 | Route 5 (110.0 BPM) | Atomizer™ | ||
340 | Tacowbell (114.0 BPM) | Atomizer™ | ||
341 | You're French? (115.0 BPM) | Atomizer™ | ||
342 | Love Without Sound (115.0 BPM) | Atomizer™ | ||
343 | All Of A Sudden (116.0 BPM) | Atomizer™ | ||
344 | Coppelia (118.0 BPM) | Atomizer™ | ||
345 | Unpretentious (118.0 BPM) | Atomizer™ | ||
346 | Gretsch, Detuned (120.0 BPM) | Atomizer™ | ||
347 | Capy De Ozono 1 (120.0 BPM) | Atomizer™ | ||
348 | Capy De Ozono 2 (120.0 BPM) | Atomizer™ | ||
349 | Otro Lado B (120.0 BPM) | Atomizer™ | ||
350 | Weltempfaenger (120.0 BPM) | Atomizer™ | ||
351 | Gon (122.0 BPM) | Atomizer™ | ||
352 | Boese Buben (123.0 BPM) | Atomizer™ | ||
353 | KFC 1 (123.0 BPM) | Atomizer™ | ||
354 | KFC 2 (123.0 BPM) | Atomizer™ | ||
355 | Drifting HAT (123.0 BPM) | Atomizer™ | ||
356 | Low Bit HAT (124.0 BPM) | Atomizer™ | ||
357 | 4 On The Floor (124.0 BPM) | Atomizer™ | ||
358 | Interesting 1 (128.0 BPM) | Atomizer™ | ||
359 | Interesting 2 (129.0 BPM) | Atomizer™ | ||
360 | Interesting 3 (132.0 BPM) | Atomizer™ | ||
361 | Interesting 4 (132.0 BPM) | Atomizer™ | ||
362 | Speed Garage (134.4 BPM) | Atomizer™ | ||
363 | Poco Baroco (138.0 BPM) | Atomizer™ | ||
364 | Polka House (189.0 BPM) | Atomizer™ | ||
365 | Percussion O.D.™ | Atomizer™ | 6:11 | |
366 | Additional Clicks (80.7 BPM) | Atomizer™ | ||
367 | Waterpowder (80.8 BPM) | Atomizer™ | ||
368 | Another S6000 Crash (83.3 BPM) | Atomizer™ | ||
369 | 8-bar Spidercore (89.7 BPM) | Atomizer™ | ||
370 | No Wordclock! (91.0 BPM) | Atomizer™ | ||
371 | Partnerwahl (100.2 BPM) | Atomizer™ | ||
372 | Sampling Problems (103.0 BPM) | Atomizer™ | ||
373 | And Solutions (107.3 BPM) | Atomizer™ | ||
374 | Goldfischsessel (107.6 BPM) | Atomizer™ | ||
375 | Trouble With Treble (109.2 BPM) | Atomizer™ | ||
376 | Romulan Videogame (110.0 BPM) | Atomizer™ | ||
377 | Intro (110.0 BPM) | Atomizer™ | ||
378 | Kostis c/o Pluntke (110.0 BPM) | Atomizer™ | ||
379 | S6000 Crash #208 (110.3 BPM) | Atomizer™ | ||
380 | Unnerum (112.3 BPM) | Atomizer™ | ||
381 | Midi Geiger Counter (112.7 BPM) | Atomizer™ | ||
382 | Mosca Muerta (116.0 BPM) | Atomizer™ | ||
383 | Viehling Fankie (116.2 BPM) | Atomizer™ | ||
384 | Wannabe Shuffle 1 (120.0 BPM) | Atomizer™ | ||
385 | Wannabe Shuffle 2 (120.0 BPM) | Atomizer™ | ||
386 | Tribal Techno (120.0 BPM) | Atomizer™ | ||
387 | Wacky Litepipe (120.5 BPM) | Atomizer™ | ||
388 | Pentatonic End (121.0 BPM) | Atomizer™ | ||
389 | Wet, Wet, Wet... (123.2 BPM) | Atomizer™ | ||
390 | Pseudo Latin (127.1 BPM) | Atomizer™ | ||
391 | The Bauhaus Principle (127.4 BPM) | Atomizer™ | ||
392 | HH Freakout (128.0 BPM) | Atomizer™ | ||
393 | Freakout Resampled (128.0 BPM) | Atomizer™ | ||
394 | Laser Alignment (131.0 BPM) | Atomizer™ | ||
395 | HH Battle (133.0 BPM) | Atomizer™ | ||
396 | Tambourine Man? (133.9 BPM) | Atomizer™ | ||
397 | Crosstalk Percussion (135.3 BPM) | Atomizer™ | ||
398 | Technics, Emulated (142.8 BPM) | Atomizer™ | ||
399 | Rapa Nui 2000 (143.0 BPM) | Atomizer™ | ||
400 | For Lulu (149.7 BPM) | Atomizer™ | ||
401 | Charleston (152.4 BPM) | Atomizer™ | ||
402 | Ears Are Not Enough (180.8 BPM) | Atomizer™ |