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Bethany Beardslee

voc, *1925 US
Singer / Composer of Classical

Bethany Beardslee (born December 25, 1925) is an American soprano particularly noted for her collaborations with major 20th-century composers, such as Igor Stravinsky, Milton Babbitt, Pierre Boulez, George Perle, Sir Peter Maxwell Davies and her performances of great contemporary classical music by Arnold Schoenberg, Alban Berg, Anton Webern. Her legacy amongst midcentury composers was as a "composer's singer"—for her commitment to the highest art of new music. Milton Babbitt said of her "She manages to learn music no one else in the world can. She can work, work, work." In a 1961 interview for Newsweek, Beardslee flaunted her unflinching repertoire and disdain for commercialism: "I don't think in terms of the public... Music is for the musicians. If the public wants to come along and stud

     
Popular Tracks   
Philomel for soprano, recorded soprano, and synthesized sound on Milton Babbitt: Philomel by Milton Babbitt, Lynne Webber, Jerry Kuderna, Robert Miller & Bethany Beardslee
Threni: Incipit on Stravinsky: Collection of Works by Igor Stravinsky
Strings in the Earth and Air on But Yesterday is Not Today: The American Art Song, 1927-1972 by Bethany Beardslee, Donald Hassard, Donald Gramm & Robert Helps
Threni: De elegia prima on Stravinsky: Collection of Works by Igor Stravinsky
Threni: De elegia tertia: I Querimonia: "Aleph. Ego vir videns" - II Sensus spei: "Heth. Misericordiae Domini" - III Solacium: "Res. Judicasti, Domine" on Stravinsky: Threni by Igor Stravinsky, Beatrice Krebs, William Lewis, James Wainner, Mac Morgan, Bethany Beardslee, Hugh Ross, Robert Oliver, Schola Cantorum & Columbia Symphony Orchestra
Threni: De elegia quinta on Stravinsky: Collection of Works by Igor Stravinsky
These, My Ophelia on But Yesterday is Not Today: The American Art Song, 1927-1972 by Bethany Beardslee, Donald Hassard, Donald Gramm & Robert Helps
Im Walde, D. 708 "Waldesnacht" on Schubert, Schumann & Brahms: Lieder by Bethany Beardslee, Lois Shapiro & Richard Goode
Der Wein: III. Der Wein der Liebenden on The Music of Alban Berg Conducted by Robert Craft by Alban Berg, Robert Craft & Columbia Symphony Orchestra
Seligkeit, D. 433 on Schubert, Schumann & Brahms: Lieder by Bethany Beardslee, Lois Shapiro & Richard Goode

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Discography



Title Artist Year Type
But Yesterday Is Not Today, The American Art Song 1927-1972Samuel Barber, Paul Bowles, Aaron Copland, Theodore Chanler, Israel Citkowitz, John Duke, Robert Helps, Roger Sessions / James Agee, Jane Bowles, E. E. Cummings, Leonard Feeney, James Joyce, Archibald MacLeish, Walter De La Mare, James Purdy, Edwin Arlington Robinson / Bethany Beardslee / Donald Gramm & Donald Hassard1996Album
Schubert - LiederBethany Beardslee1996Album
13 Dickinson Songs / 2 Rilke SongsGeorge Perle - Bethany Beardslee, Morey Ritt1979Album
Gossamer Noons / OdefoniaAmerican Composers Orchestra, Gunther Schuller With Bethany Beardslee - Robert Helps / Marc-Antonio Consoli1978Album
But Yesterday Is Not TodaySamuel Barber, Paul Bowles, Aaron Copland, Theodore Chanler, Israel Citkowitz, John Duke, Robert Helps, Roger Sessions / James Agee, Jane Bowles, E. E. Cummings, Leonard Feeney, James Joyce, Archibald MacLeish, Walter De La Mare, James Purdy, Edwin Arlington Robinson / Bethany Beardslee / Donald Gramm & Donald Hassard1977Album
An Eighteenth Century Vocal RecitalBethany Beardslee, Joseph Haydn, Giovanni Battista Pergolesi, Stephen Storace1956Album
Schoenberg: The Book Of The Hanging Gardens, Opus 15Bethany Beardslee, Robert HelpsAlbum
Pierrot Lunaire, Op.21 / Verklarte Nacht, Op.4Arnold Schoenberg, Robert Craft, Bethany BeardsleeAlbum
Sestina For Voice And Instrumental Ensemble / Lamentatio Jeremiae Prophetae, Op. 93Ernst Krenek, Bethany Beardslee, Dresdner Kreuzchor, Martin FlämigAlbum
Schoenberg: The Book Of The Hanging Gardens, Opus 15Bethany Beardslee, Robert HelpsAlbum
External Links
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Acknowledgements
To all the music fans that are contributing on Discogs, MusicBrainz and Wikipedia. Thanks to Franz Flückiger for providing Storygram used to visualize band membership.
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