Album BR 1969 on Fermata label
Jazz and Latin (Latin Jazz, Easy Listening, MPB)
Laminated card sleeve. Both Stereo and Mono issues utilised the same sleeve and had FB-257 (mono) / SFB-257 (stereo) printed on the back of the sleeve.
Brazilian Octopus , BR arranged by, album by, adapted by, written by | |
Olmir Stocker g, acg, *1936 BR acoustic guitar, guitar, written by | |
Nilson Matta b, eb, *1949 BR bass | |
Douglas De Oliveira dr, drums | |
Hermeto Pascoal fl, *1936 BR flute, written by | |
Carlos Alberto De Alcântara Pereira sax, BR flute, saxophone | |
Alexander Gordin g, guitar, written by | |
Cido Bianchi p, org, BR piano, organ | |
Joao Carlos Pegoraro vib, vibraphone |
Julio Nagib a&r |
Armando Blundi Bastos liner notes, artwork, back cover |
Reinaldo Maziero engineer |
Rogerio Gauss engineer |
Licinio De Almeida layout |
Fausto Canova producer |
Mário Albanese producer, recording supervisor |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Gamboa | Brazilian Octopus | Cyro Pereira, Mário Albanese | 3:38 |
2 | Rhodosando | Brazilian Octopus | Hermeto Pascoal | 1:40 |
3 | Canção Latina | Brazilian Octopus | Olmir Stocker, Vitor Martins | 2:30 |
4 | Pavane | Brazilian Octopus | Gabriel Fauré | 2:38 |
5 | As Borboletas (Les Papillons) | Brazilian Octopus | André Popp, Pierre Cour | 3:05 |
6 | Momento B/8 | Brazilian Octopus | Brazilian Octopus, Rogério Duprat | 2:00 |
7 | Summerhill | Brazilian Octopus | João Carlos | 2:00 |
8 | Gosto De Ser Como Sou | Brazilian Octopus | Cyro Pereira, Mário Albanese | 2:00 |
9 | Chayê | Brazilian Octopus | Hermeto Pascoal | 3:50 |
10 | Canção De Fim De Tarde | Brazilian Octopus | Tereza Souza, Walter Santos | 1:40 |
11 | O Pássaro (The Bird) | Brazilian Octopus | Alexander Gordin | 3:00 |
12 | Casa Forte | Brazilian Octopus | Edu Lobo |