![Album Cover](https://music.metason.net/image?fn=R-1205750.jpeg&sc=342)
Single US 1998 on Soutrane Recording Company label
Jazz and Rock (Free Jazz, Art Rock, Indie Rock, Experimental)
Black 7" vinyl disc in paper sheath with paste-on art.
Catalogue number does not appear on release and was retroactively assigned via the now-defunct Soutrane website.
'The struggles with sound are an ancient and con-
stant endeavor. Our scientists have long been work-
ing on ways to collide science with energy, to spill
tone into the great expanse between each human's
audible receptors. The activity of translating text
and image into cognitive hearing will continue to
boggle even our most learned artisans.
Many are aware of the advances, but few respect
the struggle. Early collaborations between Ludwig
Van Beethoven and Albert Ayler, in the first part of
this century, have shown that emotion and intellect
are not separate entities. Their early studies in
Missoula, Montana, later taken up by Jimmy Giuffre
and Henry Cowell, have shown that a searing
curiosity matched with sophisticated equipment will
produce product of extraordinary dialogue. There is
a definite space of germination in the sonic experi-
ments of Quincy Porter's work with Celtic Frost.
There sonic experiments undertaken at the
research firms of CRI and ESP records, under the
close scrutiny of Ruth Crawford-Seegar, have care-
fully allows Sam "Lightnin' Hopkins to firmly estab-
lish himself with the Tristano school of Shostakovich
musicality. Mr. Hopkins' establishment with this
school has led to an unprecedented discouse on
the functions of sound, and its effects on the differ-
ent moving centers of the body.
In G.I. Gurdjieff's writing on Sonny "Sun Ra" Blount,
we find that emotional discourse propagated with
mathematical precision will clarify the direct relation
between what is perceived and what really is. This
arduous path leads us to the sound research center
at Castle Broadway.
Castle Broadway has long been extending the func-
tions of sound and the codes that are used to
manipulate them. In order to codify the sincerity of
these audible vibrations, intense struggle and emo-
tion have been carefully distilled into this product.
The technicians at Castle Broadway are busily cre-
ating the tonal building blocks and chromatic con-
struction tools to carry the march against silence
and sleep onto the next millennium. You will find
that their struggle is not unique, but one in which we
all share its rewards.
Richard Gerstl,
Austria 1911
Recorded at various Castle Broadway locations in and around
Chicago, Illinois and Milwaukee, Wisconsin.'
'WHEN ALL ELSE FAILS THERE IS ALWAYS BEETHOVEN STRING QRT. 15 3rd Mvmt.'