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Album Cover
Charlemagne Palestine
Karenina

Album UK 2000 on Durtro label
Classical (Minimal, Experimental, Ambient)

Recorded March 1997 Galerie Donguy Paris. Dedicated to the black labrador. Thanks to David Tibet, Andria Degens, Hans Althuis. Comes in double cardsleeve packaging. "Karenina" was conceived in March 1997 in Paris at Galerie Donguy as a work to be played during a retrospective exhibition of his sculpture and photographs. The work is for his Falsetto voice and Indian Harmonium. In this work the use of the name "Karenina" and also other words and sounds from the unconscious trance magical sources. The male falsetto has a very special sacred significance. As a young singer in Synagogue music the singing Rabbi or Cantor as he is called sings only a few times a year in a falsetto and only for the most sincere and sacred declarations. The Indian harmonium and the organesque sound in general dates from Charlemagne's earliest musical outings and were inspired by Herman Helmhot's "On The Sensations Of Tone".

     
Musicians
PortraitCharlemagne Palestine p, voc, *1945 US
voice, falsetto, harmonium, indian, album by
Album Tracks
No Title Artist Composer Duration
1UntitledCharlemagne Palestine12:28
2UntitledCharlemagne Palestine8:44
3UntitledCharlemagne Palestine9:25
4UntitledCharlemagne Palestine10:19
5UntitledCharlemagne Palestine9:59
6UntitledCharlemagne Palestine12:05
7UntitledCharlemagne Palestine13:05
8UntitledCharlemagne Palestine9:08
9UntitledCharlemagne Palestine9:25
10UntitledCharlemagne Palestine10:34
11UntitledCharlemagne Palestine10:00
12UntitledCharlemagne Palestine11:27
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