Album UK 2017 on Science Museum Group label
Electronic and Spoken Word (Field Recording, Experimental, Sound Collage)
Coda To Coda , programmed by, mixed by, written by, producer, produced by, album by |
Aaron May engineer, recording engineer |
Tanya Auclair recording supervisor, sound supervisor |
Patrick Bergel research, research advisor |
Sam Britton |
Will Worsley |
Coda To Coda |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Marvel | Coda To Coda | ||
2 | Wells Cathedral Clock (1392) | Coda To Coda | 0:23 | |
3 | Clockwork Polyrhythms | Coda To Coda | 0:47 | |
4 | Model English Lever Escapement (1754) | Coda To Coda | 0:14 | |
5 | Increasing Complexity | Coda To Coda | 0:55 | |
6 | Singing Bird Automaton (1784) | Coda To Coda | 0:12 | |
7 | Celestial Mechanisms | Coda To Coda | 2:36 | |
8 | Obey | Coda To Coda | ||
9 | Looms, Automata, Deception And The Industrial Revolution | Coda To Coda | 2:59 | |
10 | Dream | Coda To Coda | ||
11 | Shortwave Dreams (1930s – 1940s) | Coda To Coda | 1:20 | |
12 | Cocktail Music For Robots (1940s – 1950s) | Coda To Coda | 1:19 | |
13 | Cinematic Revelations (1950s – 1960s) | Coda To Coda | 2:05 | |
14 | Science Fiction (1970s) | Coda To Coda | 2:04 | |
15 | Cybernetic Visions (1980s – 1990s) | Coda To Coda | 1:53 | |
16 | Build | Coda To Coda | ||
17 | Vision | Coda To Coda | 2:09 | |
18 | Manipulation | Coda To Coda | 1:40 | |
19 | Learning | Coda To Coda | 1:44 | |
20 | Imagine | Coda To Coda | ||
21 | Recreation | Coda To Coda | 0:58 | |
22 | The Workplace | Coda To Coda | 0:56 | |
23 | Of An Evening (With “Harry”, His Robotic Musicians And Hosts) | Coda To Coda | 1:45 | |
24 | Cafe Life | Coda To Coda | 0:50 | |
25 | Embodied Intelligence | Coda To Coda | ||
26 | An Algorithmic Future? | Coda To Coda | 5:23 |