Album US 2016 on Mass Appeal label
Electronic and Hip-Hop/Rap (Bass Music, Breaks, Instrumental, Experimental)
Issued in a 3-panels cardboard digisleeve, together with a sticker sheet representing the mountain on cover and a stencil of the personage with his crown. Pre-orders of the CD received an email to download the MP3 @ 320 kbps album. Tracks length not printed on release, retrieved using a computer. All tracks published by New Futility Music, ASCAP, except: 2: Definitive Jux Music/Pulse Music, SESAC, Aniyah's Music/Royalty Network, ASCAP 4: Manners McDade 5: Copyright Control 8: Copyright Control, MCPS/PRS 9: Michele Publ. Co., BMI, Bleep Bloop Music, ASCAP, G Jones Music, ASCAP 1 Contains interpolation of "Prima Alba" by Dario Baldan Bembo (Come Il Vento, 1975). 2: Brass recorded at Thrum Studio, London. Contains interpolation of "Ol' Man River" by Caterina Valente (London Records, 1968). 5: Vocal treatments recorded at Circuit Studios, SF. Contains a sample of "Every Day Is The Weekend" by Celly Cel (Jive Records, 1998). 8: Live instrumentation recorded at 80 Hertz Studios, Manchester. 9: Contains interpolation of "Pitter Patter" by The Birdies (CRC Charter, 1965). 10: Contains interpolation of "Color Blind" by Ice Cube (Priority Records, 1991). 11: This is the most ancient track of this album as it was initially released on November 4th, 2014 on The Liquid Amber EP. (P) 2014 A&M Records Ltd. a division of Universal Music Operations Limited. Licensed courtesy of Universal International Music B.V. For Mass Appeal Records: Amit Nerurkar, Peter Bittenbender Thanks Jack Dangers @ Tape Lab for the use of the Synthi 100. In booklet: © 2016 Reconstruction Productions, Inc., under exclusive license to Mass Appeal Records, LLC. On back sleeve: © 2016 New Futility Music (ASCAP), all rights worldwide administered exclusively by Kobalt Songs Music Publishing.
DJ Shadow dr machine, *1972 US scratches, drum programming, beats, producer, programmed by, arranged by, album by, sampler, sampling | |
Tony Peyrot management, business | |
Jamie Young , management, legal | |
Paul Richards management, legal | |
Rob Sevier , US research, licensing specialist/sample clearance | |
The Numero Group research, licensing specialist/sample clearance | |
Run The Jewels , *2013 US featuring | |
Tim Burns , GB recorded by, brass, trombone | |
Jake Telford sax, baritone saxophone, baritone sax, tenor saxophone, tenor | |
Graham Pike h, trumpet | |
Nils Frahm p, *1982 DE featuring, written by | |
Ernie Fresh , featuring | |
Mophono dr, recorded by, vocal treatments | |
Gavin Barras b, cb, double bass | |
Matthew Halsall tr, *1983 featuring, trumpet, written by | |
Jordan Smart sax, flute | |
Rachael Gladwin hrp, GB harp | |
Taz Modi , piano | |
Bleep Bloop , featuring | |
G Jones , featuring, written by |
Paul Insect artwork |
Will Scott design, additional |
TaP Management management |
Bob Macc mastered by, mastering assembly |
DJ Shadow mixed by |
Mikael Eldridge mixed by |
Bleep Bloop mixed by |
G Jones mixed by |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | The Mountain Will Fall | DJ Shadow | Dario Baldan Bembo | 4:37 | |
2 | Nobody Speak | DJ Shadow | Jaime Meline, Michael Render | 3:16 | |
3 | Three Ralphs | DJ Shadow | 3:37 | ||
4 | Bergschrund | DJ Shadow | Nils Frahm | 4:11 | |
5 | The Sideshow | DJ Shadow | Ernie Upton | 3:58 | |
6 | Depth Charge | DJ Shadow | 4:53 | ||
7 | Mambo | DJ Shadow | 3:04 | ||
8 | Ashes To Oceans | DJ Shadow | Matthew Halsall, Tarek Modi | 6:16 | |
9 | Pitter Patter | DJ Shadow | Aaron Triggs, Debbie Stanley, G Jones | 3:24 | |
10 | California | DJ Shadow | 4:29 | ||
11 | Ghost Town | DJ Shadow | 3:51 | ||
12 | Suicide Pact | DJ Shadow | 4:34 |
30sec audio samples provided by