Album UK 1993 on BBC Transcription label
Electronic, Rock and Spoken Word (Interview, Synth-pop)
The whole programme is contained in track 1 on both CD's. Total running time for track 1 on CD1 is 51:50. Total running time for track 1 on CD2 is 53:07. The programme consists of interviews with the band members and associates intervened with music. The front insert confuses Martin Gore with Alan Wilder and Alan Wilder with Andrew Fletcher. (c) BBC 1993 (p) BBC 1993
Depeche Mode , *1980 GB album by | |
Alan Wilder key, *1959 GB interviewee | |
Andrew Fletcher key, bvoc, *1961 GB interviewee | |
Daniel Miller perc, *1951 GB interviewee | |
Dave Gahan voc, ep, *1962 GB interviewee | |
Flood syn, key, *1960 GB interviewee | |
Martin L. Gore voc, key, g, *1961 GB interviewee | |
Neil Ferris interviewee | |
Paul Gambaccini , *1949 GB interviewer, presenter | |
Lucy Armitage producer, for the bbc | |
No Artist , performer on track |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Profile Depeche Mode 1 - 2 Part 1 | Depeche Mode | ||
2 | Just Can't Get Enough | Depeche Mode | 1:43 | |
3 | Introduction | Depeche Mode | 0:33 | |
4 | Who Got The Band Off The Ground? | Depeche Mode | 1:06 | |
5 | Dreaming Of Me | Depeche Mode | 2:36 | |
6 | On Playing Instruments | Depeche Mode | 0:37 | |
7 | Who Came Up With The Name Composition Of Sound? | Depeche Mode | 0:23 | |
8 | How Come Dave Was Looking At A French Magazine? | Depeche Mode | 0:29 | |
9 | On 'Photographic' | Depeche Mode | 0:49 | |
10 | Photographic | Depeche Mode | 2:01 | |
11 | Can You Recall The Excitement You Felt At That Time? | Depeche Mode | 0:49 | |
12 | Who Took Care Of The Business In The Beginning? | Depeche Mode | 0:25 | |
13 | Daniel Millers First Impression Of Depeche Mode | Depeche Mode | 1:05 | |
14 | New Life | Depeche Mode | 2:19 | |
15 | The Agreement To Release A Single | Depeche Mode | 0:50 | |
16 | On Early Promotion | Depeche Mode | 0:49 | |
17 | On Vince Leaving | Depeche Mode | 0:55 | |
18 | See You | Depeche Mode | 2:32 | |
19 | Could You Yourself Feel A Difference Between The Group As A Quartet And A Trio? | Depeche Mode | 0:53 | |
20 | When Did You Stop Comparing The Success Of Your Singles With That Of Vince? | Depeche Mode | 0:23 | |
21 | How Did Martin React | Depeche Mode | 0:42 | |
22 | Did You Here A Difference Between The First And The Second Albums? | Depeche Mode | 0:33 | |
23 | How Alan Joined The Band | Depeche Mode | 0:41 | |
24 | Was Construction Time Again Intended To Be Some Sort Of Comment On The Way The Group Was Reassembling Itself? | Depeche Mode | 2:23 | |
25 | Pipeline | Depeche Mode | 0:44 | |
26 | Did You Feel That Construction Time Again Was A Real Rebuilding Album? | Depeche Mode | 0:25 | |
27 | On 'Construction Time Again' | Depeche Mode | 0:36 | |
28 | On Samplers | Depeche Mode | 0:52 | |
29 | On 'Everything Counts' | Depeche Mode | 0:38 | |
30 | Everything Counts (Live) | Depeche Mode | 2:09 | |
31 | On The Development Of Depeche Mode | Depeche Mode | 0:48 | |
32 | Did You Discern Any Surprised Reactions From Outside The Group On The Darker Themes On Some Grate Reward? | Depeche Mode | 1:31 | |
33 | Blasphemous Rumours | Depeche Mode | 3:11 | |
34 | On Attending The Methodist Church In His Teenage Years | Depeche Mode | 0:55 | |
35 | Did You Find Any Questioning From The Group Itself Or Were They Perfectly Tolerant? | Depeche Mode | 0:33 | |
36 | On Martins Outfits | Depeche Mode | 0:31 | |
37 | People Are People | Depeche Mode | 1:07 | |
38 | On 'People Are People' | Depeche Mode | 0:23 | |
39 | People Are People | Depeche Mode | 1:47 | |
40 | Was The End Of The Recording Of Some Great Reward A Difficult Period? | Depeche Mode | 1:05 | |
41 | On The Relationship With Mute Records | Depeche Mode | 0:55 | |
42 | On Chosing The People To Work With | Depeche Mode | 0:55 | |
43 | Master And Servant | Depeche Mode | 2:14 | |
44 | On Their Roles In The Band | Depeche Mode | 0:18 | |
45 | Is There Any Album Which You Think More Than Any Other Sums Up Whatever It Is That Depeche Mode Is? | Depeche Mode | 0:31 | |
46 | Stripped | Depeche Mode | 1:32 | |
47 | Why Did You Return To England? | Depeche Mode | 0:56 | |
48 | On Publicity | Depeche Mode | 0:49 | |
49 | Have You Ever Felt That You Weren't Taken Seriously Enough By The British Media | Depeche Mode | 1:00 | |
50 | Behind The Wheel | Depeche Mode | 0:59 | |
51 | Silence (For Cueing Purposes Only) | No Artist | 0:05 | |
52 | Profile Depeche Mode 1 - 2 Part 2 | Depeche Mode | ||
53 | On Breaking America | Depeche Mode | 0:47 | |
54 | Never Let Me Down Again | Depeche Mode | 3:26 | |
55 | How Did Daniel Miller Respond To The Their Phenomenal Success In The States | Depeche Mode | 0:43 | |
56 | Can You Understand What It Is They Have To Offer Which Fits In What Is Needed In America? | Depeche Mode | 0:58 | |
57 | Looking Back Can You See That Your Goals Have Changed? | Depeche Mode | 1:13 | |
58 | A Question Of Time (Live Remix) | Depeche Mode | 3:14 | |
59 | When You Are In A Country On A Long Leg Of A Tour, Do You Find A Different Aspect Of Your Personality Coming Out? | Depeche Mode | 1:20 | |
60 | Did You Ever Think: I Can't Believe It's Gotten This Big | Depeche Mode | 1:02 | |
61 | Just Can't Get Enough (Live) | Depeche Mode | 0:55 | |
62 | On Playing Big Stadiums | Depeche Mode | 0:41 | |
63 | Which Part Do You Like Best, The Writing Or The Recording? | Depeche Mode | 0:31 | |
64 | Personal Jesus | Depeche Mode | 3:22 | |
65 | Do You Ever Feel Intrusive Or Wondering Wether You Should Be There When You're Doing A Song Which Is Obviously Very Personal To Him? | Depeche Mode | 0:29 | |
66 | Have It Ever Given You Chance To Reflect On What Kind Of Mental Or Spiritual Relationship You Have With This Man? | Depeche Mode | 0:32 | |
67 | On Flood | Depeche Mode | 1:13 | |
68 | When You Present Your Songs To The Group, Do You Have Your Ideas As To How You Like Them To Sound? | Depeche Mode | 1:07 | |
69 | Can You Recall A Song Which Has Turned Out Differently Than You Originally Anticipated? | Depeche Mode | 0:55 | |
70 | Enjoy The Silence | Depeche Mode | 1:33 | |
71 | On Winning A Brit Award For Single Of The Year | Depeche Mode | 0:49 | |
72 | Why Do You Think That They Have Survived And Indeed Grown Gradually In This Period When Almost All Of The Other Pioneering Synthesizer Groups Have Siezed To Be Active? | Depeche Mode | 1:15 | |
73 | I Feel You | Depeche Mode | 3:41 | |
74 | The Choice For The First Single Seems To Have Been I Feel You, Is This One That You're Particularely Fond Of? | Depeche Mode | 0:21 | |
75 | On 'Condemnation' | Depeche Mode | 0:45 | |
76 | On 'Condemnation' | Depeche Mode | 0:43 | |
77 | Condemnation | Depeche Mode | 2:09 | |
78 | Do You Feel That Dave's Singing Has Matured Over The Years? | Depeche Mode | 0:45 | |
79 | On 'One Caress' | Depeche Mode | 0:59 | |
80 | One Caress | Depeche Mode | 3:10 | |
81 | On 'Judas' | Depeche Mode | 0:26 | |
82 | Judas | Depeche Mode | 2:22 | |
83 | Judas Is Another Example Of A Religious Theme, Is It Making Any Specific References? | Depeche Mode | 0:52 | |
84 | How About Dave, After All He's Got To Sing Them, Has He Ever Said "What Is This?"? | Depeche Mode | 0:30 | |
85 | On Singing Somebody Elses Lyrics | Depeche Mode | 0:21 | |
86 | On Dave's Role On Stage | Depeche Mode | 0:29 | |
87 | Walking In My Shoes | Depeche Mode | 2:36 | |
88 | It's Been Three Years Since Violator And There Is A Physical Change In You, Is There An Internal Change As Well? | Depeche Mode | 1:02 | |
89 | Do You Think That During That Time The Members Of The Group Have Grown Artistically? | Depeche Mode | 0:44 | |
90 | If The Band Have Changed, Why Should The Fans Have Remain Constant, Won't The Three Year Wait Have Been A Problem For Them? | Depeche Mode | 0:54 | |
91 | Get Right With Me | Depeche Mode | 2:13 | |
92 | On Preparing For The Tour | Depeche Mode | 0:31 | |
93 | What Next, What Can They Possible Achieve Now That They Haven't Done Before? | Depeche Mode | 1:39 | |
94 | Silence (For Cueing Purposes Only) | No Artist | 0:05 |