Album UK 2009 on Amoebic Industries label
Electronic, Jazz and Spoken Word (Noise, Abstract, Drone, Future Jazz, Special Effects, Dark Ambient, Power Electronics, Experimental)
The Shades of Jazz to Come is the third full-length album by anonymous international jazz/noise collective Desert Island Dicks. The title is a play on the name of Ornette Coleman's seminal free jazz masterpiece The Shape of Jazz to Come. The Coleman association is not merely a titular one; the album is also based sonically on The Shape of Jazz to Come. Six slices of the original Coleman album, each equivalent to ten percent of the length of each track, were sampled, re-stretched by a factor of ten until they arrived back at each track's original length, and post-effected as necessary. The record thus revisits tropes of both of the groups' previous albums, Bring Me the Head of Miles Davis... (use of the '50s/'60s jazz avant-garde) and Stretch Marks (vast expansion, post-production). The cover was designed by Cliff Lipp for Dreamguts. Vice magazine called the album "the year's primo meditation music for the discerning smackhead". NME failed to comprehend the concept in an entirely characteristic fashion.
Desert Island Dicks , noises, effects, producer, album by | |
Ornette Coleman as, 1930-2015 US alto saxophone | |
Don Cherry tr, cor, 1936-1995 US cornet | |
Charlie Haden b, 1937-2014 US double bass | |
Billy Higgins dr, 1936-2001 US drums |
Lachlann Rattray design, cover |
Bones Howe engineer, recording |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | Lonely Woman | Desert Island Dicks | 5:02 | ||
2 | Eventually | Desert Island Dicks | 4:22 | ||
3 | Peace | Desert Island Dicks | 9:04 | ||
4 | Focus On Sanity | Desert Island Dicks | 6:52 | ||
5 | Congeniality | Desert Island Dicks | 6:48 | ||
6 | Chronology | Desert Island Dicks | 6:03 |
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