Album UK 1991 on Mute label
Electronic and Rock (Industrial, Experimental, Avant-garde)
Live concerts recorded on October 12-13, 1990 at The Cathedral of St. John The Divine, New York City. Live Recording: Record Plant Remote. Mixed at the Living Room Studios Inc., NYC. Produced by Kurt Munkacsi and Blaise Dupuy for Euphorbia Productions Ltd. Track C1 contains excerpts from Revelations 19:11-14 and Revelations 16:12-16.
![]() | Diamanda Galás p, org, voc, *1955 US album by |
![]() | David Linton dr, *1956 US drums, percussion |
![]() | Blaise Dupuy , US keyboards, electronic, producer |
![]() | Ramon Diaz voc, perc, percussion, electronic |
![]() | Michael McGrath voc, *1957 US tape, electronics |
Holly Duthie engineer, assistant |
Kooster McAllister engineer, mobile recording |
Rory Johnston executive-producer |
Kurt Munkacsi producer |
No | ![]() |
Title | Artist | Composer | Duration |
---|---|---|---|---|---|
1 | ![]() | There Are No More Tickets To The Funeral | Diamanda Galás | ||
2 | ![]() | This Is The Law Of The Plague | Diamanda Galás | ||
3 | ![]() | I Wake Up And I See The Face Of The Devil | Diamanda Galás | ||
4 | ![]() | Confessional (Give Me Sodomy Or Give Me Death) | Diamanda Galás | ||
5 | ![]() | How Shall Our Judgement Be Carried Out Upon The Wicked? | Diamanda Galás | ||
6 | ![]() | Let Us Praise The Masters Of Slow Death | Diamanda Galás | ||
7 | ![]() | Consecration | Diamanda Galás | ||
8 | ![]() | Sono L'Antichristo | Diamanda Galás | ||
9 | ![]() | Cris D'Aveugle | Diamanda Galás | ||
10 | Let My People Go | Diamanda Galás |
30sec audio samples provided by