ArtistInfo
Eddy Mitchell
7 Colts Pour Schmoll
Album FR 1968 on Barclay label
Jazz, Rock and R&B/Soul (Soul-Jazz, Rhythm’n’Blues, Mod, Beat)
Gatefold sleeve with Comic Jean Fernandez et J.-P. Bourtayre présentent une super production en Barclayscope. Les Rescapés d'Alcatraz et les affreux du conservatoire de Dodge City. Mise en scène et scénario J. Giraud. Enregisté aux studio C.B.E.
Musicians
 | Eddy Mitchell voc, *1942 FR album by |
 | Les Soul Brass , FR accompanied by |
 | Jean Giraud , 1938-2012 FR artwork, comics |
 | Marc Bertaux b, cb, FR bass, written by |
 | Gilbert Bastelica dr, FR drums |
 | Dean Notton g, FR guitar |
 | Pierre Papadiamandis p, *1937 FR organ |
 | Bernard Estardy p, org, 1939-2006 FR recorded by, prise de son |
 | Jeff Seffer sax, FR saxophone |
 | Michel Gaucher sax, FR saxophone |
 | Louis Toesca tr, FR trumpet |
 | Claude Moine , adapted by |
 | Gisèle Vesta , adapted by |
 | Jacques Plante , 1920-2003 FR adapted by |
Producers
| Jean Fernandez producer |
| Jean-Pierre Bourtayre producer |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | Be Bop A Lula 1968 | Eddy Mitchell | Gene Vincent, Sheriff Tex Davis | 2:30 |
| 2 | Sunny | Eddy Mitchell | Bobby Hebb | 3:12 |
| 3 | Quelqu'un A Dû Changer La Serrure De Ma Porte = But It's All Right | Eddy Mitchell | J.J. Jackson, Pierre Tubbs | 2:30 |
| 4 | Elle Me Voit Beau = She's Looking Good | Eddy Mitchell | Rodger Collins | 2:42 |
| 5 | Bye Bye Love | Eddy Mitchell | Felice Bryant, Marc Bertaux | 2:20 |
| 6 | Ordonne Mais Pardonne = Hold On I'm Coming | Eddy Mitchell | Hayes & Porter | 2:33 |
| 7 | Treize Filles = Thirteen Women | Eddy Mitchell | Robert Livingstone Thompson | 3:18 |
| 8 | Le Fou Sur La Colline = Fools On The Hill | Eddy Mitchell | Lennon-McCartney | 3:02 |
| 9 | Quitte À Tout Perdre = Get It Together | Eddy Mitchell | Alfred Ellis, Bud Hobgood, James Brown | 3:45 |
| 10 | Only You | Eddy Mitchell | Buck Ram, S. Ram | 2:07 |
| 11 | Tighten Up | Eddy Mitchell | Archie Bell, Billy Buttier | 4:05 |
Discogs
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Acknowledgements
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