ArtistInfo
Edward Burlingame Hill
1872-1960 US, Cambridge, Massachusetts
Popular Tracks 
Jazz Studies for 2 Pianos: I. Allegretto, sempre giocoso on The Jazz Age for Piano Duo by Goldstone & Clemmow Jazz Studies for 2 Pianos: IV. Vivace on The Jazz Age for Piano Duo by Goldstone & Clemmow Prelude for Orchestra on American Masters: Piston: The Incredible Flutist - Hill: Prelude for Orchestra - Schuman: In Praise of Shahn by Walter Piston, Leonard Bernstein, New York Philharmonic & Columbia Symphony Orchestra Sextet for Piano & Winds, Op. 39: I. Allegro non troppo, ma giocoso on Edward Burlingame Hill: Chamber Music by Edward Burlingame Hill & Chamber Soloists of Austin Stevensonia Suite No. 1, Op. 24: II. Lullaby. Andante espressivo (The Land of Nod) on American Tone Poems by Royal Philharmonic Orchestra & Karl Krueger Stevensonia Suite No. 1, Op. 24: I. March. Allegretto vivo on American Tone Poems by Royal Philharmonic Orchestra & Karl Krueger Jazz Studies for 2 Pianos: II. Allegretto vivace on The Jazz Age for Piano Duo by Goldstone & Clemmow Jazz Studies for 2 Pianos: III. Tempo giusto on The Jazz Age for Piano Duo by Goldstone & Clemmow Stevensonia Suite No. 1, Op. 24: IV. Moderato non troppo (The Unseen Playmate) on American Tone Poems by Royal Philharmonic Orchestra & Karl Krueger Piano Sonata in F-Sharp Minor: I. Allegro moderato on Hill: Piano Music by Edward Burlingame Hill & Donna AmatoTrack list and 30sec audio provided by 
Discography
| Title | Artist | Year | Type |
|---|---|---|---|
| Symphony No. 4; Concertino Nos. 1 & 2; Divertimento | Edward Burlingame Hill, Anton Nel, Peter Bay, Austin Symphony Orchestra | 2014 | Album |
| American Masters 2 | Walter Piston, Marc Blitzstein, Edward Burlingame Hill, Orson Welles, The Choral Art Society, Leonard Bernstein, The New York Philharmonic Orchestra | 2000 | Album |
| Berger: Woodwind Quartet (1941); Duo / E.B. Hill: Sextet For Woodwinds, Piano | Arthur Berger, Edward Burlingame Hill, The Fairfield Wind Ensemble, New York Woodwind Quintet, Bernard Greenhouse, Anthony Makas | 1954 | Album |
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