ArtistInfo
Ensemble Cronexos
Le Baroque sur les sentiers des Andes
Album FR 2016 on TAC - Antigua label
Classical (Baroque)
Musicians
 | Ensemble Cronexos , album by |
 | Anibal Sierra fl, art direction, flute, traverso |
 | Nicolas Desprez hps, harpsichord |
 | Barbara Kusa voc, soprano vocals |
 | Lixsania Fernández gam, CU soprano vocals, viola da gamba, 12 |
 | Alex de Valera g, theorbo, guitar |
 | Federico Yacubsohn gam, viola da gamba, edited by |
 | Saskia Salembier vn, violin |
 | Juan de Araujo , 1670-1712 ES performer on track |
 | Anonymous bvoc, acg, performer on track |
 | Andrés Flores , performer on track |
 | Sebastián Durón , ES performer on track |
| Santiago de Murica , performer on track |
 | Lucas Ruiz de Ribayaz g, *1626 ES performer on track |
 | Tomás de Torrejón y Velasco , 1644-1728 PE performer on track |
| Melchor De Torres Y Portugal , performer on track |
| Roque Jacinto de Chavarría , performer on track |
 | Antonio Durán de la Motta , performer on track |
Producers
| Ensemble Cronexos art direction |
| Laurent Compignie mixed by, mastered by |
| Quentin Gilet recorded by |
Album Tracks 
| No | |
Title | Artist | Composer | Duration |
|---|---|---|---|---|---|
| 1 |  | Morenita con gracia es Maria | Juan de Araujo | 3:10 | |
| 2 | | Avecillias sonoras | Juan de Araujo | 5:10 | |
| 3 | | Folias | Anonymous | 3:43 | |
| 4 | | Caravinhas saon | Anonymous | 3:12 | |
| 5 | | A Granada zagales | Andrés Flores | 4:54 | |
| 6 | | Duerme rosa y descansa | Sebastián Durón | 5:05 | |
| 7 | | Los ymposibles | Santiago de Murica | 2:17 | |
| 8 | | Zoipaqui | Anonymous | 6:13 | |
| 9 | | Jácaras | Lucas Ruiz de Ribayaz | 4:30 | |
| 10 | | Triste caudal de lágrimas | Tomás de Torrejón y Velasco | 4:33 | |
| 11 | | Un juguetico de fuego | Melchor De Torres Y Portugal | 4:29 | |
| 12 | | Canzona | Anonymous | 2:45 | |
| 13 | | Si el alba sonora | Tomás de Torrejón y Velasco | 5:21 | |
| 14 | | Para los dolores de la Virgen | Roque Jacinto de Chavarría | 2:31 | |
| 15 | Vaian y vengan | Antonio Durán de la Motta | 3:35 |
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Acknowledgements
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