Album UK 2011 on Chandos label
Classical (Modern)
La Tragédie de Salomé, Op. 50 pour Orchestre d'après un Poéme de Robert d'Humières À Igor Strawinski Le Palais hanté, Op. 49 Étude pour le Palais hanté d'Edgar Poë Psaume XLVII, Op. 38 pour Orchestre, Orgue, Chœurs et Solo À Paul Bigot Recording venue: Sala São Paulo, Júlio Prestes Cultural Center, São Paulo, Brasil; 5-9 July 2010 Recorded in DSD 5.0-channel surround sound TT 68:10 ℗ 2011 Chandos Records Ltd © 2011 Chandos Records Ltd
Florent Schmitt p, voc, 1870-1958 FR album by | |
Susan Bullock , *1958 GB album by, soprano vocals, soloist | |
São Paulo Symphony Orchestra , BR album by | |
São Paulo Symphony Orchestra Choir , BR choir, orchestra, album by | |
Yan Pascal Tortelier vn, *1947 FR conductor, album by | |
Cassidy Rayne Creative , design, typography, typesetting | |
Lebrecht Music & Arts , *1992 illustration, florent schmitt (p. 2) | |
Cláudio Cruz str, vn, BR leader, violin | |
Roger Nichols p, GB liner notes, english | |
Josée Bégaud , liner notes, french translation | |
Bernd Müller , liner notes, german translation | |
Ulrich Schneider , edited by, engineer, sound, producer, recording | |
Robert d'Humières , 1868-1915 FR text by, scenario | |
Cely Kozuki voc, mezzo-soprano vocals | |
Cristiane Minczuk voc, mezzo-soprano vocals | |
Fabiana Portas voc, mezzo-soprano vocals | |
Maria Angélica Leutwiler voc, mezzo-soprano vocals | |
Mônica Weber Bronzati voc, mezzo-soprano vocals | |
Vesna Bankovic voc, mezzo-soprano vocals | |
Natália Áurea voc, soprano vocals | |
Regiane Martinez voc, soprano vocals |
Mary McCarthy a&r, a&r administrator |
Wael Saad artwork, front cover: ' rainy night ' |
Naomi Munakata chorus master |
Ralph Couzens executive producer |
Finn S. Gundersen liner notes, booklet editor |
Jonathan Cooper mastered by, sa-cd mastering |
Anne-Marie Le Blé photography by, booklet (p. 15) |
Tuca Vieira photography by, booklet (p. 25) |
João Musa photography by, booklet (p. 34) |
Alessandra Fratus photography by, booklet (p. 36-37) |
Ana Fuccia photography by, booklet (p. 6) |
Malcolm Crowthers photography by, booklet back cover |
Florent Schmitt |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | La Tragédie De Salomé, Op. 50 | Florent Schmitt – Susan Bullock, São Paulo Symphony Orchestra And São Paulo Symphony Orchestra Choir, Yan Pascal Tortelier | 25:29 | |
2 | I Prélude. Lent - Animez Un Peu - Animez Encore - Un Peu Plus Lent (Mouvement Initial) - Calme [Animez Un Peu] - Plus Lent - | Florent Schmitt – Susan Bullock, São Paulo Symphony Orchestra And São Paulo Symphony Orchestra Choir, Yan Pascal Tortelier | 8:36 | |
3 | Danse Des Perles. Assez Vif - Un Peu Moins Vif - Plus Calme - Animez - Un Peu Moins Vif - Avec Éclat - Animez Peu à Peu - Très Vif, Toutefois Sans Exagération | Florent Schmitt – Susan Bullock, São Paulo Symphony Orchestra And São Paulo Symphony Orchestra Choir, Yan Pascal Tortelier | 3:49 | |
4 | Il Lent - Les Enchantements Sur La Mer. Un Peu Moins Lent (Mouvement Du Prélude) - Animez Un Peu - Cédez Un Peu - Un Peu Plus Lent - Plus Lent - Animez Peu À Peu - Animez Toujours - | Florent Schmitt – Susan Bullock, São Paulo Symphony Orchestra And São Paulo Symphony Orchestra Choir, Yan Pascal Tortelier | 8:37 | |
5 | Danse Des Éclairs. Animé, Sans Exagération - Avec Frénésie - Lent - Animé - Lent - Animé - Lent - | Florent Schmitt – Susan Bullock, São Paulo Symphony Orchestra And São Paulo Symphony Orchestra Choir, Yan Pascal Tortelier | 2:52 | |
6 | Dance De L'Effroi. Animé - Très Élargi - Accélérez Graduellement Jusqu'à La Fin | Florent Schmitt – Susan Bullock, São Paulo Symphony Orchestra And São Paulo Symphony Orchestra Choir, Yan Pascal Tortelier | 1:34 | |
7 | Le Palais Hanté, Op. 49 | Florent Schmitt – Susan Bullock, São Paulo Symphony Orchestra And São Paulo Symphony Orchestra Choir, Yan Pascal Tortelier | ||
8 | Lent - Assez Animé - Presque Lent - Premier Mouvement (Assez Animé) - Très Animé | Florent Schmitt – Susan Bullock, São Paulo Symphony Orchestra And São Paulo Symphony Orchestra Choir, Yan Pascal Tortelier | 13:36 | |
9 | Psaume XLVII, Op. 38 | Florent Schmitt – Susan Bullock, São Paulo Symphony Orchestra And São Paulo Symphony Orchestra Choir, Yan Pascal Tortelier | 28:44 | |
10 | Animé. 'Gloire Au Seigneur!' - Même Mouvement. 'Frappez Des Mains!' - Large. 'Parce Que Le Seigneur Est Très Élevé...' - Premier Mouvement. 'Gloire Au Seigneur!' - | Florent Schmitt – Susan Bullock, São Paulo Symphony Orchestra And São Paulo Symphony Orchestra Choir, Yan Pascal Tortelier | 4:24 | |
11 | Un Peu Moins Vite. 'Parce Que Le Seigneur Est Très Élevé...' - Un Peu Plus Animé. 'Frappez Des Mains Toutes Ensemble!' - Large, Mais Sens Emphase. 'Il Nous A Assujetti Les Peuples...' - Même Mouvement. 'Gloire Au Seigneur!' - | Florent Schmitt – Susan Bullock, São Paulo Symphony Orchestra And São Paulo Symphony Orchestra Choir, Yan Pascal Tortelier | 4:26 | |
12 | Calme. 'Il A Choisi Dans Son Héritage La Beauté De Jacob...' - Large. 'La Beauté De Jacob!' - | Florent Schmitt – Susan Bullock, São Paulo Symphony Orchestra And São Paulo Symphony Orchestra Choir, Yan Pascal Tortelier | 11:29 | |
13 | Même Mouvement. 'Dieu Est Monté Au Milieu Des Chants De Joie! - Mouvement Initial (Animé). 'Nations, Frappez Des Mains!' - Même Mouvement. 'Parce Que Le Seigneur Est Très Élevé...' | Florent Schmitt – Susan Bullock, São Paulo Symphony Orchestra And São Paulo Symphony Orchestra Choir, Yan Pascal Tortelier | 8:23 |