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Frank Zappa
Does Humor Belong In Music?

Album 1986 on EMI label
Jazz and Rock (Jazz-Rock, Avant-garde, Prog Rock)

Remote recording facility: UMRK Mobile Remix @ UMRK This material is 100% digital, 100% live, with NO over-dubs These songs were selected from the repertoire of the 1984 World Tour. Over a six month period, many hours of exciting live material was recorded in a 24 track digital format. It took another six months to remix it onto PCM 1610 digital 2 track masters. If you enjoy this recording, be advised that there is a lot more lurking in the vault. These tunes were selected because they follow the basic outline of the "DOES HUMOR BELONG IN MUSIC?" PMI/ICA video tape, as well as presenting some new, unreleased material. The recording dates were: The Odeon Hammersmith, London, England, 8/10/84 The Civic Center, Providence, Rhode Island, 26/10/84 Amherst College, Lowell, Massachusetts, 28/10/84 The Tower Theater, Philadelphia, Pennsylvania, 10/11/84 The Bismark Theater, Chicago, Illinois, 23/11/84 The Boy Front Arena, St. Petersburg, Florida, 1/12/84 The Paramount Theater, Seattle, Washington, 17/12/84 Queen Elizabeth Theater, Vancouver, British Columbia, 18/12/84 The Universal Amphitheater, Los Angeles, California, 23/12/84 Song Information: ZOOT ALLURES - head is from London, solo from Providence TINSEL-TOWN REBELLION - body of tune is from Chicago Illinois, ending is from Seattle TROUBLE EVERY DAY - verses from St. Petersburg, solo from London PENGUIN IN BONDAGE - vocal sections from Vancouver and St. Petersburg, solo from Vancouver GREEN HOTEL - Vancouver BALTIMORE - front of tune is from Los Angeles, vocals from Philadelphia, solo is from Los Angeles COCK-SUCKERS' BALL - Los Angeles WPLJ - Los Angeles CLEVELAND - intro from Los Angeles, piano solo from St. Petersburg, drum solo from Vancouver, guitar solo from Amherst College, out chorus from Los Angeles WHIPPIN' POST - Los Angeles (the last song of the last show of the last tour) All selections copyrighted by Frank Zappa, published by Munchkin Music, ASCAP except - Track 3 is Frank Zappa Music, BMI - Track 7 is an arrangement made from an acapella bootleg recording by The Clovers with no writer or publisher credits. - Track 8 is published by Dobard Music, BMI - Track 10 published by No Exit, BMI. ℗ 1986 Original Sound Recordings made by Pumpko Industries Ltd. © 1986 Pumpko Industries Ltd. Made in West Germany Released in a standard jewel case with 6-page fold-out inlay. There's a aimilar release Does Humor Belong In Music? pressed by Polygram, Hanover, West Germany

     
Musicians
PortraitFrank Zappa voc, g, 1940-1993 US
arranged by, written by, lead guitar, vocals, producer, album by
PortraitScott Thunes b, voc, *1960 US
bass
PortraitChad Wackerman dr, *1960 US
drums, soloist, drums
PortraitDweezil Zappa voc, g, *1969 US
guitar, soloist
PortraitAllan Zavod p, *1945 AU
keyboards, soloist, keyboards
PortraitBobby Martin key, voc, FR
keyboards, saxophone, vocals
PortraitIke Willis voc, g, *1955 US
rhythm guitar, vocals
PortraitRay White g, US
rhythm guitar, vocals
Producers
Mark Pinske engineer, recording
Thom Ehle engineer, recording
Bob Stone engineer, remix
Album Tracks
No Title Artist Composer Duration
1Zoot AlluresFrank Zappa5:27
2Tinsel-Town RebellionFrank Zappa4:42
3Trouble Every DayFrank Zappa5:31
4Penguin In BondageFrank Zappa6:50
5Hot-Plate Heaven At The Green HotelFrank Zappa6:36
6What's New In BaltimoreFrank Zappa4:47
7Cock-Suckers' BallFrank ZappaTraditional1:05
8WPLJFrank ZappaRay Dobard1:30
9Let's Move To ClevelandFrank Zappa15:44
10Whippin' PostFrank ZappaGregg Allman8:27
External Links
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Acknowledgements
To all the music fans that are contributing on Discogs, MusicBrainz and Wikipedia. Thanks to Franz Flückiger for providing Storygram used to visualize band membership.
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Frank Zappa - Does Humor Belong In Music? US 1985 Rock
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