Album US 1994 on EMI Classics label
Classical (Operetta)
New English narration written by Tom Stoppard. Recorded live July, 1993. Issued in a 'fatboy' boxset with thick libretto booklet.
Franz Lehár , 1870-1948 AT album by | |
Franz Welser-Möst , *1960 AT conductor, album by | |
Glyndebourne Festival Chorus , chorus, album by | |
The London Philharmonic Orchestra , orchestra, album by | |
Felicity Lott voc, *1947 GB soprano vocals, album by | |
Thomas Hampson voc, *1955 US baritone vocals, album by | |
John Aler voc, *1949 US tenor vocals, album by | |
Elzbieta Szmytka voc, *1956 PL soprano vocals, album by | |
Dirk Bogarde voc, 1921-1999 GB narrator |
Franz Lehár |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | Act 1 | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | |||
2 | 1. Act I: Introduktion verehrteste Damen und Herren - Robert Poulton/Kurt Azesberger/Glyndebourne Chorus | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 2:52 | ||
3 | 2. Act I: Narration - Sir Dirk Bogarde | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 3:15 | ||
4 | 3. Act I: Duet. So kommen Sie! . . . Ich bin eine anstand'ge Frau - Elzbieta Szmytka/John Aler | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 4:10 | ||
5 | 4. Act I: Narration - Sir Dirk Bogarde | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 3:36 | ||
6 | 5. Act I: Entree-lied und ensemble. Bitte, meine Herrn . . . Hab' in Paris mich noch nicht ganz so... - Felicity Lott/Kurt AzesbergerRudolf Schasching... | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 3:43 | ||
7 | 6. Act I: Narration - Sir Dirk Bogarde | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 1:28 | ||
8 | 7. Act I: Auftrittslied. O Vaterland du machst bei Tag . . . Da geh' ich zu Maxim - Thomas Hampson | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 2:39 | ||
9 | 8. Act I: Narration - Sir Dirk Bogarde | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 1:44 | ||
10 | 9. Act I: Duet. Ja was? Ein trautes Zimmerlein - John Aler/Elzbieta Szmytka | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 2:48 | ||
11 | 10. Act I: Narration - Sir Dirk Bogarde | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 2:52 | ||
12 | 11. Act I: Fanal I. Damenwahl! Es gibt keine groß're Beleidigung - Felicity Lott/ThomasHampson/Kurt Azesberger/Rudolf Schasching | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 2:51 | ||
13 | 12. Act I: Oh kommet doch, oh kommt, lhr Ballsirenen . . . Wie die Blumen im Lenze erbluh'n - Thomas Hampson/Damenchor/Felicity Lott/Rudolf Schasching/Elzbieta Szmytka | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 2:47 | ||
14 | 13. Act I: Der junge Mann tanzt Polka - Felicity Lott/Thomas Hampson/Kurt Azesberger/john Aler/Glyndebourne | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 4:44 | ||
15 | Act 2 | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | |||
16 | 1. Act II: Introduktion, Tanz und Vilja-lied. Ich bitte,hier jetzt zu verweilen... - Felicity Lott/Glyndebourne Chorus | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 10:13 | ||
17 | 2. Act II: Narration - Sir Dirk Bogarde | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 2:22 | ||
18 | 3. Act II: Duett. Heia, Madel, aufgeschaut . . . Dummer, dummer Reitersmann - Felicity Lott/Thomas Hampson | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 3:14 | ||
19 | 4. Act II: Narration - Sir Dirk Bogarde | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 2:05 | ||
20 | 5. Act II: Marsch-Septett. Wie die Weiber . . . Ja, das Studium der Weiber ist schwer - Thomas Hampson/Robert Poulton/Rudolf Schasching/Kurt Azesberger/Stuart MacIntyre... | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 5:54 | ||
21 | 6. Act II: Narration - Sir Dirk Bogarde | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 1:48 | ||
22 | 7. Act II: Duet und Romanze. Mein Freund, Vernunft! . . . Wie eine Rosenknospe - Elzbieta Szmytka/John Aler | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 6:25 | ||
23 | 8. Act II: Narration - Sir Dirk Bogarde | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 1:58 | ||
24 | 9. Act II: Final II. Ha! Ha! Wir fragen was man von uns will?! . . . Wie eine Rosenknospe - Felicity Lott/Thomas Hampson/Robert Poulton/Elzbieta Szmytka/John Aler | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 3:19 | ||
25 | 10. Act II: Narration - Sir Dirk Bogarde | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 0:32 | ||
26 | 11. Act II: Den Herrschaften hab' ich was zu erzahlen! . . . Die Ehe ist fur mich - Felicity Lott/Elzibieta Szmytka/John Aler/Robert Poulton/Glyndebourne Chorus | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 2:41 | ||
27 | 12. Act II: Ein flotter Ehestand solls sein: Ganz nach Pariser Art! - Tutti | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 2:30 | ||
28 | 13. Act II: Es waren zwei Konigskinder . . . Ich gehe zu Maxim - Tutti | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 3:42 | ||
29 | Act 3 | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | |||
30 | 14. Act III: Narration - Sir Dirk Bogarde | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 1:26 | ||
31 | 15. Act III: Tanz-Szene - London Philharmonic/Franz Welser-Most | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 0:53 | ||
32 | 16. Act III: Chanson; ja, wir sind es, die Grisetten - Elzbeita Szmytka/Grisettenchor | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 3:17 | ||
33 | 17. Act III: Narration - Sir Dirk Bogarde | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 1:54 | ||
34 | 18. Act III: Duet. Lippen schweigen - Felicity Lott/Thomas Hampson | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 3:35 | ||
35 | 19. Act III: Narration - Sir Dirk Bogarde | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 3:01 | ||
36 | 20. Act III: Schlußgesang. Ja, das Studium der Weiber ist schwer - Tutti | Franz Lehár, Franz Welser-Möst, Glyndebourne Festival Chorus, The London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka | 1:20 |
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