ArtistInfo
Fred Frith
All Is Always Now (Fred Frith Live At The Stone)
Album CH 2019 on Intakt Records label
Electronic and Jazz (Free Improvisation, Experimental)
The song titles are taken from headlines in the New York Times on the days of the performances in question. Recorded between 2006 and 2016 at The Stone, New York, USA. All material mixed and/or otherwise sonically enhanced at Jankowski Soundfabrik, Esslingen, on February 27, 28, and March 1, 2018. 1-1: August 30, 2013. 1-2: December 9, 2014. 1-3: September 1, 2013. 1-4: August 31, 2013. 1-5: August 30, 2013. 1-6: September 1, 2013. 1-7: August 31, 2013. 1-8: September 1, 2013. 2-1: August 30, 2013. 2-2: May 13, 2007. 2-3: December 7, 2016. 2-4: December 13, 2014. 2-5: May 13, 2007. 2-6: December 8, 2016. 2-7: October 15, 2009. 3-1: August 28, 2013. 3-2: August 27, 2013. 3-3: December 7, 2016. 3-4: August 27, 2013. 3-5: December 13, 2014. 3-6: December 9, 2016. 3-7: December 10, 2014. 3-8: August 27, 2013. 8 panel gatefold card sleeve with 24 page booklet.
Musicians
 | Fred Frith g, *1949 US liner notes, interviewee, liner notes, conversation (english), liner notes, english, producer, produced by, album by, piano, electric guitar, performer, small objects, instruments, home-made instruments, acoustic guitar, voice, performer, objects, instruments, home-made instruments |
 | Peter Hardt , engineer, creative engineer (mixing, enhancing) |
 | Theresa Wong vc, voc, interviewer, liner notes, conversation (english), cello, voice, electronics |
 | Amma Ateria , electronics |
| Nava Dunkelman , percussion |
 | Jordan Glenn dr, perc, US drums |
 | Jason Hoopes eb, b, cb, US electric bass |
 | Fred Frith Trio , ensemble |
 | Jessica Lurie ts, as, *1967 US guest, alto saxophone, alto sax |
 | Annie Lewandowski p, voc, US piano |
 | Ikue Mori dr machine, *1953 JP electronics |
 | Nate Wooley tr, *1974 US trumpet |
 | Normal , ensemble |
 | Sudhu Tewari , performer, recuperated junk |
 | Pauline Oliveros acc, *1932 US accordion, re-tuned accordion |
| Else Olsen Storesund , piano, prepared piano |
 | Sylvie Courvoisier p, *1968 CH piano |
 | Shelley Hirsch voc, *1952 US voice |
| Clara Weil , voice |
 | Evan Parker ss, ts, *1944 GB saxophone, saxophones |
 | Laurie Anderson vn, voc, *1947 US violin, keyboards, electronics |
 | Gyan Riley g, *1977 US electric guitar |
 | Miya Masaoka cym, *1958 US koto, electronics |
Producers
| Heike Liss photography by, photos, artwork, cover art |
| Jonas Schoder graphic design |
| Anja Illmaier producer, produced by |
| Florian Keller producer, produced by |
| Intakt Records producer, produced by |
| Patrik Landolt producer, produced by |
| Ben Young recorded by |
| Jeremiah Cymerman recorded by |
| Joe Lizzi recorded by |
| Shane Brown recorded by |
| Else Olsen Storesund recorded by, recorded on else's video camera |
Album Tracks 
| No | |
Title | Artist | Composer | Duration |
|---|---|---|---|---|---|
| 1 |  | Another Ship Moves In | Fred Frith | 5:16 | |
| 2 | | Identity Crisis | Fred Frith | 11:42 | |
| 3 | | A Complicated Path | Fred Frith | 7:39 | |
| 4 | | Strife And Soil | Fred Frith | 9:30 | |
| 5 | | Limited Strike | Fred Frith | 6:11 | |
| 6 | | Silver Lining | Fred Frith | 3:07 | |
| 7 | | Slipping | Fred Frith | 16:33 | |
| 8 | | World Of Grief And Doubt | Fred Frith | 6:55 | |
| 9 | | Concussion Suit | Fred Frith | 6:37 | |
| 10 | | From The Backctretch | Fred Frith | 6:32 | |
| 11 | | Shrug At Truth | Fred Frith | 15:26 | |
| 12 | | Reasons To Dream | Fred Frith | 8:15 | |
| 13 | | What Gets Left Behind | Fred Frith | 8:11 | |
| 14 | | Like Animals | Fred Frith | 10:53 | |
| 15 | | A Measure Of Solace | Fred Frith | 10:42 | |
| 16 | | Deter And Degrade | Fred Frith | 8:56 | |
| 17 | | Of Finest Silver | Fred Frith | 3:29 | |
| 18 | | Veils | Fred Frith | 6:27 | |
| 19 | | Held Again | Fred Frith | 7:04 | |
| 20 | | Flare | Fred Frith | 19:26 | |
| 21 | | Hero Of The Space Age | Fred Frith | 7:35 | |
| 22 | | Devoted To A Failed Approach | Fred Frith | 6:07 | |
| 23 | Evidence | Fred Frith | 8:09 |
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