Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville Marriner - Messiah (Arias And Choruses Based On The First London Performance Of March 23rd 1743)

ArtistInfo

Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville Marriner
Messiah (Arias And Choruses Based On The First London Performance Of March 23rd 1743)

Album UK 1977 on Argo label
Classical (Baroque, Oratorio)

Musicians

	Georg Friedrich Händel , 1685-1759 GB album by
	Elly Ameling voc, *1933 NL soprano vocals, album by
	Philip Langridge voc, 1939-2010 GB tenor vocals, album by
	Anna Reynolds voc, fl, 1931-2014 GB contralto vocals, album by
	Gwynne Howell voc, *1938 GB bass vocals, album by
	The Academy Of St. Martin-in-the-Fields , orchestra, album by
	Sir Neville Marriner vn, *1924 GB album by

Producers

Laszlo Heltay chorus master

Sir Neville Marriner directed by

Composers

Georg Friedrich Händel

Album Tracks

No	Title	Artist	Duration
1	No. 2 Comfort Ye (Tenor); No. 3 Ev'ry Valley (Tenor); No. 4 And The Glory Of The Lord (Chorus)	Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville Marriner	9:18
2	No. 8 Behold, A Virgin (Contralto); No. 9 O Thou That Tellest (Contralto And Chorus)	Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville Marriner	5:58
3	No. 12 For Unto Us A Child Is Born (Chorus)	Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville Marriner	4:33
4	No. 16 And Suddenly There Was With The Angel (Soprano); No. 17 Glory To God (Chorus)	Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville Marriner	2:00
5	No. 18 Rejoice Greatly (Soprano)	Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville Marriner	4:07
6	No. 22 Behold The Lamb Of God (Chorus); No. 23 He Was Despised (Contralto)	Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville Marriner	7:28
7	No. 26 All We Like Sheep (Chorus)	Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville Marriner	3:27
8	No. 44 Hallelujah! (Chorus)	Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville Marriner	3:37
9	No. 45 I Know That My Redeemer Liveth (Soprano)	Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville Marriner	5:15
10	No. 48 The Trumpet Shall Sound (Bass)	Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville Marriner	4:00
11	No. 53 Worth Is The Lamb (Chorus); Amen (Chorus)	Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville Marriner	6:28

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Georg Friedrich Händel, Elly Ameling ∙ Philip Langridge, Anna Reynolds ∙ Gwynne Howell, The Academy Of St. Martin-in-the-Fields, Sir Neville MarrinerMessiah (Arias And Choruses Based On The First London Performance Of March 23rd 1743)