Album 1997 on Conifer Classics label
Classical (Modern, Neo-Romantic)
Total Playing Time 74:58 Recorded on 15-16 June 1996 in The Wessex Hall, Poole Arts Centre, Dorset. ℗ 1997 Conifer Records Limited © 1997 Conifer Records Limited Made in the EU. Recorded with the financial assistance of the Finzi Trust. EDR - Extended Dynamic Range This recording was made using 20-bit analogue-to0digitl converters; 20-bit resolution was maintained throughout the editing process, and the 16-bit CD master was then prepared using a noise-shaping algorighm to achieve an effective performance on CD of approximately 19 bits. 20-bit recording and editing utilize the maximum potential of the present 16-bit format of the compact disc, while providing a means by which today's recordings can be preserved for posterity with a degree of accuracy not yet equaled by present 16-bit CDs. CD is packaged in a jewel case (with a white disc holder) and includes a 32 page booklet, notes in English, French, and German; includes song texts.
Gerald Finzi vc, 1901-1956 GB album by | |
Rebecca Evans voc, *1963 album by, soprano vocals | |
Michael George voc, album by, bass vocals | |
Toby Spence voc, album by, tenor vocals | |
Nicholas Daniel ob, *1962 GB album by, oboe | |
Bournemouth Symphony Orchestra , orchestra, album by | |
Vernon Handley str, 1930-2008 GB conductor, album by | |
Tryggvi Tryggvason , engineer, balance | |
Elisabeth Rhodes , liner notes, translated into french | |
Helga Ratcliff , liner notes, translated into german | |
Mike Yarrow , other, typesetting | |
Thomas Traherne , GB lyrics by, poetry by | |
Thomas Hardy , 1840-1928 GB lyrics by, poetry by | |
Ralph Knevet , lyrics by, poetry by | |
George Peele , 1556-1596 GB lyrics by, poetry by | |
John Milton , 1608-1674 GB lyrics by, poetry by | |
William Shakespeare , 1564-1616 GB lyrics by, poetry by |
Alex Hilger art direction, design |
Emma Stocker edited by, digital editing |
Marian Freeman edited by, digital editing |
Andrew Hallifax engineer, assistant |
Simon Foster executive-producer |
Andrew Burn liner notes |
Fleur Olby photography by, cover photography |
Andrew Keener producer, recording |
Oliver Rivers producer, recording |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Dies Natalis: Cantata For High Voice And Strings Op. 8 | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | Thomas Traherne | |
2 | Intrada – Andante Con Moto | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | 5:39 | |
3 | Rhapsody (Recitativo Stromentato) – Andante Con Moto | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | 7:08 | |
4 | The Rapture (Danza) – Allegro Vivace E Giocoso | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | 3:49 | |
5 | Wonder (Arioso) – Andante | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | 5:04 | |
6 | The Salutation (Aria) – Tempo Comodo | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | 4:32 | |
7 | When I Set Out For Lyonnesse: – Tempo De Marcia | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | Thomas Hardy | 2:19 |
8 | Interlude For Oboe And Strings Op. 21 – Andante - A Tempo, Un Poco Piu Animato | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | 13:02 | |
9 | Farewell To Arms Op. 9 | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | ||
10 | Introduction – Andante Quasi Recitativo | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | Ralph Knevet | 3:53 |
11 | Aria – Tempo Comodo | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | George Peele | 4:44 |
12 | Two Sonnets Op. 12 | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | John Milton | |
13 | When I Consider How My Life Is Spent – Slow | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | 5:34 | |
14 | How Soon Hath Time – Slow | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | 3:40 | |
15 | Let Us Garlands Bring Op. 18 | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | William Shakespeare | |
16 | Come Away, Death – Lugubre | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | 3:47 | |
17 | Who Is Silvia? – Allegro | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | 1:35 | |
18 | Fear No More The Heat O' The Sun – Grave | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | 5:01 | |
19 | O Mistress Mine – Allegretto Amabile | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | 2:01 | |
20 | It Was A Lover And His Lass – Allegretto Con Moto | Gerald Finzi – Rebecca Evans • Michael George • Toby Spence • Nicholas Daniel • Bournemouth Symphony Orchestra • Vernon Handley | 2:53 |