Album US 1992 on Atavistic label
Electronic, Rock and Classical (Modern Classical, Experimental, Ambient)
Recorded live at St. Mark's Church, NYC on May 14, 1982. Post production mix at Sorcerer Sound, 1991. Quad-tape recordings used in performance recorded at Radio City Music Hall Studios.
Glenn Branca g, 1948-2018 US conductor, guitar, other, mallet guitar design, tape, harmonics guitars on tape, album by | |
Jeffrey Glenn b, bass | |
Z'ev percussion, metal, bass drum, concert bass drum | |
Stephan Wischerth dr, drums, cymbal, arranged by, trap set arrangements | |
Barbara Ess voc, b, eg, uke, *1948 US guitar, mallet | |
Craig Bromberg guitar, mallet | |
Lee Ranaldo g, voc, *1956 US guitar, mallet, recorded by, producer | |
Robert Harrison guitar, mallet | |
Sue Hanel , guitar, mallet | |
Thurston Moore g, voc, *1958 US guitar, mallet | |
Al Arthur bass drum, guitar, mallet | |
David Linton dr, *1956 US bass drum, guitar, mallet |
Jo Bonney design, original poster design |
Herr Lugus producer, live technical production, engineer, live sound engineering |
Don Hünerberg engineer, quad-tape recordings |
Patrick Derivaz mixed by, post production mix |
Wharton Tiers mixed by, post production mix, recorded by, producer |
Catherine Ceresole photography by |
Judith Wong photography by |
Kim Gordon photography by |
Paula Court photography by |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | First Movement (Slow Mass) | Glenn Branca | 22:19 | ||
2 | Second Movement (Radioactive Poltergeist Kitchen) | Glenn Branca | 19:45 | ||
3 | Third Movement (Melodrama And Nuclear Physics In The Global Theater) | Glenn Branca | 18:38 | ||
4 | Fourth Movement (Sacred Field) | Glenn Branca | 10:27 | ||
5 | Fifth Movement (In The Late 20th Century The Impossible Becomes Possible (Short Excerpt)) | Glenn Branca | 2:18 |
30sec audio samples provided by