ArtistInfo
Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa
The Symphonies / Kindertotenlieder
Compil. 2002 on Philips label
Classical (Romantic)
Musicians
 | Gustav Mahler p, 1860-1911 AT album by |
 | Jessye Norman voc, *1945 US album by, soprano vocals |
 | Kiri Te Kanawa voc, *1944 NZ album by, soprano vocals |
 | Marilyn Horne voc, *1934 US album by, mezzo-soprano vocals |
 | Boston Symphony Orchestra , US orchestra, album by |
 | Seiji Ozawa p, *1935 JP conductor, album by |
 | Benjamin Luxon voc, *1937 GB baritone vocals |
 | Gwynne Howell voc, *1938 GB bass vocals |
 | Boston Boy Choir , choir |
 | Tanglewood Festival Chorus voc, *1970 US chorus |
 | Florence Quivar voc, *1944 US contralto vocals |
 | Lorna Myers contralto vocals |
 | Deborah Sasson voc, *1959 US soprano vocals |
 | Faye Robinson voc, *1943 US soprano vocals |
 | Judith Blegen ss, voc, *1940 US soprano vocals |
 | Kenneth Riegel voc, *1938 US tenor vocals |
 | Kiri te Kanawa , soprano vocals |
| American Boychoir , choir |
Composers
| Gustav Mahler |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | Symphony No. 1 In D Major | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 2 | I. Langsam. Schleppend - Im Anfang Sehr Gemächlich | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 15:54 | |
| 3 | II. Kräftig Bewegt, Doch Nicht Zu Schnell | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 7:25 | |
| 4 | III. Feierlich Und Gemessen, Ohne Zu Schleppen | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:34 | |
| 5 | IV. Stürmisch Bewegt | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 20:01 | |
| 6 | Symphony No. 2 In C Minor Symphony 'Resurrection' | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 7 | I. Allegro Moderato. Mit Durchaus Ernstem Und Feierlichem Ausdruck | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 21:01 | |
| 8 | II. Andante Moderato. Sehr Gemächlich | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:12 | |
| 9 | III. In Ruhig Fließender Bewegung | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:15 | |
| 10 | IV. Urlicht. Sehr Feierlich, Aber Schlicht | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 4:54 | |
| 11 | V. Im Tempo Des Scherzo. Wild Herausfahrend - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 9:32 | |
| 12 | Maestoso. Sehr Zurückhaltend - Wieder Zurückhaltend - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 7:22 | |
| 13 | Sehr Langsam Und Gedehnt - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 2:27 | |
| 14 | Langsam. Misteriso ("Aufersteh'n") | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 6:34 | |
| 15 | Etwas Bewegter ("O Glaube, Mein Herz, Oh Glaube") | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 7:32 | |
| 16 | Symphony No. 6 In A Minor | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 17 | I. Allegro Energico, Ma Non Troppo. Heftig, Aber Markig | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 23:40 | |
| 18 | II. Scherzo. Wuchtig | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 13:38 | |
| 19 | III. Andante Moderato | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 15:06 | |
| 20 | IV. Finale: Allegro Moderato - Allegro Energico | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 30:43 | |
| 21 | Symphony No. 3 In D Minor | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 22 | Part I | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 23 | I. Kräftig. Entschieden | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 33:54 | |
| 24 | Part II | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 25 | II. Tempo Di Minuetto. Sehr Mäßig | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 9:18 | |
| 26 | III. Comodo. Scherzando. Sehr Breit | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 16:42 | |
| 27 | IV. Zarathustras Mitternachtslied. Sehr Langsam. Misterioso | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:20 | |
| 28 | V. Es Sangen Drei Engel. Lustig Im Tempo Und Keck Im Ausdruck | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 4:05 | |
| 29 | VI. Langsam. Ruhevoll. Empfunden | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 23:00 | |
| 30 | Symphony No. 4 In G Major | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 31 | I. Bedächtig. Nicht Eilen - Recht Gemächlich | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 16:20 | |
| 32 | II. In Gemächlicher Bewegung. Ohne Hast | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 9:04 | |
| 33 | III. Ruhevoll. Poco Adagio | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 20:24 | |
| 34 | IV. Sehr Behaglich | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 8:35 | |
| 35 | Symphony No. 5 In C Minor | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 36 | Part I | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 37 | I. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt - Plötzlich Schneller - Leidenschaftlich. Wild - Tempo I | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 12:52 | |
| 38 | II. Stürmisch Bewegt. Mit Größter Vehemenz - Bedeuted Langsamer - Tempo I Subito | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 14:53 | |
| 39 | Part II | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 40 | III. Scherzo. Kräftig, Nicht Zu Schnell | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 17:46 | |
| 41 | Part III | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 42 | IV. Adagietto: Sehr Langsam | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 11:57 | |
| 43 | V. Rondo-Finale: Allegro | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 15:22 | |
| 44 | Symphony No. 7 In E Minor | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 45 | I. Langsam - Allegro Risoluto, Ma Non Troppo | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 21:11 | |
| 46 | II. Nachtmusik: Allegro Moderato | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 16:45 | |
| 47 | III. Scherzo | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:35 | |
| 48 | IV. Nachtmusik: Andante Amoroso | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 14:07 | |
| 49 | V. Rondo-Finale: Allegro Ordinario - Allegro Moderato Ma Energico | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 17:51 | |
| 50 | Kindertotenlieder | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 51 | Nun Will Die Sonn' So Hell Aufgeh'n | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 5:30 | |
| 52 | Nun Seh' Ich Wohl, Warum So Dunkle Flammen | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 4:59 | |
| 53 | Wenn Dein Mütterlein | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 4:52 | |
| 54 | Oft Denk' Ich, Sie Sind Nur Ausgegangen | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 3:17 | |
| 55 | In Diesem Wetter | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 6:33 | |
| 56 | Symphony No. 8 In E Flat Major | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 57 | Part I | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 58 | Hymn: Veni, Creator Spiritus. Allegro Impetuoso | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 23:07 | |
| 59 | Part II: Final Scene From The Second Part Of Goethe's Faust | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 60 | Poco Adagio | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 8:52 | |
| 61 | Waldung, Sie Schwankt Heran | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 13:32 | |
| 62 | Uns Bleibt Ein Erdenrest | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 6:19 | |
| 63 | Dir, Der Unberührbaren | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 15:07 | |
| 64 | Blicket Auf Zum Retterblick | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 5:55 | |
| 65 | Alles Vergängliche | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 6:02 | |
| 66 | Symphony No. 9 In D Major | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 67 | I. Andante Comodo - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:18 | |
| 68 | Mit Wut. Allegro Risoluto - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 5:39 | |
| 69 | Tempo I | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 11:27 | |
| 70 | II. Im Tempo Eines Gemächlichen Ländlers. Etwas Täppisch Und Sehr Derb - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 2:39 | |
| 71 | Poco Piu Mosso Subito - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 2:30 | |
| 72 | Ländler, Ganz Langsam | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:50 | |
| 73 | III. Rondo-Burleske: Allegro Assai. Sehr trotzig | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 12:41 | |
| 74 | Presto | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 0:33 | |
| 75 | IV. Adagio. Sehr Langsam Und Noch Zurückhaltend | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 26:10 | |
| 76 | Symphony No. 10 in F Sharp Minor | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
| 77 | Andante - Adagio | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 29:14 |
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