ArtistInfo
Gustav Mahler, Philharmonia Orchestra, Lorin Maazel
Complete Symphonies Nos. 1-9
Compil. UK 2017 on Signum Classics label
Classical (Romantic)
Musicians
 | Gustav Mahler p, 1860-1911 AT album by |
 | Philharmonia Orchestra , orchestra, album by |
 | Lorin Maazel vn, 1930-2014 US conductor, album by |
 | Mark Stone , baritone vocals |
 | Stephen Gadd voc, b, baritone vocals |
 | BBC Symphony Chorus , *1928 GB chorus |
 | Philharmonia Voices , chorus |
 | The Eton College Chapel Choir , chorus |
 | Tiffin Boys’ Choir , *1957 GB chorus |
 | Anne-Marie Owens mezzo-soprano vocals |
 | Michelle DeYoung voc, *1968 US mezzo-soprano vocals |
 | Sarah Connolly voc, *1963 GB mezzo-soprano vocals |
 | Ailish Tynan voc, IE soprano vocals |
 | Sally Matthews voc, *1975 GB soprano vocals |
 | Sarah Fox , *1973 GB soprano vocals |
 | Sarah Tynan voc, GB soprano vocals |
 | Stefan Vinke , DE tenor vocals |
 | Philharmonia Chorus , chorus |
Composers
| Gustav Mahler |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | Symphony No. 1 | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 2 | I. Langsam, Schleppend - Wie Ein Naturlaut | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 3 | II. Kräftig Bewegt, Doch Nicht Zu Schnell | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 4 | III. Feierlich Und Gemessen, Ohne Zu Schleppen | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 5 | IV. Stürmisch Bewegt | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 6 | Symphony No. 2 'Resurrection' | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 7 | I. Allegro Maestoso | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 8 | II. Andante Moderato. Sehr Gemächlich | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 9 | III. Scherzo. In Ruhig Fliessender Bewegung | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 10 | IV. 'Urlicht'. Sehr Feierlich, Aber Schlicht | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 11 | V. Finale | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 12 | Symphony No. 3 | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 13 | Part One - I. Kräftig. Entscheiden | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 14 | Part Two - II. Tempo Di Menuetto. Sehr Mässig | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 15 | III. Comodo. Scherzando. Ohne Hast | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 16 | IV. Sehr Langsam. Misterioso | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 17 | V. Lustig Im Tempo Und Keck In Ausdruck | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 18 | VI. Langsam. Ruhevoll. Empfunden | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 19 | Symphony No. 4 | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 20 | I. Bedächtig, Nicht Eilen | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 21 | II. In Gemächlicher Bewegung, Ohne Hast | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 22 | III. Ruhevoll, Poco Adagio | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 23 | IV. Sehr Behaglich | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 24 | Symphony No. 5 | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 25 | I. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 26 | II. Stürmisch Bewegt, Mit Grösster Vehemenz | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 27 | III. Scherzo. Kräftig, Nicht Zu Schnell | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 28 | IV. Adagietto. Sehr Langsam | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 29 | V. Rondo-Finale. Allegro - Allegro Giocoso. Frisch | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 30 | Symphony No. 6 | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 31 | I. Allegro Energico, Ma Non Troppo | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 32 | II. Scherzo. Wuchtig | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 33 | III. Andante | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 34 | IV. Finale. Allegro Moderato - Allegro Energico | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 35 | Symphony No. 7 | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 36 | I. Langsam (Adagio) - Allegro Con Fuoco | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 37 | II. Nachtmusik. Allegro Moderato | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 38 | III. Scherzo. Schattenhaft | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 39 | IV. Nachtmusik. Andante Amoroso | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 40 | V. Rondo-Finale. Allegro Ordinario | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 41 | Symphony No. 8 'Symphony Of A Thousand' | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 42 | Part 1. Veni, Creator Spiritus - I. Veni, Creator Spiritus | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 43 | II. Imple Superna Gratia | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 44 | III. Infirma Nostri Corporis | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 45 | IV. Accede Lumen | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 46 | V. Veni, Creator Spiritus | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 47 | Vi. Gloria sit Patri Domino | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 48 | Part 2. Final Scene From Goethe's Faust - I. Poco Adagio | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 49 | II. Waldung, Sie Schwankt Heran | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 50 | III. Ewiger Wonnebrand | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 51 | IV. Wie Felsenabgrund Mir Zu Füssen | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 52 | V. Gerettet Ist Das Edle Glied | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 53 | VI. Und Bleibt Ein Erdenrest - Hier Ist Die Aussicht Frei | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 54 | VII. Höchste Herrscherin Der Welt | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 55 | VIII. Dir, Der Unberührbaren | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 56 | IX. Bei Der Liebe | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 57 | X. Neige, Neige, Du Ohnegleiche | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 58 | XI. Komm! Hebe Dich | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 59 | XII. Blicket Auf Zum Retterblick | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 60 | XIII. Alles Vergängliche | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 61 | Symphony No. 9 | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 62 | I. Andante Comodo | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 63 | II. Im Tempo Eines Gemächlichen Ländlers. Etwas Täppisch Und Sehr Derb | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 64 | III. Rondo-Burleske. Allegro Assai. Sehr Trotzig | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel | ||
| 65 | IV. Adagio. Sehr Langsam Und Noch Zurückhaltend | Gustav Mahler, Philharmonia Orchestra, Lorin Maazel |
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