Compil. 2002 on Philips label
Classical (Romantic)
Gustav Mahler p, 1860-1911 AT album by | |
Jessye Norman voc, *1945 US album by, soprano vocals | |
Kiri Te Kanawa voc, *1944 NZ album by, soprano vocals | |
Marilyn Horne voc, *1934 US album by, mezzo-soprano vocals | |
Boston Symphony Orchestra , US orchestra, album by | |
Seiji Ozawa p, *1935 JP conductor, album by | |
Benjamin Luxon voc, *1937 GB baritone vocals | |
Gwynne Howell voc, *1938 GB bass vocals | |
Boston Boy Choir , choir | |
Tanglewood Festival Chorus voc, *1970 US chorus | |
Florence Quivar voc, *1944 US contralto vocals | |
Lorna Myers contralto vocals | |
Deborah Sasson voc, *1959 US soprano vocals | |
Faye Robinson voc, *1943 US soprano vocals | |
Judith Blegen ss, voc, *1940 US soprano vocals | |
Kenneth Riegel voc, *1938 US tenor vocals | |
Kiri te Kanawa , soprano vocals | |
American Boychoir , choir |
Gustav Mahler |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Symphony No. 1 In D Major | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
2 | I. Langsam. Schleppend - Im Anfang Sehr Gemächlich | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 15:54 | |
3 | II. Kräftig Bewegt, Doch Nicht Zu Schnell | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 7:25 | |
4 | III. Feierlich Und Gemessen, Ohne Zu Schleppen | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:34 | |
5 | IV. Stürmisch Bewegt | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 20:01 | |
6 | Symphony No. 2 In C Minor Symphony 'Resurrection' | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
7 | I. Allegro Moderato. Mit Durchaus Ernstem Und Feierlichem Ausdruck | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 21:01 | |
8 | II. Andante Moderato. Sehr Gemächlich | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:12 | |
9 | III. In Ruhig Fließender Bewegung | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:15 | |
10 | IV. Urlicht. Sehr Feierlich, Aber Schlicht | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 4:54 | |
11 | V. Im Tempo Des Scherzo. Wild Herausfahrend - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 9:32 | |
12 | Maestoso. Sehr Zurückhaltend - Wieder Zurückhaltend - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 7:22 | |
13 | Sehr Langsam Und Gedehnt - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 2:27 | |
14 | Langsam. Misteriso ("Aufersteh'n") | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 6:34 | |
15 | Etwas Bewegter ("O Glaube, Mein Herz, Oh Glaube") | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 7:32 | |
16 | Symphony No. 6 In A Minor | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
17 | I. Allegro Energico, Ma Non Troppo. Heftig, Aber Markig | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 23:40 | |
18 | II. Scherzo. Wuchtig | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 13:38 | |
19 | III. Andante Moderato | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 15:06 | |
20 | IV. Finale: Allegro Moderato - Allegro Energico | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 30:43 | |
21 | Symphony No. 3 In D Minor | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
22 | Part I | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
23 | I. Kräftig. Entschieden | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 33:54 | |
24 | Part II | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
25 | II. Tempo Di Minuetto. Sehr Mäßig | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 9:18 | |
26 | III. Comodo. Scherzando. Sehr Breit | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 16:42 | |
27 | IV. Zarathustras Mitternachtslied. Sehr Langsam. Misterioso | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:20 | |
28 | V. Es Sangen Drei Engel. Lustig Im Tempo Und Keck Im Ausdruck | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 4:05 | |
29 | VI. Langsam. Ruhevoll. Empfunden | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 23:00 | |
30 | Symphony No. 4 In G Major | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
31 | I. Bedächtig. Nicht Eilen - Recht Gemächlich | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 16:20 | |
32 | II. In Gemächlicher Bewegung. Ohne Hast | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 9:04 | |
33 | III. Ruhevoll. Poco Adagio | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 20:24 | |
34 | IV. Sehr Behaglich | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 8:35 | |
35 | Symphony No. 5 In C Minor | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
36 | Part I | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
37 | I. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt - Plötzlich Schneller - Leidenschaftlich. Wild - Tempo I | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 12:52 | |
38 | II. Stürmisch Bewegt. Mit Größter Vehemenz - Bedeuted Langsamer - Tempo I Subito | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 14:53 | |
39 | Part II | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
40 | III. Scherzo. Kräftig, Nicht Zu Schnell | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 17:46 | |
41 | Part III | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
42 | IV. Adagietto: Sehr Langsam | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 11:57 | |
43 | V. Rondo-Finale: Allegro | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 15:22 | |
44 | Symphony No. 7 In E Minor | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
45 | I. Langsam - Allegro Risoluto, Ma Non Troppo | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 21:11 | |
46 | II. Nachtmusik: Allegro Moderato | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 16:45 | |
47 | III. Scherzo | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:35 | |
48 | IV. Nachtmusik: Andante Amoroso | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 14:07 | |
49 | V. Rondo-Finale: Allegro Ordinario - Allegro Moderato Ma Energico | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 17:51 | |
50 | Kindertotenlieder | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
51 | Nun Will Die Sonn' So Hell Aufgeh'n | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 5:30 | |
52 | Nun Seh' Ich Wohl, Warum So Dunkle Flammen | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 4:59 | |
53 | Wenn Dein Mütterlein | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 4:52 | |
54 | Oft Denk' Ich, Sie Sind Nur Ausgegangen | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 3:17 | |
55 | In Diesem Wetter | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 6:33 | |
56 | Symphony No. 8 In E Flat Major | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
57 | Part I | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
58 | Hymn: Veni, Creator Spiritus. Allegro Impetuoso | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 23:07 | |
59 | Part II: Final Scene From The Second Part Of Goethe's Faust | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
60 | Poco Adagio | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 8:52 | |
61 | Waldung, Sie Schwankt Heran | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 13:32 | |
62 | Uns Bleibt Ein Erdenrest | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 6:19 | |
63 | Dir, Der Unberührbaren | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 15:07 | |
64 | Blicket Auf Zum Retterblick | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 5:55 | |
65 | Alles Vergängliche | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 6:02 | |
66 | Symphony No. 9 In D Major | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
67 | I. Andante Comodo - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:18 | |
68 | Mit Wut. Allegro Risoluto - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 5:39 | |
69 | Tempo I | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 11:27 | |
70 | II. Im Tempo Eines Gemächlichen Ländlers. Etwas Täppisch Und Sehr Derb - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 2:39 | |
71 | Poco Piu Mosso Subito - | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 2:30 | |
72 | Ländler, Ganz Langsam | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 10:50 | |
73 | III. Rondo-Burleske: Allegro Assai. Sehr trotzig | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 12:41 | |
74 | Presto | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 0:33 | |
75 | IV. Adagio. Sehr Langsam Und Noch Zurückhaltend | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 26:10 | |
76 | Symphony No. 10 in F Sharp Minor | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | ||
77 | Andante - Adagio | Gustav Mahler / Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | 29:14 |