ArtistInfo
Harry Partch
Enclosure Five
Compil. US 1998 on Innova Recordings label
Electronic and Classical (Modern Classical, Experimental)
Musicians
 | Harry Partch voc, zth, 1901-1974 US album by |
 | John Grimes perc, percussion, cloud chamber bowls, marimba, bamboo |
 | Larry Livingston , US percussion, cloud chamber bowls, marimba, bass |
 | Danlee Mitchell , marimba, diamond |
 | Jack Logan tr, trumpet, arranged by |
Producers
| Jack Williams recorded by |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | Ulysses Departs From The Edge Of The World (A Minor Adventure Of Rhythm) | Harry Partch | 6:28 | |
| 2 | Revelation In The Courthouse Park After The Bacchae Of Euripides (As Excerpted By Partch For Gate 5 Records, Issue F) | Harry Partch | ||
| 3 | Chorus One | Harry Partch | 11:56 | |
| 4 | Chorus Three, In Part | Harry Partch | 7:30 | |
| 5 | From Scene One: Hymn To Dionysus: Holy Joy And Get Religion | Harry Partch | 1:15 | |
| 6 | From Scene Two: Hymn To Dionysus: What The Majority Believes | Harry Partch | 1:27 | |
| 7 | From Scene Two: Hymn To Dionysus: Glory To The Male Womb | Harry Partch | 1:45 | |
| 8 | End Of Scene Three And All Of Chorus Four | Harry Partch | 8:19 | |
| 9 | End Of Scene Four And Coda | Harry Partch | 6:44 | |
| 10 | Introduction To King Oedipus | Harry Partch | 7:43 | |
| 11 | King Oedipus | Harry Partch | ||
| 12 | Introduction | Harry Partch | 1:58 | |
| 13 | Opening Scene | Harry Partch | 6:40 | |
| 14 | First Chorus | Harry Partch | 3:00 | |
| 15 | Tiresias Scene (Beginning) | Harry Partch | 7:59 | |
| 16 | Tiresias Scene (Continued) | Harry Partch | 5:21 | |
| 17 | Second Chorus | Harry Partch | 1:09 | |
| 18 | Creon Scene | Harry Partch | 6:27 | |
| 19 | Iocasta Scene | Harry Partch | 6:12 | |
| 20 | Incidental Music | Harry Partch | 5:02 | |
| 21 | Third Chorus | Harry Partch | 1:43 | |
| 22 | Messenger Scene | Harry Partch | 9:39 | |
| 23 | Fourth Chorus | Harry Partch | 1:05 | |
| 24 | Herdsman Scene | Harry Partch | 5:36 | |
| 25 | Oedipus Scene | Harry Partch | 2:17 | |
| 26 | Fifth Chorus | Harry Partch | 2:10 | |
| 27 | Instrumental Commentary | Harry Partch | 2:58 | |
| 28 | Antiphony | Harry Partch | 2:19 | |
| 29 | Exit Oedipus - Pantomime | Harry Partch | 7:57 | |
| 30 | Final Chorus And Coda | Harry Partch | 1:44 | |
| 31 | - | Harry Partch | ||
| 32 | Menuet (From Partita In G) | Harry Partch | Johann Philipp Krieger | 0:53 |
| 33 | Come Away, Death | Harry Partch | Douglas Moore | 3:01 |
| 34 | Come Away, Death (From December, 1942) | Harry Partch | Douglas Moore | 2:45 |
| 35 | By The Rivers Of Babylon (137th Psalm) | Harry Partch | 3:39 | |
| 36 | Introduction To The Bewitched | Harry Partch | 4:05 | |
| 37 | The Bewitched (A Ballet Satire) | Harry Partch | ||
| 38 | Prologue | Harry Partch | 18:56 | |
| 39 | Scene 1. Background For The Transfiguration Of American Undergrads In A Hong Kong Music Hall | Harry Partch | 5:00 | |
| 40 | Scene 2. Background For The Permutation Of Exercises In Harmony And Counterpoint | Harry Partch | 5:34 | |
| 41 | Scene 3. Background For The Inspired Romancing Of A Pathological Liar | Harry Partch | 5:20 | |
| 42 | Scene 4. Background For The Alchemy Of A Soul Tormented By Contemporary Music | Harry Partch | 5:22 | |
| 43 | Scene 5. Background For The Visions Of A Defeated Basketball Team In The Shower Room | Harry Partch | 4:07 | |
| 44 | Scene 6. Background For The Euphoria On A Sausalito Stairway | Harry Partch | 4:41 | |
| 45 | Scene 7. Background For The Transmutation Of Detectives On The Trail Of A Culprit | Harry Partch | 5:33 | |
| 46 | Scene 8. Background For The Apotheosis Of A Court In Its Own Contempt | Harry Partch | 5:35 | |
| 47 | Scene 9. Background For A Political Soul Lost Among The Voteless Women Of Paradise | Harry Partch | 6:00 | |
| 48 | Scene 10. Background For The Demonic Descent Of The Cognoscenti While Shouting Over Cocktails | Harry Partch | 7:30 | |
| 49 | Epilogue | Harry Partch | 2:02 |
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