ArtistInfo
Harry Partch
The Harry Partch Collection Volume 3
Compil. US 1997 on Composers Recordings Inc. label
Classical (Modern Classical, Experimental)
Historic recordings supervised by the composer and first released on Gate 5 Records. Booklet includes librettos, historic photos and new liner notes. Recorded in 1972, San Diego, California (1), 1958, Chicago, Illinois (2), 1961, Urbana-Champaign, Illinois (3), 1962, Urbana, Illinois (4 to 15). Total playing Time: 69:18 ℗ & © 1997 Composers Recordings, Inc. [reissued in 2005 on New World Records as 80623-2]
Musicians
 | Harry Partch voc, zth, 1901-1974 US chorus, guitar, adapted guitar il, marimba, bass, percussion, boo, diamond marimba, cloud chamber bowls, spoils of war, organ, chromelodeon, viola, adapted, strings, harmonic canon il, kithara il, surrogate kithara, album by |
 | John Ginther bass clarinet |
| Elizabeth Krohne cello |
| Alan Gossard chorus |
| Alexis Glatly chorus |
| Anthony Zeppetella chorus |
 | Barbara Baker , chorus |
| Betty Zinse chorus |
 | Bruce Foote , chorus |
| Carolyn Burrill chorus |
| Coryl Crandall chorus |
| Cynthia Schwartz chorus |
| Danlee Mitchell chorus, marimba, diamond, strings, harmonic canon il, strings, new kithara i |
| Diamanda Tomaras chorus |
| Dianne Layden chorus |
| Elizabeth Coney chorus |
| Elizabeth Hiller chorus |
| Geraldyne Jones chorus |
| Haven Palmquist chorus |
| Helen Curley chorus |
| Jack Bert chorus |
| Jane Daily chorus |
| Janet Campbell chorus |
| Jeff Foote chorus |
| Joan Platt chorus |
 | Joel Klein key, g, chorus |
 | John Garvey vl, chorus, conductor |
| Katherine Bjornson chorus |
| Kathleen Roche chorus |
| Keith Davidson chorus |
| Lynette Barry chorus |
| Margaret Sprehe chorus |
 | Mark Hoffman b, chorus |
| Michael Crosier chorus |
| Nina Cutler chorus |
| Patrick Ann Eichelberger chorus |
| Patrick Day chorus |
 | Scott Meland tb, chorus |
| Stephen Farish chorus |
| Steven Allen chorus |
 | Eddie Allen voc, CA clarinet, drums |
 | Jack Logan tr, conductor |
| Edward Krolick double bass |
| Norbert Cieslewicz double bass |
| James Vandament drums |
| Adrienne Kole guitar, adapted i |
 | Jonathan Szanto perc, vib, kalimba, mbira bass dyad, percussion, bamboo marimba il, strings, ektara |
 | Randy Hoffman perc, US kalimba, mbira bass dyad, percussion, eucal blossom |
| Michael Combs marimba, bass |
| Arthur Schildbach marimba, eroica |
| James Stutsman marimba, eroica |
 | Thomas Siwe perc, marimba, eroica |
| Thomas Turner organ, chromelodeon i |
| Donald Andrus organ, chromelodeon il |
| Francis Thumm organ, chromelodeon il |
 | James Weaver hps, *1937 US organ, chromelodeon il |
 | William Parsons , GB percussion |
 | Emil Richards vib, perc, *1932 US percussion, cloud-chamber bowls |
| Thomas Wardlow percussion, cloud-chamber bowls, strings, castor and pollux |
| Dorcas Ann Newton percussion, diamond marimba |
| Ron Caruso percussion, gourd tree |
 | Jean-Charles François perc, cym, mar, vib, FR percussion, quadrangularis reversum |
 | Thomas Hall perc, percussion, spoils of war |
| Frank Bowen piccolo flute |
| Robert Ruckrigel piccolo flute |
 | Max Murray cb, saxophone, soprano |
 | Freda Pierce voc, soprano vocals |
 | Alan Davis fl, rec, strings, castor and pollux |
| Lyndel Davis strings, crychord, strings, kithara il |
| Dennis Dunn strings, harmonic canon i, new harmonic canon i |
| Jonathan Glasier strings, harmonic canon i, strings, new harmonic canon i |
 | Mark Johnson , strings, harmonic canon il |
| Duane Thomas strings, harmonic canon ill |
 | Michael Ranta , *1942 US strings, surrogate kithara |
| Melaniusz Gienko trombone |
| William Brahms trombone |
 | Cecil Bridgewater tr, fh, *1942 US trumpet |
| Kent Hermsmeyer trumpet |
| Michael Esselstrom trumpet |
| Thomas Knox trumpet |
 | Aaron Johnson tb, US tuba |
| Howard Osborn viola |
 | David Dunn vn, *1953 US viola, adapted |
 | Mark Cleghorn vl, violin |
| Uni Thomas violin |
Producers
| Bob Gilmore liner notes |
| Paul Cooper producer |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | The Dreamer That Remains - A Study In Loving (1972) | Harry Partch | 10:29 | |
| 2 | Windsong (1958) | Harry Partch | 11:36 | |
| 3 | Rotate The Body In All Its Planes - Ballad For Gymnasts (1961) | Harry Partch | 8:52 | |
| 4 | Water! Water! - An Intermission With Prologues And Epilogues (1961) (Excerpts Selected By The Composer) | Harry Partch | ||
| 5 | The Opening Prologue, And The Second Prologue, In Which The Instruments Attack The Producer | Harry Partch | 2:59 | |
| 6 | Water Criers And Lead-In Lines, O What Could He Do But Pick Her Up? (Jazzmen) | Harry Partch | 4:04 | |
| 7 | Water Criers And Lead-In Lines, Witch For Water (Witches) / The Aldermen’s Fugue On No. Wanda The Water Witch (Jazzmen) | Harry Partch | 5:59 | |
| 8 | Santa Mystiana The Beautiful (Her Honor And Conductor) | Harry Partch | 2:39 | |
| 9 | Water Criers. Visitors From Strange And Foreign Places: The Singer From Spoleto, And An Alabama Mockingbird - Dear Old Alabama | Harry Partch | 2:02 | |
| 10 | We Really Love Each Other. In 43 Whines To The Octave (Aldermen, Ladies’ Auxiliary, Jazzmen, Witches) | Harry Partch | 1:41 | |
| 11 | Water Criers. The Baseball Game Is Called On Account Of Rain! | Harry Partch | 3:17 | |
| 12 | To Hell With The Game! Rain! Rain! The Highest Goodness Is Like Water (Whole Ensemble) | Harry Partch | 2:26 | |
| 13 | Opening Epilogue (After Three Days Of Rain). Ghosts, Undele, Oomph! / (The Indian Ghosts Dance Over Clarence’s Body And Play On Liquor Bottles) | Harry Partch | 2:56 | |
| 14 | Water Criers. Intervening Dialogue. We’ll Sue You For A Million! (Her Honor And Jazzmen) | Harry Partch | 3:03 | |
| 15 | Do-Lo-Do-Lo --- Doom! (Aldermen, Ladies, And Ghosts) / Phoebus Bids Farewell. The Indian Runners Bring News. The Final Song And Dance, Gone, Man, Gone! (Whole Ensemble). With The Descending Moan Of The Siren Phoebus Plunges Wildly Into Nothingness. | Harry Partch | 4:55 | |
| 16 | Eighth Epilogue - The Producer Finally Silences The Instruments. / Final Epilogue: “The Highest Goodness Is Like Water.” | Harry Partch | 1:48 |
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