Album US 2011 on Two 15 label
Rock, Folk, World and (Folk, Folk Rock)
Engineered lovingly and Mixed masterfully at Miner Street Studios in Fishtown, Philadelphia. Mastered at Fat City Studios in Blue Bell, PA. Ocean Photography © Richard Msrach, courtesy Fraenkel Gallery, San Francisco, Marc Selwyn Fine Art, Los Angeles and Pace/MacGill Gallery, New York. Image altered per artists permission. © 2011 The Importance Of Being Music ℗ 2011 Hoots & Hellmouth, LLC.
Hoots & Hellmouth , album by | |
Sean Greene , other, automotive | |
Holly Garman other, press | |
Richard Misrach , *1949 US photography by, ocean | |
Mike Reilly , written by, arranged by, performer | |
Rob Berliner , written by, arranged by, performer | |
Sean Hoots g, voc, written by, arranged by, performer | |
Todd Erk b, bvoc, eb, written by, arranged by, performer | |
James McLaughlin , organ | |
William [Biff] Kennedy , percussion, additional | |
Alison Wadsworth voc, vocals | |
Andrew Gray voc, g, vocals | |
Claire Wadsworth , vocals | |
Franz Nicolay p, acc, *1977 US accordion |
Susie Giang booking |
Jonathan Low engineer |
Paul Hammond mastered by |
Doug Seymour photography by, studio |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Why Would You Not Want To Go There? | Hoots & Hellmouth | 4:30 | |
2 | I Don't Mind Your Cussing | Hoots & Hellmouth | 3:34 | |
3 | Lay Low | Hoots & Hellmouth | 4:19 | |
4 | Apple Like A Wrecking Ball | Hoots & Hellmouth | 4:00 | |
5 | Ocean, Open Wide | Hoots & Hellmouth | 3:31 | |
6 | City Lights On A Country Ceiling | Hoots & Hellmouth | 3:36 | |
7 | Shorthand For A Natural Man | Hoots & Hellmouth | 2:52 | |
8 | The Ache | Hoots & Hellmouth | 4:15 | |
9 | Great Day In The Morning | Hoots & Hellmouth | 3:31 | |
10 | Being Borned Again | Hoots & Hellmouth | 5:26 |