Album US 2003 on Deep Listening label
Electronic and Jazz (Experimental, Free Improvisation)
"Recording Field, H" features several firsts: the first recording bringing together Pauline Oliveros and interface; the first video documentation of interface and their unusual instruments; the first video documentation of the sonic character pieces Streams and Pikapika; the first duo connecting shakuhachi and the bowed-sensor-speaker-array; finally, the first DVD released by Deep Listening Publications. The odd-numbered tracks are electronic improvisations, created spontaneously with custom-made instruments. The even-numbered tracks feature Tomie Hahn as two radically contrasting sonic characters. [...] In both pieces Tomie wears a sensing device developed by Curtis Bahn. This interface enables Tomie to negotiate full control of all aspects of the virtual soundscape structure with her movements. The Expanded Instrument System (EIS) has been under continuous development by Pauline Oliveros since 1965. The system began with tape delay and now exists as a Max/MSP program first developed by David Gamper. The current version of the EIS configuration is by Stephan Moore. Thanks to Madeleine Gallagher, Jonathan Lee Marcus, Stephan Moore, and Lazarina Todorova. Produced by "interface," DL 27-2003 © and ℗ 2003 Deep Listening Publications ASCAP On the back cover: Fig. 2. live.electronic.music.video.dance.improvisation Total Time – 66:55
![]() | Interface , US album by |
![]() | Pauline Oliveros acc, *1932 US accordion, other, liner notes, electronics, expanded instrument system |
![]() | Curtis Bahn b, US bass, bass-sensor |
![]() | Tomie Hahn , US shakuhachi, other, dance |
![]() | Dan Trueman vn, *1968 US electronics, bowed-sensor-speaker-array, violin, sensor-violin |
Judy Trueman artwork by |
Interface producer |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | 035" Max | Interface | 12:34 | |
2 | Streams | Interface | 6:29 | |
3 | Recording Field, H | Interface | 12:03 | |
4 | Pikapika | Interface | 9:04 | |
5 | <--100"--> | Interface | 17:41 |