Album US 1992 on Frog Peak Music label
Electronic (Experimental)
The first recorded collection of James Tenney's music of the 1960s. Many of the pieces on this disc were realized at Bell Telephone Laboratories from 1961 to 1969 where Tenney used Max Mathews's digital synthesis program, which eventually became Music IV.
![]() | James Tenney p, 1934-2006 US album by |
![]() | Michael Sumner voc, cover, design, cd |
Tom Erbe engineer, remastered by, digitally remastered |
Larry Polansky producer |
Lauren Pratt liner notes, editor, producer, associate |
No | ![]() |
Title | Artist | Composer | Duration |
---|---|---|---|---|---|
1 | ![]() | Collage #1 ("Blue Suede") | James Tenney | 3:22 | |
2 | ![]() | Analog #1 (Noise Study) | James Tenney | 4:23 | |
3 | ![]() | Dialogue | James Tenney | 4:08 | |
4 | ![]() | Phases (For Edgard Varèse) | James Tenney | 12:20 | |
5 | ![]() | Music For Player Piano | James Tenney | 5:48 | |
6 | ![]() | Ergodos II (For John Cage) | James Tenney | 18:24 | |
7 | ![]() | Fabric For Ché | James Tenney | 9:50 | |
8 | For Ann (Rising) | James Tenney | 11:47 |
30sec audio samples provided by