Compil. DE 1977 on MPS Records label
Jazz and Spoken Word (Radioplay, Education, Spoken Word)
Plattenbeispiele Seite A: - Duke Ellington: C Jam Blues (1942) - Honky Tonk - George Duke: Giant Child Within Us (1975) - Louis Armstrong: Ain't Misbehavin' (1947) - Benny Goodman Orchestra: Jam Session (1936) - Albert Mangelsdorff (mit Elvin Jones, Schlagzeug): The Up And Down Man (1975) - Westafrican Drums - Große Truppenparade: Friedericus Rex - Erroll Garner: I Only Have Eyes For You (1974) - Mozart: Don Giovanni, Finale 1.Akt - Alexander von Schlippenbach (Jackie Liebezeit und Mani Neumeier, Schlagzeug): Globe Unity (1966) - Alphonse Mouzon: Jazz Rock Improvisation (1976) - George Gruntz, Sahib Shihab, Jean-Luc Ponty, The Bedouins: Noon In Tunisia (1967) - Hans Ludwig Schilling: Canzona (Robert Bodenröder, Trompete) - Louis Armstrong: Lovely Weather (1947) - Dizzy Gillespie: The Things Are Here (1968) - Maynard Ferguson: Whisper Not (1967) - Tarantella Alla Pfeifer - Johnny Hodges: Lil' Darlin' (1964) - Lee Konitz: Danke For The Memory (1968) - Charlie Mariano: Thorn Of A White Rose (1967) Plattenbeispiele Seite B: - Careless Love Blues als Salonstück - George Lewis Band: Careless Love (1955) - Perdito: Thema, Harmonien, Improvisationen - Ben Webster Meets Don Byas: Perdito (1968) - Original Tuxedo "Jass" Band: New Orleans Funeral (1964) - Tremble Kids: When You're Smiling (1971) - Bix Beiderbecke And His Orchestra: Deep Down South (1930) - Albert Ammons-Pete Johnson: Boogie Woogie Man Plattenbeispiele Seite C: - Benny Goodman Orchestra, Arr. Fletcher Henderson: Down South Camp Meeting (1936) - Duke Ellington And His Orchestra: Concerto For Cootie (Solist: Cootie Williams) (1940) - Dizzy Gillespie Big Band: Things To Come - Lee Konitz: Honeysuckle Rose (1968) - Charles Mingus: Wednesday Night Prayer Meeting (1959) - Ornette Coleman: Eventually (1961) - Sun Ra And His Intergalactic Research Arkestra: Myth Versus Reality (Sun Ra, Sythesizer) (1970) - John Handy-Ali Akbar Khan: Ganesha's Jubilee Dance (1975) - Gunter Hampel (Flöte) / Pierre Favre (Percussion): The Barriers (1976) - Joachim Kühn (mit Terumasa Hino, Trompete; Alphonse Mouzon, Schlagzeug; Nana Vasconcelos, Percussion): First Frisco (1975) - Alphonse Mouzon (mit Stu Goldberg, Synthesizer): Nyctophobia (1976) - Joachim Kühn (Piano und Solina String Ensemble): Travelling Love (1975) - Charlie Mariano (mit Jan Hammer, Synthesizer und Elektrisches Piano): Neverglades Pixie (1976) - Charlie Mariano (Sopransaxophon) / Jan Hammer (Piano): Charlotte (1976) Plattenbeispiele Seite D: - Fred McDowell: Been Drinking Water - Beispiele zur Blues-Form - Mose Allison: Nothing But The Blues - Ma Rainey: Countin' the Blues (1924) - Jimmy Rushing: Fine And Mellow (mit Ray Nance, Kornett) - Freddie Hubbard: Blues For Duane (1969) - Willie Dixon's Chicago Blues All Stars (with Sunnyland Slim, Piano; Big Walter Shakey Horton, Harmonika): Little Boy Blues (1969) - Joe Turner: Shake, Rattle + Roll (1954) - Alphonse Mouzon (mit Gary Bartz, Altsaxophone): Masterfunk (1976) - Aretha Franklin: Amazing Grace (mit Southern California Community Choir, aufgenommen in den New Temple Missionary Baptist Church Los Angeles) (1972) - Madam Mattie Wigley & Congregation: Power - Stars Of Faith: Swing Low Sweet Chariot (1969) - George Duke: Uncle Remus (1975) - Charlie Mariano (mit John Marshall, Schlagzeug): Helen12trees - Fats Waller And His Band: Let's Break the Good News (1938) - Archie Shepp: Live at the Donaueschingen Music Festival (1967) - Dave Brubeck Quartet: Perdido (1953) - Dizzy Gillespie Reunion Big Band: Things to Come
Joachim Ernst Berendt , 1922-2000 DE script by, producer, narrator, other, selection, album by |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Elemente Des Jazz: Rhythmus, Swing - Tonbildung | Joachim Ernst Berendt | ||
2 | Elemente Des Jazz (Forts.): Tonbildung Und Improvisation - Kurzgeschichte Des Jazz In 20 Beispielen: Ragtime, New Orleans, Dixiland, Chicago Stil, Boogie-Woogie | Joachim Ernst Berendt | ||
3 | Kurzgeschichte Des Jazz In 20 Beispielen (Forts.): Swing-Stil, Bebop, Cool, Free, Jazz-Rock | Joachim Ernst Berendt | ||
4 | Blues Und Gospelsong Als Rückgrat Der Jazzentwicklung - Definition Des Jazz | Joachim Ernst Berendt |