Album US 2001 on Albany Records label
Classical (Modern, Contemporary)
Recording funded in part by the MidAmerican Center for Contemporary Music (Bowling Green State University) and by the Distinguished Artist and Scholar Funds (Bowling Green State University).
John Sampen sax, as, ss, alto saxophone, saxophone, soprano saxophone, album by | |
Marilyn Shrude p, piano, album by, arranged by, setting, composed by | |
John Adams voc, p, *1947 US performer on track, composed by | |
Milton Babbitt , 1916-2011 US performer on track, composed by | |
Karel Husa , *1921 CZ performer on track, composed by | |
Pauline Oliveros acc, *1932 US performer on track, composed by | |
William Albright p, 1944-1998 US performer on track, composed by | |
Samuel Adler , *1928 US performer on track, composed by | |
Bernard Rands , *1934 GB performer on track, composed by | |
Philip Glass org, key, *1937 US performer on track, composed by | |
Joan Tower p, *1938 US performer on track, composed by |
Robert Motherwell artwork, cover art |
Mark Bunce recorded by, edited by, mastered by, engineer, production |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | Postcards From America | John Sampen / Marilyn Shrude | |||
2 | Postmark (From Fearful Symmetries) | John Adams | John Adams | 2:35 | |
3 | Accompanied Recitative | Milton Babbitt | Milton Babbitt | 1:56 | |
4 | Postcard From Home | Karel Husa | Karel Husa | 3:05 | |
5 | Mirrorrim | Pauline Oliveros | Pauline Oliveros | 2:44 | |
6 | Postcard From Kansas: Welcome To Interstate-70 | William Albright | William Albright | 3:14 | |
7 | Pensive Soliloquy | Samuel Adler | Samuel Adler | 5:25 | |
8 | Continuum (Postscript '97) | Marilyn Shrude | Marilyn Shrude | 1:22 | |
9 | - | John Sampen / Marilyn Shrude | |||
10 | Memo 6 | Bernard Rands | Bernard Rands | 9:50 | |
11 | Visions In Metaphor | Marilyn Shrude | Marilyn Shrude | 6:32 | |
12 | Facades | Philip Glass | Philip Glass | 7:14 | |
13 | Wings | Joan Tower | Joan Tower | 9:35 | |
14 | Élégie Et Rondeau | Karel Husa | Karel Husa | 8:27 |
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