German operatic tenor, born 5 July 1920 in Barby, Germany and died 28 October 2012.
Popular Tracks
Orphée aux enfers: Als ich einst Prinz war von Arkadien on Operettenhighlights by Various Artists The Gypsy Princess, Act 2: Duett. Mädel guck (Das ist die Liebe, die dumme Liebe) on Strauss, Lehár, Suppé, Kálmán & Millöcker: Operetta Melodies by Various Artists Der Bettelstudent: Akt I: "Ich knüpfe manche zarte Bande" on Millöcker: Der Bettelstudent by Carl Millöcker, MDR Leipzig Radio Chorus, Rundfunk-Sinfonieorchester Leipzig, Peter Schreier & Günther Herbig The Gypsy Princess, Act 1: Alle sind wir Sünder on Operettenhighlights by Various Artists Salome, Op. 54 / Scene 4: "Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben!" on Richard Strauss: Salome by Richard Strauss, Seiji Ozawa, Jessye Norman, James Morris, Walter Raffeiner, Kerstin Witt, Richard Leech & Staatskapelle Dresden The Gypsy Princess, Act 2: Schwalbenduett. Ich warte auf das grosse Wunder on Operettenhighlights by Various Artists Die Csárdásfürstin: Act III: "Tausend kleine Engel singen" on Kálmán: Die Csárdásfürstin by Emmerich Kálmán, Dresdner Philharmonie, Chor der Staatsoper Dresden & Heinz Rögner Orpheus in der Unterwelt: "Eh hopp. Eh hopp. Platz dem Merkur!" on Offenbach: Orpheus in der Unterwelt by Jacques Offenbach, MDR Leipzig Radio Chorus, Peter Schreier, Robert Hanell & Dresdner Philharmonie Orpheus in the Underworld (Orphée aux enfers) - arr. W. Neef as "Orpheus in der Unterwelt": Eh hopp. Eh hopp. Platz dem Merkur! on Jacques Offenbach: Orpheus in der Unterwelt by Jacques Offenbach, MDR Leipzig Radio Chorus, Dresdner Philharmonie, Horst Neumann & Robert Hanell Salome, Op. 54 / Scene 4: "Salome, bedenk, was du tun willst" on Richard Strauss: Salome by Richard Strauss, Seiji Ozawa, Jessye Norman, James Morris, Walter Raffeiner, Kerstin Witt, Richard Leech & Staatskapelle Dresden
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Acknowledgements
To all the music fans that are contributing on Discogs, MusicBrainz and Wikipedia. Thanks to Franz Flückiger for providing Storygram used to visualize band membership.