Album JP 1990 on Denon label
Classical
Recording dates & place: 25 to 27 Sep. 1990, Fukushima city concert hall in Japan. Voicer : Joji Matsuzaki (Mana Orgelbau) Cooperation: B&W : Speaker system (Model No. MATRIX801 SERIES2) B&K : Microphone for recording, SCHOEPS : Microphone MSTC-54
![]() | Keiko Inoue org, DE organ, marcussen & søn, album by |
![]() | Kazunori Maruyama arranged by |
Emiko Saito edited by |
Keizo Inokuchi engineer |
Hiroyuki Hosaka mastered by |
Daisuke Honchi producer |
Hiroshi Goto recorded by |
Yoshiharu Kawaguchi supervised by |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Prelude And Fugue In C Major BWV547 | Keiko Inoue | Johann Sebastian Bach | 9:38 |
2 | Prelude | Keiko Inoue | ||
3 | Fugue | Keiko Inoue | ||
4 | "Vom Himmel Hoch, Da Komm Ich Her" | Keiko Inoue | Johann Pachelbel | 1:44 |
5 | "Nun Komm, Der Heiden Heiland" BWV659 | Keiko Inoue | Johann Sebastian Bach | 4:12 |
6 | "Der Tag, Der Ist So Freudenreich" BWV605 | Keiko Inoue | Johann Sebastian Bach | 1:54 |
7 | Pastorale In F Major BWV590 | Keiko Inoue | Johann Sebastian Bach | 12:56 |
8 | In F Major | Keiko Inoue | ||
9 | In C Major | Keiko Inoue | ||
10 | In C Minor | Keiko Inoue | ||
11 | In F Major | Keiko Inoue | ||
12 | Pastorale Op.19-4 | Keiko Inoue | César Franck | 9:49 |
13 | Andantino | Keiko Inoue | ||
14 | Quasi Allegretto | Keiko Inoue | ||
15 | Andantino | Keiko Inoue | ||
16 | Pastorale Op.59-2 | Keiko Inoue | Max Reger | 3:00 |
17 | Pastorale ("Aus Meines Herzens Grunde" Op.65-2) | Keiko Inoue | Sigfrid Karg-Elert | 2:45 |
18 | Christmas Medley | Keiko Inoue | 7:46 | |
19 | Stille Nachat, Heilige Nacht | Keiko Inoue | Franz Gruber | |
20 | O Holy Night | Keiko Inoue | Adolphe C. Adam | |
21 | Hark, The Glad Sound The Saviour Comes | Keiko Inoue | Georg Friedrich Händel | |
22 | Adeste Fideles, Laeti Triumphantes | Keiko Inoue | John Francis Wade | |
23 | O Little Town Of Bethlehem | Keiko Inoue | Lewis Redner | |
24 | "Ave Maria" (Ellens Gesang III D839) | Keiko Inoue | Franz Schubert | 2:38 |