ArtistInfo
La Reverdie
Musica Del Medioevo Dal XII Al XV Secolo
Compil. FR on Arcana label
Classical (Medieval)
annex at the newspaper Corriere della Sera
Musicians
 | La Reverdie , IT album by |
 | Elisabetta De Mircovich voc, *1966 IT performer on track |
 | Anonymous bvoc, acg, performer on track |
 | Hildegard Von Bingen , 1098-1179 DE performer on track |
 | Frankes , performer on track |
 | Pérotin , 1160-1230 FR performer on track |
 | Doron David Sherwin cor, performer on track |
 | Johannes Simon De Haspre , performer on track |
 | Jacopo Da Bologna , IT performer on track |
 | Giovanni Da Firenze , IT performer on track |
 | Francesco Landini voc, 1325-1397 IT performer on track |
 | Guillaume Dufay , 1397-1474 FR performer on track |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | Piance la Bella Iguana | Elisabetta De Mircovich | 3:23 | |
| 2 | Ave Maris Stella | Anonymous | 1:27 | |
| 3 | Miri It Is Hwile Sumer Ilasts | Anonymous | 7:10 | |
| 4 | Edi Beo Thu | Anonymous | 3:19 | |
| 5 | Eya Martyr Stephane | Anonymous | 2:26 | |
| 6 | Cum Erubuerint | Hildegard Von Bingen | 2:17 | |
| 7 | Wyth Right Al My Hert | Anonymous | 1:19 | |
| 8 | Quene Note | Frankes | 5:30 | |
| 9 | Mors A Primi Patri / Mors, Que Stimulo / Mors Morsu Nata / Mors | Pérotin | 1:55 | |
| 10 | Dulcis Amor | Anonymous | 3:49 | |
| 11 | Novel Canto | Doron David Sherwin | 5:12 | |
| 12 | Prennés I Gerde /s'on Me Regarde / Hé, Mi Enfant | Anonymous | 1:49 | |
| 13 | Ma Douce Amour | Johannes Simon De Haspre | 1:57 | |
| 14 | In Verde Prato | Jacopo Da Bologna | 2:56 | |
| 15 | Lamento di Tristano / Rotta | Anonymous | 6:59 | |
| 16 | Nel Bosco Senca Foglie | Giovanni Da Firenze | 2:28 | |
| 17 | Troppo Perde 'l Tempo | Anonymous | 6:10 | |
| 18 | Questa Fanciulla Amor | Francesco Landini | 3:33 | |
| 19 | Supremum Est Mortalibus Bonis | Guillaume Dufay | 7:31 | |
| 20 | Post-communio (Missa Sancti Jacobi) | Guillaume Dufay | 1:17 | |
| 21 | Mors Et Vita Duello | Elisabetta De Mircovich | 4:13 |
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Acknowledgements
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