Album MX 2015 on Static Discos label
Electronic and Jazz (IDM, Abstract, Techno, Electro, Dub, Leftfield, Acid Jazz, Ambient)
“These tracks were part of a process that had to do more with other persons than with myself. When I played those tracks people responded very well to them. I reached the conclusion that it would be good to release them as I was more interested at the time in more intellectual music. The hardest part was to have something consistent and reach a full circle, and from there comes the circle on the artwork of the album. It is very interesting to me how I can get close to that circular sequence from what I consider my most accessible work. I also find it to be very warm and that is very important to me. The album also has a timeless feel, it could come from the early 90s or it could be something that sounds new in 2020, it encompasses a wide spectrum with an enduring essence” – LVIS MEJÍA
Lvis Mejía , album by | |
Ruben Tamayo p, syn, MX typography |
Lvis Mejía artwork by |
Lukas Walter mastered by |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | First of All | Lvis Mejía | 5:00 | ||
2 | Anyway, Home | Lvis Mejía | 1:49 | ||
3 | The Daswn Salutes You! | Lvis Mejía | 0:59 | ||
4 | Banda, la última y Nos Vamos! | Lvis Mejía | 3:11 | ||
5 | Y Que Siga la Rumba! | Lvis Mejía | 2:31 | ||
6 | Aghast Moiré | Lvis Mejía | 4:44 | ||
7 | Demons Over Juno | Lvis Mejía | 2:23 | ||
8 | Transcendence | Lvis Mejía | 8:35 | ||
9 | Dicey Reminiscence | Lvis Mejía | 2:57 | ||
10 | Whole In Black | Lvis Mejía | 7:46 |
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