ArtistInfo
María Jiménez
Donde Más Duele (Canta Por Sabina)
Album ES 2002 on Muxxic label
Latin (Flamenco, Rumba)
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Musicians
 | María Jiménez voc, *1951 ES lead vocals, album by |
 | Cuco Pérez acc, *1959 ES accordion |
 | Enrique De Melchor acg, g, 1951-2012 ES acoustic guitar |
 | Gerardo Nuñez acg, g, *1961 ES acoustic guitar |
 | Manolo Franco acg, g, *1960 ES acoustic guitar |
 | Manolo Nieto b, eb, ES bass |
 | Antonio Ramos b, ES guitar, bajo sesto |
 | Bosito percussion, jaleo, palmas |
| Jacques Grande percussion, jaleo, palmas |
 | Sebastián Rubio cjn, perc, dr, ES percussion, drums |
| Mane Larregla synthesizer, percussion, guitar, keyboards, arranged by |
 | Hugo Westerdahl , *1957 ES synthesizer, percussion, guitar, keyboards, mixed by, edited by |
 | Joaquín Sabina acg, bvoc, voc, *1949 ES vocals, featuring |
 | Lichis , vocals, featuring |
 | Estopa , *1999 ES vocals, featuring |
Producers
| José Del Pozo engineer |
| Antonio Ruiz engineer, audio |
| Daniel Altarriba mastered by, assistant |
| Gonzalo Garciapelayo producer |
| Iván García Pelayo producer |
| Jesús Bola producer |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | Con Dos Camas Vacías | María Jiménez | Iván García Pelayo | 4:07 |
| 2 | Cerrado Por Derribo | María Jiménez | Alejo Stivel | 5:23 |
| 3 | Una Canción Para La Magdalena | María Jiménez | Pablo Milanés | 3:10 |
| 4 | Medias Negras | María Jiménez | Álvaro Urquijo | 4:33 |
| 5 | Dieguitos Y Mafaldas | María Jiménez | 3:19 | |
| 6 | Y Nos Dieron Las Diez | María Jiménez | 5:13 | |
| 7 | Por El Bulevar De Los Sueños Rotos | María Jiménez | 2:25 | |
| 8 | El Diario No Hablaba De Tí | María Jiménez | Luis Eduardo Aute | 3:46 |
| 9 | Noches De Boda | María Jiménez | Antonio García De Diego, Benjamín Prado, Pancho Varona | 2:42 |
| 10 | Esta Noche Contigo | María Jiménez | Antonio García De Diego, Benjamín Prado, Pancho Varona | 3:15 |
| 11 | 19 Días Y 500 Noches | María Jiménez | 5:40 | |
| 12 | Ruido | María Jiménez | Pancho Varona, Pedro Guerra | 5:36 |
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Acknowledgements
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