Album US 2011 on Varèse Sarabande label
Electronic and Soundtrack (Modern Classical, Score)
Limited Collector's Edition of 2000 copies. ℗©1998, 2011 Miramax Film Corp. Printed in the U.S.A.
![]() | Marco Beltrami key, *1966 US composed by, conductor, producer, orchestrated by, album by |
![]() | Ken Watson perc, US technician, sound consultant, contractor, music |
![]() | Julian Bratolyubov copyist, music preparation |
![]() | Bill Boston orchestrated by |
![]() | Kevin Manthei , *1970 US orchestrated by, programmed by, additional synth programming |
![]() | Pete Anthony , *1963 US orchestrated by |
E. Gedney Webb edited by, music editor |
Erick Labson mastered by |
Robert Townson producer, the deluxe edition |
Tim Boyle recorded by, mixed by |
Marco Beltrami |
Christophe Beck |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Dimension Logo | Marco Beltrami | 0:19 | |
2 | The Cue From Hell | Marco Beltrami | 10:32 | |
3 | Trouble In Woodsboro | Marco Beltrami | 1:57 | |
4 | Sid’s House | Marco Beltrami | 1:12 | |
5 | Red Herring | Marco Beltrami | 2:17 | |
6 | Killer Calls Sidney | Marco Beltrami | 2:57 | |
7 | Chasing Sidney | Marco Beltrami | 1:29 | |
8 | Cell Phone | Marco Beltrami | 1:01 | |
9 | Backdoor Gail | Marco Beltrami | 0:49 | |
10 | Schoolyard 2 | Marco Beltrami | 1:16 | |
11 | Sid’s Doubt | Marco Beltrami | 1:27 | |
12 | Bathroom | Marco Beltrami | 3:03 | |
13 | Mr. Himbry Gets It | Marco Beltrami | 2:15 | |
14 | Sheriff And Dewey | Marco Beltrami | 1:25 | |
15 | Tatum’s Torture | Marco Beltrami | 3:02 | |
16 | Sidney Wants It | Marco Beltrami | 3:11 | |
17 | Dewey And Gail | Marco Beltrami | 1:56 | |
18 | Off To See Himbry | Marco Beltrami | 0:47 | |
19 | Killer Stabs Billy | Marco Beltrami | 2:49 | |
20 | Randy Almost Gets It | Marco Beltrami | Christophe Beck | 2:37 |
21 | Gail Crashes The Van | Marco Beltrami | 1:48 | |
22 | They’re Crazy | Marco Beltrami | 9:49 | |
23 | Sid Stabs Billy | Marco Beltrami | 4:26 | |
24 | Billy’s Back | Marco Beltrami | 1:15 | |
25 | End Credits | Marco Beltrami | 1:45 |