ArtistInfo
Margaret Johnson
(1924-1927)
Compil. AT 1991 on RST Records label
Blues
A1: 72789-B New York City, 5 September 1924 A2: 72790-B New York City, 5 September 1924 A3: 72791-B New York City, 5 September 1924 A4: 73418-B New York City, c. 9 June 1925 A5: 73419-B New York City, c. 9 June 1925 A6: 73420-B New York City, c. 9 June 1925 A7: 35757-1 New York City, 9 July 1926 A8: 35758-1 New York City, 9 July 1926 A9: 35759-1 New York City, 9 July 1926 B1: 74393-A New York City, c. 7 October 1926 B2: 74394-A New York City, c. 7 October 1926 B3: 36846-2 New York City, 20 October 1926 B4: 37680-2 New York City, 14 February 1927 B5: 37681-1 New York City, 14 February 1927 B6: 37682-2 New York City, 14 February 1927 B7: 81424-B New York City, 8 September 1927 B8: 81425-B New York City, 8 September 1927 Original recordings from the collections of Dr. Michael Arié, Werner Benecke, Roger Misiewicz, Johnny Parth. Compiled and produced for RST Records. Copyright 1991: RST Records, Austria. Remastering: Studio Hans Klement, Vienna. Exclusive Distribution: Rudolf Staeger Obere Amtshausgasse 27/11, A-1050 Vienna, Austria. Phone 0222-54-28-73 Considering the extreme rarity of the original 78s, condition is generally better than might be hoped, but it must be borne in mind that only one or two copies are known to exist of some titles. Discographical details from Blues And Gospel Records 1902 - 1943 by John Godrich and Robert Dixon (third edition, Storyville 1982). NOTE: 4 further titles are on Fat Cat 013 and 014 (Sydney Bechet), 2 titles are on Raretone 24005 (L. Armstrong), 2 titles are on Retrieval FB-306 (Tom Morris); 2 titles remain untraced. B7 skips on the original 78.
Musicians
 | Margaret Johnson voc, US album by, vocals |
 | Johnny Parth , *1930 AT compiled by, producer |
 | Clarence Williams' Harmonizing Four , accompanied by |
 | Ernest Elliot sax, US alto saxophone, poss. |
 | Buddy Christian bj, 1885-1958 US banjo |
 | Bubber Miley tr, 1903-1932 US cornet |
 | Thomas Morris cor, 1897-1945 US cornet |
 | Clarence Williams p, voc, 1893-1965 US piano, leader |
 | Charlie Irvis tb, 1899-1939 US trombone |
 | Black & Blue Trio , accompanied by |
| Unknown Artist , banjo, bass, string bass, clarinet, concertina |
 | Henry Palmer p, *1901 piano |
 | Bob Ricketts p, 1885-1936 US piano |
 | Bob Fuller cl, *1898 US clarinet |
 | Mike Jackson p, 1888-1945 US piano, piano, prob. |
 | Bobbie Leecan g, bj, guitar |
 | Robert Cooksey h, voc, harmonica |
 | Phil Worde p, piano, prob. |
 | Porter Grainger org, p, 1891-1955 US piano |
Producers
| Rudi Staeger executive-producer |
| Hans Klement remastered by |
| John Godrich research |
| Robert Dixon research |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | I Love You Daddy, But You Don't Mean Me No Good | Margaret Johnson | ||
| 2 | Nobody Knows The Way I Feel This Mornin' | Margaret Johnson | ||
| 3 | Absent Minded Blues | Margaret Johnson | ||
| 4 | Nobody's Blues But Mine | Margaret Johnson | ||
| 5 | I'm A Good Hearted Mama (But I Got A Trifling Man) | Margaret Johnson | ||
| 6 | Death House Blues | Margaret Johnson | ||
| 7 | What Kind Of Love Is That | Margaret Johnson | ||
| 8 | Folks In New York City Ain't Like Folks Sown South | Margaret Johnson | ||
| 9 | My Man's Done Done Me Dirty | Margaret Johnson | ||
| 10 | Mama, Papa Don't Wanna Go Back Home | Margaret Johnson | ||
| 11 | Everything That Happens Just Pleases Me | Margaret Johnson | ||
| 12 | When A 'Gator Holler Folks Say It's A Sign Of Rain | Margaret Johnson | ||
| 13 | Good Woman Blues | Margaret Johnson | ||
| 14 | Second-Handed Blues | Margaret Johnson | ||
| 15 | Dead Drunk Blues | Margaret Johnson | ||
| 16 | Stinging Bee Blues | Margaret Johnson | ||
| 17 | Best Friend Blues | Margaret Johnson |
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