Album UK 1995 on Discus label
Electronic and Classical (Modern Classical, Musique Concrète, Experimental)
Martin Archer , *1957 GB synthesizer, electronics, album by, saxophone, sopranino, violin, customised | |
Angie Rosenfeld , cello | |
John Jasnoch man, eg, *1953 GB guitar, electronics, radio | |
Michael Evans dr, percussion | |
Charlie Collins fl, GB sampler, sequenced by, additional synthesizer programming, flute, drum programming, sampler | |
Brian Parsons , vibraphone | |
Simon H. Fell cb, *1959 GB bass | |
Max Wall , bass guitar | |
Mad Dog Jones , trumpet | |
Chris Bywater perc, GB synthesizer, electronics, performer, feedback manipulation |
Abra Cadaver artwork by |
Charlie Collins producer |
Max Wall recorded by |
No | Title | Artist | Composer | Duration | |
---|---|---|---|---|---|
1 | Acceleration Ring | Martin Archer | 6:04 | ||
2 | Field System, Tumulus, Eyes Within Stone | Martin Archer | 4:40 | ||
3 | Fax Agnes Sorel | Martin Archer | 10:55 | ||
4 | Random Axis | Martin Archer | 5:58 | ||
5 | Cold Dark Deep Forever | Martin Archer | 2:11 | ||
6 | I'm Not Made Of Moonbeams But I'm Standing In The Orchard | Martin Archer | 9:37 | ||
7 | Telecottage | Martin Archer | 8:17 | ||
8 | How Did That Story End? | Martin Archer | 6:15 | ||
9 | I'll Meet You At The Centre Of The Sound | Martin Archer | 7:18 | ||
10 | Ghost Lily Cascade | Martin Archer | 13:33 |
30sec audio samples provided by