ArtistInfo
Masaoka Orchestra
What Is The Difference Between Stripping & Playing The Violin?
Album CA 1998 on Les Disques Victo label
Jazz (Free Improvisation)
Musicians
 | Masaoka Orchestra , album by |
 | Myles Boisen g, eg, *1956 US edited by, recorded by, transferred by, numeric transfert |
 | Jim Norton fl, US bassoon, clarinet |
 | Jeff Lukas , cello |
 | Miya Masaoka cym, *1958 US composed by, directed by |
 | Mark Izu b, contrabass, sho, contrabass, sheng |
 | Anthony Brown dr, perc, *1953 JP percussion |
 | Glenn Horiuchi p, 1955-2000 US shamisen |
 | Liu Qi-Chao fl, suona, erhu, erhu, suona |
 | Jeff Song eb, *1963 US tape |
 | Francis Wong ts, fl, US tenor saxophone |
| Lee Yen , tenor saxophone, reeds, hichikichi |
 | Hafez Modirzadeh ts, tenor saxophone, soprano saxophone, piccolo flute, ney, woodwind, karna, gosheme |
 | George Lewis tb, *1952 US trombone |
 | Carla Kihlstedt vn, voc, *1971 US violin |
 | Kei Yamashita vn, violin |
 | Vijay Iyer p, *1971 US violin |
 | Trevor Dunn b, *1968 US electric bass |
 | Liberty Ellman g, acg, *1971 US electric guitar |
 | Patty Liu , electronics |
| Robbie Kauker , electronics |
 | Thomas Day , electronics |
 | Elliot Kavee dr, US percussion, cello |
 | Toyoji Tomita tb, trombone |
| DJ Mariko , turntables |
 | India Cooke vn, violin |
| Sciobhan Brooks , voice |
Producers
| Joanne Vézina co-producer |
| Michel Levasseur co-producer |
| Tim Walters edited by |
| François Bienvenue graphics |
| Lori Eanes photography by |
| Jeff Cressman recorded by |
Composers
| Miya Masaoka |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | 24,000 Years Is Forever - | Masaoka Orchestra | Miya Masaoka | 14:41 |
| 2 | What Is The Difference Between Stripping & Playing The Violin? | Masaoka Orchestra | Miya Masaoka | 35:10 |
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Acknowledgements
To all the music fans that are contributing on Discogs, MusicBrainz and Wikipedia. Thanks to Franz Flückiger for providing Storygram used to visualize band membership.ArtistInfo for Mac, iPad, and iPhone
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