Album DE 2016 on Ricercar label
Classical (Baroque)
℗ Outhere 1988-2013 © Outhere 2016 Recordings: Sacred Works: Abbaye De Stavelot, January & March 1992 Keyboard Works: Chapelle De Charneux-Monty, March 1988 Chamber Music & Songs: Bolland, église Saint Appolinnarie, May 1995 Organ works: Hollern & Stade, May 2012 / Hamburg, September 2013 Delivered in a cardboard box including 102 page booklet with notes and sung text in English, French and German A E.U. production made in Austria by Sony DADC, Austria AG
![]() | Matthias Weckmann , 1616-1674 DE album by |
![]() | Ricercar Consort , *1980 BE ensemble, album by |
![]() | Ensemble La Fenice , FR ensemble, album by |
![]() | Bernard Foccroulle org, *1953 BE liner notes, organ, album by |
![]() | Siebe Henstra hps, clv, org, harpsichord, clavichord, album by |
![]() | Max van Egmond voc, *1936 ID bass vocals |
![]() | Christian Beuse bsn, bassoon |
![]() | Jean-Louis Fiat bsn, bassoon |
![]() | Hidemi Suzuki vc, JP cello |
![]() | Erik Van Nevel voc, BE conductor |
![]() | Jean Tubéry cor, conductor, cornett, cornettino |
![]() | James Bowman voc, *1941 GB countertenor vocals |
![]() | Eric Mathot cb, double bass |
![]() | Capella Sancti Michaelis voc, *1983 BE ensemble |
![]() | Jean-Marc Aymes org, hps, *1961 FR harpsichord, organ |
![]() | Peter Lockwood , liner notes, english translation |
![]() | Ruthi Simons , liner notes, french translation |
![]() | Silvia Ronelt , liner notes, german translation |
![]() | Guy Penson org, hps, *1958 BE organ |
![]() | Jan Willem Jansen org, organ |
![]() | Greta de Reyghere voc, BE soprano vocals |
![]() | Jill Feldman voc, *1952 US soprano vocals |
![]() | Guy De Mey voc, *1955 BE tenor vocals |
![]() | Ian Honeyman voc, tenor vocals |
![]() | Christina Pluhar g, hrp, *1965 AT theorbo |
![]() | Philippe Malfeyt fl, g, BE theorbo |
![]() | Vincent Dumestre g, fl, theorbo |
![]() | Alain Pire tb, trombone |
![]() | Jean-Jacques Herbin tb, trombone |
![]() | Jean-Marie Xhonneux tb, trombone |
![]() | Sébastien Jadot tb, trombone |
![]() | Kaori Uemura vn, gam, BE viol, bass |
![]() | Piet Stryckers vn, b, BE viol, bass |
![]() | Rainer Zipperling vc, DE viol, bass |
![]() | Sophie Watillon vn, gam, 1965-2005 BE viol, bass |
![]() | Philippe Pierlot vn, gam, *1958 BE viol, bass, viol, treble |
![]() | Ghislaine Wauters vn, violin, iii |
![]() | Enrico Gatti vn, *1955 IT violin, ii |
![]() | Mihoko Kimura vn, violin, ii |
![]() | François Fernandez vn, *1960 FR violin, i |
Ibo Ortgies liner notes |
Jérôme Lejeune liner notes, recorded by, edited by, producer, direction artistique |
Frédéric de Roos recorder |
Patrick Denecker recorder |
Matthias Weckmann |
No | Title | Artist | Composer | Duration |
---|---|---|---|---|
1 | Geistliche Concerten | Matthias Weckmann | ||
2 | Weine Nicht | Matthias Weckmann | 13:26 | |
3 | Zion Spricht | Matthias Weckmann | 8:07 | |
4 | Herr, Wenn Ich Nur Dich Habe | Matthias Weckmann | 7:29 | |
5 | Wie Liegt Die Stadt So Wüste | Matthias Weckmann | 15:53 | |
6 | Dialogo Von Tobias Und Raguel | Matthias Weckmann | 11:34 | |
7 | Kommet Her Zu Mir Alle | Matthias Weckmann | 8:02 | |
8 | Angelicus Coeli Chorus | Matthias Weckmann | 7:16 | |
9 | Es Erhub Sich Ein Streit | Matthias Weckmann | 7:02 | |
10 | Gegrüsset Seist Du, Holdselige | Matthias Weckmann | 6:25 | |
11 | Wenn Der Herr Die Gefangenen Zu Zion | Matthias Weckmann | 10:44 | |
12 | Rex Virtutum | Matthias Weckmann | 5:27 | |
13 | Der Tod Ist Verschlungen In Den Sieg | Matthias Weckmann | 4:07 | |
14 | Chamber Music | Matthias Weckmann | ||
15 | Sonata G-Dur à 3 (No.10) | Matthias Weckmann | 3:34 | |
16 | Sonata D-Moll à 4 (No.9) | Matthias Weckmann | 6:08 | |
17 | Sonata G-Dur à 4 (No.6) | Matthias Weckmann | 3:52 | |
18 | Sonata D-Dur à 4 (No.7) | Matthias Weckmann | 3:55 | |
19 | Sonata A-Moll à 3 (No.8) | Matthias Weckmann | 2:49 | |
20 | Sonata D-Dur à 4 (No.1) | Matthias Weckmann | 3:29 | |
21 | Sonata G-Dur à 4 [Battaglia] (No.5) | Matthias Weckmann | 4:23 | |
22 | Sonata A-Moll à 4 (No.4) | Matthias Weckmann | 4:19 | |
23 | Sontata G-Dur à 4 (No.3) | Matthias Weckmann | 4:44 | |
24 | Sonata D-Dur à 4 (No.2) | Matthias Weckmann | 4:50 | |
25 | Keyboard Works | Matthias Weckmann | ||
26 | Suite H-Moll Praeludium - Allemanda - Courante - Saraband - Gigue | Matthias Weckmann | 7:26 | |
27 | Toccata D-Moll | Matthias Weckmann | 2:46 | |
28 | Canzon D-Moll | Matthias Weckmann | 3:06 | |
29 | Toccata E-Moll | Matthias Weckmann | 2:59 | |
30 | Toccata Vel Praeludium D-Moll (Partita) | Matthias Weckmann | 1:57 | |
31 | Suite D-Moll Allmand - Courant - Sarabanda - Gigue | Matthias Weckmann | 5:56 | |
32 | Lucidor Eins Hütt Der Schaf | Matthias Weckmann | 2:08 | |
33 | Toccata E-Moll | Matthias Weckmann | 2:48 | |
34 | Suite E-Moll Alleman - Gigue - Saraband | Matthias Weckmann | 5:04 | |
35 | Canzona G-Dur | Matthias Weckmann | 2:48 | |
36 | Suite C-Moll Allamanda - Gugue - Courant - Saraband & Le Double | Matthias Weckmann | 7:13 | |
37 | Canzon C-Dur | Matthias Weckmann | 2:28 | |
38 | Suite A-Moll Allemand - Gigue - Courant - Saraband | Matthias Weckmann | 6:09 | |
39 | Die Lieblichen Blicke (Partita) | Matthias Weckmann | 6:05 | |
40 | Toccata C-Dur | Matthias Weckmann | 2:55 | |
41 | Canzon C-Moll | Matthias Weckmann | 1:52 | |
42 | Canzon C-Moll | Matthias Weckmann | 4:44 | |
43 | Toccata A-Moll | Matthias Weckmann | 4:45 | |
44 | Lieder | Matthias Weckmann | ||
45 | Der Reinweissen Hertzogin Hochklahre Seelenfarbe | Matthias Weckmann | 1:58 | |
46 | Ehrenlied An Herrn Martenitz | Matthias Weckmann | 1:46 | |
47 | Der Reinweissen Hertzogin Hochklahre Liebesfarbe | Matthias Weckmann | 2:33 | |
48 | Der Schöne Hamburgerin Liebigkeit | Matthias Weckmann | 1:51 | |
49 | Loblied Auf Herrn Schuppen | Matthias Weckmann | 1:19 | |
50 | Schöne Hamburgerin Abgesang | Matthias Weckmann | 1:43 | |
51 | Mühlenlied | Matthias Weckmann | 1:29 | |
52 | Scherzlied An Die Süsse Anabelle | Matthias Weckmann | 2:47 | |
53 | Freudenlied Auf Die Güldene Hochzeit | Matthias Weckmann | 1:42 | |
54 | Organ Works | Matthias Weckmann | ||
55 | Gott Sei Gelobet Und Gebenedeiet | Matthias Weckmann | ||
56 | Primus Versus (à 4) | Matthias Weckmann | 2:37 | |
57 | Secundus Versus (Auff 2 Clavir) | Matthias Weckmann | 3:58 | |
58 | Canzona [C Dur] | Matthias Weckmann | 2:49 | |
59 | Praeambulum | Matthias Weckmann | 3:37 | |
60 | Ach Wir Armen Sünder | Matthias Weckmann | ||
61 | Versus 1 (Choral In Ten:) | Matthias Weckmann | 1:55 | |
62 | Versus 2 (à 2 Clav. è Ped:) | Matthias Weckmann | 2:47 | |
63 | Versus 3 (à 2 Clav.) | Matthias Weckmann | 2:46 | |
64 | Fuga Ex D Ped. Primi Toni | Matthias Weckmann | 5:04 | |
65 | Gelobet Seist Du Jesu Christ (II) | Matthias Weckmann | ||
66 | Primus Versus (à 4) | Matthias Weckmann | 1:24 | |
67 | Secundus Versus (Auff 2 Clavir) | Matthias Weckmann | 1:13 | |
68 | Tertius Versus (à 3 Voc.) | Matthias Weckmann | 1:00 | |
69 | Canzona [G Dur] | Matthias Weckmann | 3:08 | |
70 | Es Ist Das Heil Uns Kommen Her | Matthias Weckmann | ||
71 | Primus Versus (à 5 Voc. Im Vollen Werck) | Matthias Weckmann | 3:13 | |
72 | Secundus Versus (Manualter In Hyperdiapente Post Miniman) | Matthias Weckmann | 1:57 | |
73 | Tertius Versus (Auff 2 Clavir) | Matthias Weckmann | 3:27 | |
74 | Quartus Versus (à 3 Pedaliter, Canon In Subdiapason Post Semiminimam) | Matthias Weckmann | 2:46 | |
75 | Quintus Versus (à 3 Pedal[iter], Canon In Disdiapente Post Semiminimam) | Matthias Weckmann | 2:53 | |
76 | Sextus Versus (Auf 2 Clavir) | Matthias Weckmann | 10:33 | |
77 | Septimus Et Ultimus Versus (Im Vollen Werk, Choral Im Tenor) | Matthias Weckmann | 3:52 | |
78 | O Lux Beata Trinitas | Matthias Weckmann | ||
79 | Primus Versus (Im Vollen Werck | Matthias Weckmann | 2:49 | |
80 | Secundus Versus (à 4. Choral In Cantu, Manualiter Vel Si Placet Pedaliter) | Matthias Weckmann | 1:40 | |
81 | Tertius Versus (à 4 Vo.) | Matthias Weckmann | 2:24 | |
82 | Quartus Versus (Manualiter) | Matthias Weckmann | 7:50 | |
83 | [1.Variatio] | Matthias Weckmann | ||
84 | [2. Variatio] | Matthias Weckmann | ||
85 | 3.Variatio (à 3 Voc. Canon In Hypodiapason Poest Semininiman) | Matthias Weckmann | ||
86 | 4. Variatio (Canon In Hyodiapason Post [Semi]minimam | Matthias Weckmann | ||
87 | Quintus Versus (Auff 2 Clavier) | Matthias Weckmann | 5:21 | |
88 | Sextus Versus (à 5 Im Vollen Werck) | Matthias Weckmann | 2:31 | |
89 | Canzona [C Dur] | Matthias Weckmann | 2:13 | |
90 | Fantasia Ex D | Matthias Weckmann | 4:37 | |
91 | Canzona [C Moll] | Matthias Weckmann | 5:12 | |
92 | Gelobet Seist Du, Jesu Christ (I) | Matthias Weckmann | ||
93 | Primus Versus (à 4) | Matthias Weckmann | 1:15 | |
94 | Secundus Versus (Auff 2 Clavir) | Matthias Weckmann | 6:14 | |
95 | Tertius Versus (Auff 2 Clavir) | Matthias Weckmann | 2:15 | |
96 | Quartus Versus (à 3) | Matthias Weckmann | 1:29 | |
97 | Nun Freut Euch, Lieben Christen Gmein | Matthias Weckmann | ||
98 | [Primus Versus] | Matthias Weckmann | 2:06 | |
99 | Secundus Versus (Auff Zwey Clavir) | Matthias Weckmann | 2:12 | |
100 | Terttius Versus | Matthias Weckmann | 2:37 | |
101 | Canzona [D Moll] | Matthias Weckmann | 3:22 | |
102 | Komm, Heiliger Geist, Herre Gott | Matthias Weckmann | ||
103 | [1. Versus] | Matthias Weckmann | 2:22 | |
104 | [2. Versus] (Auff 2 Clavir) | Matthias Weckmann | 3:51 | |
105 | 3. Versus (à 3) | Matthias Weckmann | 3:51 | |
106 | Magnificat II. Toni | Matthias Weckmann | ||
107 | Primus Versus (à 5) | Matthias Weckmann | 1:23 | |
108 | Secundus Versus (à 4, Auff Clavier) | Matthias Weckmann | 2:12 | |
109 | Tertius Versus (à 5) | Matthias Weckmann | 2:13 | |
110 | Quartus Versus (à 6) | Matthias Weckmann | 1:20 |