ArtistInfo
Maxime Le Forestier
Bataclan 1989
Album FR 1989 on Polydor label
Pop (Chanson)
Come in a gatefold sleeve. Recorded on 17 and 18 February 1989 at the Bataclan, Paris. Made in France. Ⓟ © 1989.
Musicians
 | Maxime Le Forestier voc, acg, g, *1949 FR album by, music by, words by, words by, music by |
 | Sylvin Marc b, *1949 FR bass |
 | Aura Lewis voc, *1947 chorus |
 | Les Choeurs De France , chorus |
 | Kirt Rust dr, perc, *1957 FR drums |
 | Jean-Michel Kajdan g, eg, FR guitar |
 | Pierre Terrasson , *1952 FR photography by, musicians |
 | Benoît Widemann key, ep, *1957 FR synthesizer |
 | Jean-Pierre Kernoa , FR words by |
 | Jacques Brel voc, g, 1929-1978 BE words by |
 | Michel Jonasz voc, g, key, *1947 FR words by |
 | Catherine Le Forestier voc, vn, perc, *1946 FR words by |
Producers
| Dominique Poncet mixed by, recorded by |
| Jean-Pierre Sabar mixed by |
| Gamma photography by, front cover |
| Mohamed Lounes photography by, front cover |
| Erick Ifergan photography by, rear cover |
Album Tracks
| No | Title | Artist | Composer | Duration |
|---|---|---|---|---|
| 1 | La Rouille | Maxime Le Forestier | 2:25 | |
| 2 | After Shave | Maxime Le Forestier | 4:05 | |
| 3 | Frisson D'Avril | Maxime Le Forestier | 4:03 | |
| 4 | Les Deux Mains Prises | Maxime Le Forestier | 3:19 | |
| 5 | La Visite | Maxime Le Forestier | 4:31 | |
| 6 | J'Ai Eu 30 Ans | Maxime Le Forestier | 3:29 | |
| 7 | Histoire De Plantes | Maxime Le Forestier | 5:01 | |
| 8 | Une Cousine | Maxime Le Forestier | 4:00 | |
| 9 | La Chanson Des Vieux Amants | Maxime Le Forestier | 4:20 | |
| 10 | Ma Brave Dame | Maxime Le Forestier | 3:00 | |
| 11 | Ambalaba | Maxime Le Forestier | Claudio Veeraragoo | 4:49 |
| 12 | Les Jours Meilleurs | Maxime Le Forestier | 6:36 | |
| 13 | San Francisco | Maxime Le Forestier | 4:42 | |
| 14 | Né Quelque Part | Maxime Le Forestier | 5:12 | |
| 15 | Comme Un Arbre | Maxime Le Forestier | 5:15 | |
| 16 | Mon Frère | Maxime Le Forestier | 4:06 | |
| 17 | Education Sentimentale | Maxime Le Forestier | 3:31 |
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Acknowledgements
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